A Star Is Born - crew, film crew

The entire team, the film crew of the film "A Star Is Born"
A Star Is Born (2018)
Timing: 2:16 (136 min)
A Star Is Born - TMDB rating
7.493/10
12176
A Star Is Born - Kinopoisk rating
7.371/10
163620
A Star Is Born - IMDB rating
7.6/10
447000

Film crew

Director

Producer

Photo Jon Peters #24837
Jon Peters
Producer

Executive Producer

Photo Basil Iwanyk #3349

Basil Iwanyk

Basil Iwanyk
Executive Producer
Heather Parry
Executive Producer
Photo Ravi D. Mehta #75782
Ravi D. Mehta
Executive Producer
Michael Rapino
Executive Producer
Photo Sue Kroll #65295
Sue Kroll
Executive Producer
Photo Niija Kuykendall #77780
Niija Kuykendall
Executive Producer

Casting

Lindsay Graham Ahanonu
Casting

Editor

Art Direction

Matthew Horan
Art Direction

Supervising Art Director

Bradley Rubin
Supervising Art Director

Stunts

Photo Dean Bailey #3061
Dean Bailey
Stunts
Photo Rick Miller #20213
Rick Miller
Stunts

Production Design

Karen Murphy
Production Design

Stunt Coordinator

Frank Torres
Stunt Coordinator

Second Unit Director

Photo Bruce Jones #13590

Bruce Jones

Bruce Jones
Second Unit Director

Set Decoration

Ryan Watson
Set Decoration

Makeup Artist

Amy Lederman
Makeup Artist
Mandi Ann Ruiz
Makeup Artist
Sarah Tanno
Makeup Artist
Toni Bisset
Makeup Artist

Sound Re-Recording Mixer

Photo Dean A. Zupancic #283547
Dean A. Zupancic
Sound Re-Recording Mixer
Photo Tom Ozanich #283551

Tom Ozanich

Tom Ozanich
Sound Re-Recording Mixer
Jason Ruder
Sound Re-Recording Mixer

Unit Production Manager

Photo Bob Dohrmann #17614
Bob Dohrmann
Unit Production Manager

Co-Producer

Photo Bob Dohrmann #17614
Bob Dohrmann
Co-Producer

Associate Producer

Bobby Wilhelm
Associate Producer
Weston Middleton
Associate Producer

Set Dresser

Al Lewis
Set Dresser
Kai Blomberg
Set Dresser
Brandon Fox
Set Dresser
Patrick Shaw
Set Dresser
Sam Howden
Set Dresser
Dustin Chapnick
Set Dresser
Tom Stepanovich
Set Dresser

Second Assistant Director

Xanthus Valan
Second Assistant Director

Stunt Double

Director of Photography

Photo Matthew Libatique #15698Photo Matthew Libatique #15699Photo Matthew Libatique #15700Photo Matthew Libatique #275342

Matthew Libatique

Matthew Libatique
Director of Photography

Steadicam Operator

Photo P. Scott Sakamoto #8639
P. Scott Sakamoto
Steadicam Operator

Costume Supervisor

Mitchell Ray Kenney
Costume Supervisor

Makeup Department Head

Photo Ve Neill #6195

Ve Neill

Ve Neill
Makeup Department Head

Key Costumer

Maria Lorenzana
Key Costumer

Sound Effects Editor

Roland N. Thai
Sound Effects Editor

Assistant Art Director

Brittany Bradford
Assistant Art Director

Property Master

Michael Sexton
Property Master

Visual Effects Supervisor

Photo Bruce Jones #13590

Bruce Jones

Bruce Jones
Visual Effects Supervisor

Supervising Sound Editor

Photo Alan Robert Murray #17076
Alan Robert Murray
Supervising Sound Editor

Script Supervisor

Lyn Matsuda Norton
Script Supervisor

Hair Department Head

Photo Lori McCoy-Bell #28727
Lori McCoy-Bell
Hair Department Head

Set Costumer

Matthew Jerome
Set Costumer

Supervising ADR Editor

Photo Kira Roessler #251825

Kira Roessler

Kira Roessler
Supervising ADR Editor

Hairstylist

Bruce J. Samia
Hairstylist
Dawn Victoria Dudley
Hairstylist

Special Effects Coordinator

Larz Anderson
Special Effects Coordinator

Still Photographer

Photo Clay Enos #17612

Clay Enos

Clay Enos
Still Photographer

Sound Mixer

First Assistant Director

Photo Michele Ziegler #71305Photo Michele Ziegler #71306

Michele Ziegler

Michele Ziegler
First Assistant Director

Boom Operator

Craig Dollinger
Boom Operator

Costume Designer

Erin Benach
Costume Designer

Screenplay

Photo Eric Roth #2196Photo Eric Roth #2197

Eric Roth

Eric Roth
Screenplay
Photo Will Fetters #77779
Will Fetters
Screenplay

Set Designer

Jerry Ortega
Set Designer

First Assistant Editor

Mike Azevedo
First Assistant Editor

Foley Artist

Construction Coordinator

Joe Ondrejko
Construction Coordinator

Art Department Coordinator

Susannah Carradine
Art Department Coordinator

Dialogue Editor

Frederick H. Stahly
Dialogue Editor
Michelle Pazer
Dialogue Editor
Curt Schulkey
Dialogue Editor
Photo Kira Roessler #251825

