The Terror - crew, film crew

The entire team, the film crew of the film "The Terror"
The Terror (1963)
Timing: 1:19 (79 min)
The Terror - TMDB rating
5.108/10
143

Film crew

Director

Dennis Jakob
Director
Jack Hale
Director

Producer

Executive Producer

Harvey Jacobson
Executive Producer

Editor

Stuart O'Brien
Editor

Art Direction

Costume Design

Marjorie Corso
Costume Design

Second Unit Director

Set Decoration

Harry Reif
Set Decoration

Original Music Composer

Ronald Stein
Original Music Composer

Associate Producer

Director of Photography

John M. Nickolaus Jr.
Director of Photography

Property Master

Richard M. Rubin
Property Master

Visual Effects Producer

Donald C. Glouner
Visual Effects Producer

Screenplay

Photo Jack Hill #256746Photo Jack Hill #340498

Jack Hill

Jack Hill
Screenplay

Location Manager

Photo Monte Hellman #66056Photo Monte Hellman #328312Photo Monte Hellman #328313

Monte Hellman

Monte Hellman
Location Manager

Assistant Director

Paul Rapp
Assistant Director

Music

Photo Les Baxter #161928Photo Les Baxter #161929Photo Les Baxter #161930
Les Baxter
Music

Conductor

Ronald Stein
Conductor

What's left behind the scenes

  • The film has three alternative titles: “Castle of Terror,” “Lady of the Shadows,” and “The Haunting.”
  • According to popular belief, Corman shot the entire film in a few days after filming 'The Crow' using the same sets and partially the same actors (Nicholson and Karloff).
  • Before and after this film, director Roger Corman filmed adaptations of Edgar Allan Poe's works ( "The Raven," "The Masque of the Red Death") and considered "The Terror" part of that cycle. Corman's previous films ended with scenes of the destruction of a mansion or castle in flames, but this time he decided to destroy the castle with a flood. Considering the abundance of second unit directors working on the film (there were four of them), Jack Nicholson asked for – and received – permission to shoot the final flood scene.
  • One of the second unit directors was Francis Ford Coppola. It took him 11 days to shoot, and only 10 minutes of footage made it into the film.
  • Roger Corman shot a substantial portion of the film in just 4 days.
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