Fort Apache - crew, film crew
The entire team, the film crew of the film "Fort Apache"
Fort Apache (1948)
Timing:
2:5 (125 min)
7/10
353
353
6.972/10
948
948
7.4/10
21000
21000
Film crew
Director
Producer
Executive Producer
Editor
Jack Murray
Editor
Art Direction
Costume Design
Ann Peck
Costume Design
Stunts
Frank Baker
Stunts
Fred Carson
Stunts
John Epper
Stunts
John Hudkins
Stunts
Walt La Rue
Stunts
Ted Mapes
Stunts
Bob Rose
Stunts
Danny Sands
Stunts
Barlow Simpson
Stunts
Jack Williams
Stunts
Second Unit Director
Makeup Artist
Emile LaVigne
Makeup Artist
Original Music Composer
Richard Hageman
Original Music Composer
Set Dresser
Joseph Kish
Set Dresser
Second Assistant Director
Frank Parmenter
Second Assistant Director
Director of Photography
Camera Operator
Property Master
Jack Colconda
Property Master
Cinematography
Screenplay
Frank S. Nugent
Screenplay
Special Effects
Dave Koehler
Special Effects
Daniel Hays
Special Effects
Story
James Warner Bellah
Story
Assistant Director
Lowell J. Farrell
Assistant Director
Jack Pennick
Assistant Director
Conductor
Lucien Cailliet
Conductor
Sound
Frank Webster
Sound
Joseph I. Kane
Sound
Music Arranger
Lucien Cailliet
Music Arranger
What's left behind the scenes
- In addition to the black and white version, a color version of the film also exists.
- Bad weather often caused delays during filming, so John Ford found a local Navajo shaman. The director offered the Native American one hundred dollars if he could predict the weather. For several days, the forecasts came true, but one day the shaman said he could no longer predict it. When the director asked why, the Native American replied that John Wayne had taken his radio.
- Joseph Breen (1888-1965, an influential figure in American cinema, he applied the so-called Hays Code to film production) had some issues with the script. He was particularly concerned that the scene of men working with manure might be considered indecent, and he insisted that the shots of the dead soldiers be shown fleetingly and without detail. Furthermore, he insisted that the film not show a toilet, and that scenes involving drinking be minimized. In addition, Breen insisted that director John Ford (1894-1973) be in constant contact with Mel Morse, the director of the regional branch of the Society for the Prevention of Cruelty to Animals, regarding all scenes involving horses and other animals.
- By Ford's decision, Apache Indians were portrayed by Navajo Indians, as he considered them natural actors and, moreover, very reliable. Ford himself treated the Indians with respect, and they enjoyed working for him. The Indians generally liked it when filming started nearby, as it meant an opportunity for extra work. They traveled vast distances by wagon to the set and knew they could count on a decent meal on Ford's set. The film required 200 Navajo Indians to play the roles of warriors, and another 100 women and children, as well as 100 extras to portray the regular army.
- During filming, stuntman John Hudkins (1918-1997) broke his spine – a horse fell on him during the filming of a scene where a wagon with ammunition capsizes at high speed on a sharp turn (this scene remained in the film). Fortunately, Ben Johnson (1918-1996)'s intervention prevented even more serious consequences. For this, Argosy Pictures Corporation signed a seven-year contract with him, and he played significant roles under that contract. It took Hudkins a year to recover.
- Cinematographer Archie Stout (1886-1973) and John Ford used infrared black and white film (which was originally created for medical purposes and scientific research) for filming in Monument Valley. This film did not register blue color, showing it as black, which added extra drama to the image. In infrared imagery, the actors' skin looked too pale, so they had to use a lot of makeup.
- While Frank S. Nugent (1908-1965) was working on the script, John Ford went to Monument Valley to scout locations. Fully understanding the need to keep Argosy Pictures Corporation afloat, Ford spent six months planning the shooting schedule, managing to reduce the film's budget from $2.8 million to $2.1 million and finish filming in 44 days instead of the originally allocated 77 days.
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