Kira Roessler

Kira Roessler
Dialogue Editor

Best Boy Grip

James Coffin
Best Boy Grip

Foley Editor

Willard Overstreet
Foley Editor
Christopher Flick
Foley Editor

First Assistant "B" Camera

John Holmes
First Assistant "B" Camera

First Assistant "A" Camera

Matt Stenerson
First Assistant "A" Camera

Rigging Grip

Kevin Fahey
Rigging Grip

Transportation Coordinator

Photo George A. Sack #26293
George A. Sack
Transportation Coordinator

Key Grip

Tana Dubbe
Key Grip

Location Manager

Nate Taylor
Location Manager
Photo Scott Trimble #25860

Scott Trimble

Scott Trimble
Location Manager

Dolly Grip

John Mang
Dolly Grip
William Clouter
Dolly Grip

Assistant Property Master

Greg Gonzalez
Assistant Property Master

Key Hair Stylist

Joy Zapata
Key Hair Stylist

Leadman

Jonathan Bobbitt
Leadman

Key Rigging Grip

Charley Gilleran
Key Rigging Grip

Second Second Assistant Director

Matthew R. Milan
Second Second Assistant Director

Music Supervisor

Julianne Jordan
Music Supervisor
Julia Michels
Music Supervisor

Casting Assistant

Patty Rhinehart
Casting Assistant

Foley Supervisor

Michael Dressel
Foley Supervisor

Foley Mixer

James Ashwill
Foley Mixer
Richard Duarte
Foley Mixer
John Guentner
Foley Mixer

Production Accountant

Kelly A. Snyder
Production Accountant

Songs

Anthony Rossomando
Songs

Casting Associate

Raylin Sabo
Casting Associate

"A" Camera Operator

Photo P. Scott Sakamoto #8639
P. Scott Sakamoto
"A" Camera Operator

Music Editor

Lena Glikson
Music Editor

ADR Mixer

Thomas J. O'Connell
ADR Mixer

"B" Camera Operator

Chris Moseley
"B" Camera Operator

Second Assistant "B" Camera

Jeff Stewart
Second Assistant "B" Camera

In Memory Of

Additional Music

Post Production Supervisor

Lisa Dennis
Post Production Supervisor

Unit Publicist

Heidi Falconer
Unit Publicist

Production Coordinator

Michyl-Shannon Quilty
Production Coordinator

Visual Effects Coordinator

Jacob Eaton
Visual Effects Coordinator

Visual Effects Editor

Ed W. Marsh
Visual Effects Editor

Second Assistant "A" Camera

Joey O'Donnell
Second Assistant "A" Camera

Payroll Accountant

Steve Goldstein
Payroll Accountant

Original Story

Robert Carson
Original Story

Rigging Gaffer

Thomas DeRose
Rigging Gaffer

Assistant Production Coordinator

Laura Peña
Assistant Production Coordinator

Supervising Music Editor

Jason Ruder
Supervising Music Editor

Choreographer

Photo Lacee Franks #143029
Lacee Franks
Choreographer

Assistant Sound Editor

Christian Wenger
Assistant Sound Editor

Transportation Captain

Nathan Hardcastle
Transportation Captain

Assistant Chief Lighting Technician

Julian Najm
Assistant Chief Lighting Technician

Original Film Writer

Photo Frank Pierson #77769Photo Frank Pierson #77770Photo Frank Pierson #77771Photo Frank Pierson #77772

