Waterloo - crew, film crew

The entire team, the film crew of the film "Waterloo"
Waterloo (1970)
Timing: 2:14 (134 min)
Waterloo - TMDB rating
7.1/10
187
Waterloo - Kinopoisk rating
7.724/10
5166
Waterloo - IMDB rating
7.3/10
14000

Film crew

Director

Producer

Editor

Richard C. Meyer
Editor

Art Direction

Ferdinando Giovannoni
Art Direction
A. Menyalshchikov
Art Direction
Photo Semyon Valyushok #340633
Semyon Valyushok
Art Direction

Costume Design

Maria De Matteis
Costume Design
Photo Ugo Pericoli #74059
Ugo Pericoli
Costume Design

Production Design

Stunt Coordinator

Photo Franco Fantasia #55854
Franco Fantasia
Stunt Coordinator

Set Decoration

Emilio D'Andria
Set Decoration
Ken Muggleston
Set Decoration

Makeup Artist

Mikhail Chikiryov
Makeup Artist

Original Music Composer

Photo Nino Rota #11810

Nino Rota

Nino Rota
Original Music Composer

Production Supervisor

Guy Luongo
Production Supervisor
Piotor M. Sviridov
Production Supervisor

Associate Producer

Richard C. Meyer
Associate Producer

Director of Photography

Armando Nannuzzi
Director of Photography

Camera Operator

Giuseppe Bernardini
Camera Operator
J.N. Carpuchin
Camera Operator

Supervising Sound Editor

Les Wiggins
Supervising Sound Editor

Hairstylist

Paolo Borselli
Hairstylist

Still Photographer

Alfonso Avincola
Still Photographer
Paul Ronald
Still Photographer

First Assistant Director

Photo Vladimir Dostal #257363Photo Vladimir Dostal #340634
Vladimir Dostal
First Assistant Director

Production Manager

Guglielmo Ambrosi
Production Manager

Boom Operator

Kevin Gurry
Boom Operator

Screenplay

Photo H.A.L. Craig #333550
H.A.L. Craig
Screenplay

First Assistant Editor

Vanio Amici
First Assistant Editor

Special Effects

Vladimir Likhachyov
Special Effects

Makeup Supervisor

Alberto De Rossi
Makeup Supervisor

Music

Conductor

Bruno Nicolai
Conductor

Choreographer

Gino Landi
Choreographer

Sound Editor

Alban Streeter
Sound Editor
Christopher Lancaster
Sound Editor

Continuity

Elvira D'Amico
Continuity

Second Unit Cinematographer

Nino Cristiani
Second Unit Cinematographer

Scenario Writer

Vittorio Bonicelli
Scenario Writer
Photo H.A.L. Craig #333550
H.A.L. Craig
Scenario Writer

What's left behind the scenes

  • Fifteen thousand Soviet soldiers were used in the mass scenes of the film, portraying infantry units.
  • Rod Steiger went to the hospital before filming to find out why his side might hurt the way it hurt the legendary commander during an attack that occurred on the eve of the Battle of Waterloo.
  • In 1967, on the initiative of Semyon Budyonny, the Eleventh Separate Cavalry Guard Film Regiment was recreated. Soldiers serving in this regiment participated in the filming of battle scenes. They had to be able not only to ride horses, but also to jump onto them at a gallop, overcome obstacles, and perform various stunts. Naturally, those who had experience in equestrian schools and participated in races were more skilled in all of this.
  • The filming of the movie was mainly done in Ukraine, Herzegovina, and Czechoslovakia.
  • The crossing of the Seine River near Paris was filmed on the Chop River (Western Ukraine), on one of the banks of which sets depicting Paris were erected.
  • In the scene depicting 'the dead field after Napoleon's battle,' horses were given alcohol and lay as if dead, cotton wool soaked in red paint was scattered everywhere, and mannequins depicting dead soldiers were lying around.
  • For the film's author, lighting was of great importance, and often the same scene was shot in multiple takes until the director was satisfied with the result.
  • The film's consultant was Army General Ivan Evgenievich Oslikovsky.
  • Disagreements often arose between Bondarchuk and Oslikovsky, for example, when the director wanted to shoot a scene at two o'clock in the afternoon – the lighting was perfect, but the horses refused to cooperate – they knew it was feeding time and wouldn't move until they'd eaten. This irritated Bondarchuk, to which Oslikovsky responded with suffering: “I can command people, soldiers, but how do I command animals?” In addition, each squadron was assigned horses of a specific color; for example, the first squadron had bay horses, the second had dappled gray horses, the third had chestnut horses, and so on. And, depending on the changing lighting, Bondarchuk would order horses of a certain color to perform at a specific moment.
  • After filming “Waterloo,” which lasted three months, the Cavalry Regiment also appeared in other films, including “The Chase” as members of the Black Hundreds.
  • On the first day of filming in Rome, a scene of a ball given by the Duchess of Richmond in honor of the commanders of the allied armies was shot at the studio.
  • Almost all location shooting took place in western Ukraine.
  • A museum now stands on the site of the actual Battle of Waterloo. Therefore, the battle scenes were filmed near the village of Nizhne Solotvino in Transcarpathia, in a location with terrain very similar to the real battlefield.
  • Sergei Bondarchuk was well acquainted with locations in Transcarpathia from filming the 1967-68 film 'War and Peace'.
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