Falling Down - crew, film crew
The entire team, the film crew of the film "Falling Down"
Falling Down (1993)
Timing:
1:53 (113 min)
7.392/10
4045
4045
7.623/10
71118
71118
7.5/10
225000
225000
Film crew
Director
Producer
Herschel Weingrod
Producer
Executive Producer
Writer
Casting
Marion Dougherty
Casting
Editor
Art Direction
Larry Fulton
Art Direction
Costume Design
Marlene Stewart
Costume Design
Stunts
Bobby Bass
Stunts
Norman Howell
Stunts
Ronnie Rondell Jr.
Stunts
Eric Mansker
Stunts
Gary Combs
Stunts
Armando Guerrero
Stunts
Manny Perry
Stunts
Scott Dockstader
Stunts
Richie Gaona
Stunts
Mike De Luna
Stunts
Production Design
Barbara Ling
Production Design
Stunt Coordinator
Set Decoration
Cricket Rowland
Set Decoration
Makeup Artist
Stephen Abrums
Makeup Artist
Tom Lucas
Makeup Artist
Sound Re-Recording Mixer
Wayne Artman
Sound Re-Recording Mixer
Tom E. Dahl
Sound Re-Recording Mixer
Robert Schaper
Sound Re-Recording Mixer
Original Music Composer
Unit Production Manager
William S. Beasley
Unit Production Manager
Co-Producer
Dan Kolsrud
Co-Producer
Stephen Joel Brown
Co-Producer
Nana Greenwald
Co-Producer
Associate Producer
William S. Beasley
Associate Producer
John J. Tomko
Associate Producer
Second Assistant Director
Dennis Capps
Second Assistant Director
Director of Photography
Steadicam Operator
Costumer
Fran Allgood
Costumer
Linda L. Meltzer
Costumer
Colby P. Bart
Costumer
Alan Martin
Costumer
Costume Supervisor
Silvio Scarano
Costume Supervisor
Assistant Art Director
Richard F. Mays
Assistant Art Director
Property Master
William A. Petrotta
Property Master
Supervising Sound Editor
Louis L. Edemann
Supervising Sound Editor
Script Supervisor
Nancy Hopton
Script Supervisor
Supervising ADR Editor
Larry Singer
Supervising ADR Editor
Hairstylist
Lynda Gurasich
Hairstylist
Special Effects Coordinator
Matt Sweeney
Special Effects Coordinator
Still Photographer
Christine M. Loss
Still Photographer
First Assistant Director
Stephen P. Dunn
First Assistant Director
Chief Lighting Technician
Chris Strong
Chief Lighting Technician
Boom Operator
Steve Bowerman
Boom Operator
Set Designer
Brad Ricker
Set Designer
Jann K. Engel
Set Designer
First Assistant Editor
Melissa Bretherton
First Assistant Editor
Foley Artist
Construction Coordinator
John H. Samson
Construction Coordinator
Assistant Editor
Rick Howe
Assistant Editor
Best Boy Grip
Scott Gillis
Best Boy Grip
Jeff Kluttz
Best Boy Grip
Transportation Coordinator
Keith Dillin
Transportation Coordinator
Key Grip
Chris Centrella
Key Grip
Location Manager
Antoinette Levine
Location Manager
Dolly Grip
Chuck Brown
Dolly Grip
Assistant Location Manager
Darrin Lipscomb
Assistant Location Manager
Lisa W. Strout
Assistant Location Manager
Second Second Assistant Director
David Fudge
Second Second Assistant Director
Construction Foreman
Arthur Riddle
Construction Foreman
Special Effects
Jim Schwalm
Special Effects
Bob Stoker
Special Effects
Lucinda Strub
Special Effects
Casting Assistant
Music
Music Editor
Jim Weidman
Music Editor
Standby Painter
Francis N. 'Lucky' Costello
Standby Painter
Unit Publicist
Anne S. Reilly
Unit Publicist
Scoring Mixer
Shawn Murphy
Scoring Mixer
ADR Editor
Andrea Horta
ADR Editor
Rigging Gaffer
Mark Mele
Rigging Gaffer
Assistant Sound Editor
Jerry Edemann
Assistant Sound Editor
Angie Luckey
Assistant Sound Editor
Transportation Captain
Lee Willis
Transportation Captain
Sound Editor
Doug Jackson
Sound Editor
Richard C. Franklin
Sound Editor
Nils C. Jensen
Sound Editor
Chuck Neely
Sound Editor
Executive Assistant
Maria Norman
Executive Assistant
Assistant Chief Lighting Technician
Peter Davidian
Assistant Chief Lighting Technician
Stanley L. Gonsales
Assistant Chief Lighting Technician
What's left behind the scenes
- All the major studios rejected Smith's script. Producer Arnold Kopelson was already preparing to send the script to cable TV when, unexpectedly, the text fell into the hands of Michael Douglas, a well-known actor and also a renowned producer. He decided it was one of the best screenplays he had ever read.
- The film was shot on location in Lynwood, California, when riots broke out in Los Angeles (this was in 1992). By April 30th, the situation had become so serious that filming had to be interrupted shortly after the start of the shooting day. Since the riots did not subside, filming had to continue at Warner Brothers Studios in Burbank. The crew intended to resume work in Pasadena on May 4th, but permission was not granted. According to the filmmakers, the ongoing riots affected the overall atmosphere of the film.
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