Frank Pierson

Frank Pierson
Original Film Writer
Photo Moss Hart #77775

Moss Hart

Moss Hart
Original Film Writer
Photo Joan Didion #77777

Joan Didion

Joan Didion
Original Film Writer
John Gregory Dunne
Original Film Writer

Transportation Co-Captain

Daryl Scott
Transportation Co-Captain

What's left behind the scenes

  • Some scenes were filmed during Lady Gaga's concert in Los Angeles on August 9, 2017, during her Joanne tour.
  • When Bradley Cooper offered Lady Gaga the role, her one condition was that no one would lip-sync to a pre-recorded track in the film. Therefore, all the songs were recorded live, on the set of the movie itself.
  • During one of the filming days, Gaga learned about the death of her friend, Sonya Durham. Leaving the set, the singer drove off to support her husband. That day, according to the script, she was supposed to perform the song I'll Never Love Again. The song was filmed in one take, with Bradley Cooper supporting Lady Gaga and not shooting any new takes.
  • The filming of the movie was inspired by a Metallica concert and the singer Annie Lennox. "I was at a rock concert by Metallica at the time and was standing behind Lars Ulrich's drum kit. And that's when I suddenly realized that's how I wanted to film the movie, from the stage. I had never seen a film shot like that before. I wanted to tell a love story, and Annie Lennox's performance of I Put a Spell on You was a source of inspiration for me. When she sings, you see the pulse in her neck, you hear how pure her voice is. And that's what I wanted to show in the film. And Lady Gaga was always at its epicenter, everything revolved around her."
  • According to Bradley Cooper, Lady Gaga persuaded him to sing live. She said she couldn't stand movies where the actors' lip movements didn't match the sound. Cooper had to work more actively on his vocals.
  • To prepare for the role of Jackson Maine, Bradley Cooper learned to play the guitar, and his mentor was Lukas Nelson, the son of country singer Willie Nelson. They practiced almost every night in Cooper's basement for a whole year. In the film, Cooper is accompanied by the band Lukas Nelson & Promise of the Real. For several months, Cooper worked with an experienced speech coach, Tim Monich.
  • Bradley Cooper had to apply fake tan to his body every day and menthol around his eyes to make them look inflamed. Lady Gaga, in turn, only used lip balm and moisturizer.
  • Bradley Cooper was so struck by Lady Gaga's performance of the classic French song La Vie en Rose, when he heard it at a charity event at philanthropist Sean Parker's home, that he insisted on including the song in the film.
  • According to Lady Gaga, she became so close to her character during filming that she immediately dyed her hair after it finished for a symbolic farewell ceremony to the character she had come to love, Ally. She also said that she actually has little in common with Ally, especially considering the fact that, unlike Ally, she herself started at a fairly young age and received a classical musical education.
  • During the filming of Ally (Lady Gaga) at the 2017 festival, the dynamics were deliberately turned off to prevent material leaks. Thus, the audience near the stage could hear the singing, but did not hear the accompaniment at all.
  • Richy Jackson, Lady Gaga's actual choreographer, served as the choreographer for the film.
  • The scene at the very beginning of the film, in which Bradley Cooper's character performs live on stage, was filmed at a country music concert in California in 2017, where the organizers managed to fit his performance between the sets of Jamie Johnson and Willie Nelson, father of the frontman of the Lukas Nelson & Promise of the Real band. Cooper's set in front of a live audience lasted only 10 minutes, and the recording was made on the first try.
  • Robert De Niro, John Turturro, and John Travolta were considered for the role of Lorenzo, but Andrew Dice Clay ultimately played it.
  • Producers really wanted Beyoncé to play the role of Ally. In 2015, she initially agreed to participate in the film, but ultimately decided to focus on her music career. Bradley Cooper then tasked Camille Blackett with rewriting the script, who immediately stated that Beyoncé had too few lines. According to Blackett, the original script differed significantly from the final version.
  • Lady Gaga dyed her hair a bright orange for filming, deviating from her usual blonde. She wore a wig in scenes where she rehearsed choreography, sang during the tour, and attended the Grammy Awards ceremony. She started wearing the wig somewhere in the middle of filming, when her own hair began to fall out from frequent dyeing.
  • The bathroom fight scene was improvised, and when Jackson called Ally 'scary,' Lady Gaga's reaction was not acted.
  • During one of the filming days, Gaga learned about the death of her friend, Sonya Durham. Leaving the set, the singer drove away to support her husband. On that day, according to the script, she was supposed to perform the song I’ll Never Love Again. The song was filmed in one take, with Bradley Cooper supporting Lady Gaga and not shooting new takes.
  • The actor and producer were inspired to film the movie by a concert of the band Metallica and the singer Annie Lennox. "I was at a Metallica rock concert at the time and was standing behind Lars Ulrich’s drum kit. And that’s when I suddenly realized that’s how I wanted to film the movie, from the stage. I had never seen a film shot like that before. I wanted to tell a love story, and Annie Lennox’s performance of the song I Put a Spell on You was a source of inspiration for me. When she sings, you see the pulse in her neck, you hear how pure her voice is. And that’s what I wanted to show in the film. And Lady Gaga was always at its epicenter, everything depended on her."
  • The fight scene in the bathroom was improvised, and when Jackson called Ally “scary,” Lady Gaga’s reaction was not acted.
Did you like the film?

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