Son of Frankenstein - crew, film crew
The entire team, the film crew of the film "Son of Frankenstein"
Son of Frankenstein (1939)
Timing:
1:39 (99 min)
6.7/10
226
226
6.632/10
1149
1149
7/10
13000
13000
Film crew
Director
Producer
Editor
Ted J. Kent
Editor
Costume Design
Stunts
Bud Wolfe
Stunts
Set Decoration
Russell A. Gausman
Set Decoration
Makeup Artist
Original Music Composer
Orchestrator
Director of Photography
George Robinson
Director of Photography
Costume Designer
Screenplay
Wyllis Cooper
Screenplay
Novel
Special Effects
John P. Fulton
Special Effects
Assistant Director
Fred Frank
Assistant Director
Sound Recordist
William Hedgcock
Sound Recordist
Sound Supervisor
Assistant Camera
Arthur Gerstle
Assistant Camera
Music Arranger
Hans J. Salter
Music Arranger
Music Director
Art Department Manager
Richard H. Riedel
Art Department Manager
Co-Art Director
What's left behind the scenes
- Boris Karloff's makeup for the Frankenstein monster took 4 hours to apply.
- The town where the action takes place is called "Goldstadt" in the first two films, "Frankenstein" (1931) and "Bride of Frankenstein" (1935). In this film, the town is called "Frankenstein", and in subsequent films it is referred to as "Vasaria".
- The film was originally intended to be Universal's first experience with "Technicolor", but the idea was soon abandoned: Karloff's makeup did not look good in color.
- It took four hours to apply Boris Karloff's makeup for the role of Frankenstein.
- The film was supposed to be 'Universal's' first experience with 'Technicolor,' but the idea was soon abandoned: Karloff's makeup looked poor in color.
- The film didn't have a script as such, and a significant part of the plot was invented on the fly just before filming began. This is how director Rowland V. Lee managed to keep Bela Lugosi in the cast and develop the role of Igor, which didn't exist in Willis Cooper's original screenplay at all. Lugosi remained forever grateful to Lee for creating one of his best roles in the film. Filming began, after numerous delays, on November 9, 1938, and ended on January 5, 1939, just days before the premiere, which was scheduled for January 13.
- The film was supposed to be “Universal’s” first experience with “Technicolor,” but the idea soon had to be abandoned: Karloff’s makeup looked bad in color.
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