Gilda - crew, film crew
The entire team, the film crew of the film "Gilda"
Gilda (1946)
Timing:
1:50 (110 min)
7.473/10
631
631
7.485/10
4555
4555
7.6/10
38000
38000
Film crew
Director
Producer
Virginia Van Upp
Producer
Editor
Charles Nelson
Editor
Art Direction
Costume Design
Set Decoration
Robert Priestley
Set Decoration
Makeup Artist
Robert J. Schiffer
Makeup Artist
Original Music Composer
Orchestrator
Director of Photography
Hairstylist
Still Photographer
Ned Scott
Still Photographer
Screenplay
Special Effects
Lawrence W. Butler
Special Effects
Story
E.A. Ellington
Story
Gaffer
Homer Plannette
Gaffer
Assistant Director
Arthur S. Black Jr.
Assistant Director
George Webster
Assistant Director
Music Editor
Ving Hershon
Music Editor
Additional Writing
Other
Edwin Wetzel
Other
Additional Music
Researcher
Juanita L. Bell
Researcher
Thelma Hoover
Researcher
Stand In
Robert Board
Stand In
Sound
Russell Malmgren
Sound
Lambert E. Day
Sound
Choreographer
Jack Cole
Choreographer
Jack Cole
Choreographer
Matte Painter
Donald C. Glouner
Matte Painter
Adaptation
Jo Eisinger
Adaptation
Producer's Assistant
Norman Deming
Producer's Assistant
Assistant Camera
Irving Klein
Assistant Camera
Music Director
Marlin Skiles
Music Director
Dialogue Coach
Harold Clifton
Dialogue Coach
What's left behind the scenes
- During the performance of 'Put the Blame on Mame,' Rita Hayworth had to wear a corset because she was recently pregnant; her first daughter, Rebecca, was born just a couple of months before filming began.
- The image of Gilda in the film is that of an independent, extroverted, uninhibited, free-spirited woman—a true goddess of eros. This image completely overlapped with the actress herself and was usually identified with her. However, in reality, Rita Hayworth was a rather reserved and not overly emotional woman who disdained the fame that accompanied her; in her private life, she preferred to remain in the shadows and loved family life.
- Stephen King used the image and charisma of the screen heroine Rita Hayworth – Gilda, in his novella “Rita Hayworth and the Shawshank Redemption.” Later, the film adaptation of the novella features several shots from the film itself.
- A scene from the film “Gilda,” where Hayworth’s character removes her glove, seemed indecent to the censorship under the Spanish dictator Franco, and the film, which premiered in Spain in 1946, was banned from viewing. This fact aroused even greater interest in the film – so much so that a myth arose that Gilda was actually “stripping completely, but the censorship cut it out.”
- In 2013, the film was included in the National Film Registry of the United States of America.
- During the casino scene, when the news of Germany’s surrender breaks, the restaurant patrons raise their champagne glasses and sing Marcha de San Lorenzo in enthusiastic celebration – instead of the national anthem, as would naturally be expected. Marcha de San Lorenzo is directly related to a famous battle in Argentine history, and it is usually performed during celebrations in honor of the Argentine hero José de San Martín.
- During the performance of the number "Put the Blame on Mame", Rita Hayworth had to wear a corset, as she had been pregnant very recently; her first daughter, Rebecca, was born just a couple of months before filming began.
- Stephen King used the image and charisma of Rita Hayworth's screen heroine, Gilda, in his novella "Rita Hayworth and the Shawshank Redemption." Later, the film adaptation of the novella includes several shots from the film itself.
- A scene from the film "Gilda," where Hayworth's character removes her glove, was deemed indecent by the censorship under Spanish dictator Franco, and the film, which premiered in Spain in 1946, was banned. This fact sparked even greater interest in the film—so much so that a myth arose that Gilda was actually "stripping completely, but the censorship cut it out."
Did you like the film?
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Casting calls in USA
Castingi w Polsce
Кастинги в Україні
