High Life - crew, film crew
The entire team, the film crew of the film "High Life"
High Life (2018)
Timing:
1:53 (113 min)
5.759/10
1050
1050
6.472/10
301
301
5.5/10
1500
1500
Film crew
Director
Producer
Christoph Friedel
Producer
Claudia Steffen
Producer
Andrew Lauren
Producer
Oliver Dungey
Producer
Laurence Clerc
Producer
Olivier Théry-Lapiney
Producer
Klaudia Śmieja-Rostworowska
Producer
D.J. Gugenheim
Producer
Executive Producer
Isabel Davis
Executive Producer
Julia Balaeskoul Nusseibeh
Executive Producer
Casting
Des Hamilton
Casting
Piotr Bartuszek
Casting
Editor
Art Direction
Bertram Strauß
Art Direction
Costume Design
Judy Shrewsbury
Costume Design
Stunts
Paweł Staszewski
Stunts
Łukasz Czubak
Stunts
Production Design
François-Renaud Labarthe
Production Design
Jagna Dobesz
Production Design
Mela Melak
Production Design
Stunt Coordinator
Christoph Knobloch
Stunt Coordinator
Jarosław Golec
Stunt Coordinator
Second Unit Director
Katharina Meyer-Josten
Second Unit Director
Set Decoration
Susan Gohsmann
Set Decoration
Key Makeup Artist
Denis Gastou
Key Makeup Artist
Sound Re-Recording Mixer
Olivier Dô Hùu
Sound Re-Recording Mixer
Original Music Composer
Stuart Staples
Original Music Composer
Co-Producer
Olivier Père
Co-Producer
Set Dresser
Anna Marzęda
Set Dresser
Second Assistant Director
Juliette Picollot
Second Assistant Director
Małgorzata Suwała
Second Assistant Director
Stunt Double
Teresa Henn
Stunt Double
Director of Photography
Makeup Department Head
Marcin Rodak
Makeup Department Head
Assistant Art Director
Anna Freiter
Assistant Art Director
Supervising Sound Editor
Andreas Hildebrandt
Supervising Sound Editor
Electrician
Jan Peltzer
Electrician
Christophe Boissy
Electrician
Patryk Zadrozny
Electrician
Hairstylist
Alexandre Charles-Gillot
Hairstylist
Still Photographer
Martin Menke
Still Photographer
Anna Włoch
Still Photographer
Visual Effects Producer
Annabelle Zoellin
Visual Effects Producer
First Assistant Director
Laure Monrreal
First Assistant Director
Cinematography
Tomasz Naumiuk
Cinematography
Production Manager
Bogna Szewczyk-Skupień
Production Manager
Screenplay
Geoff Cox
Screenplay
Foley Artist
Carsten Richter
Foley Artist
Sound Designer
Stuart Staples
Sound Designer
Foley Editor
Kuen-Il Song
Foley Editor
Helene Seidl
Foley Editor
Key Grip
Rudi Kurth
Key Grip
Sebastian Frac
Key Grip
Grip
Marcin Grzegory
Grip
Igor Słupecki
Grip
Construction Foreman
Lorenzo Sartor
Construction Foreman
Foley Mixer
Hanse Warns
Foley Mixer
Songs
Gaffer
Nicolas Sand
Gaffer
Łukasz Głaszczka
Gaffer
Assistant Director
Arianna Singhania
Assistant Director
Kamila Tarabura
Assistant Director
Makeup & Hair
Céline Planchenault
Makeup & Hair
Katarzyna Wilk
Makeup & Hair
First Assistant Camera
Paweł Żelazko
First Assistant Camera
Daniella Schadrin
First Assistant Camera
Mario Loibl
First Assistant Camera
Marie-Laure Prost
First Assistant Camera
Additional Writing
Andrew Litvack
Additional Writing
Visual Effects
Pierre Buffin
Visual Effects
Line Producer
Beata Rzezniczek
Line Producer
ADR Supervisor
Fred Mays
ADR Supervisor
Second Assistant Camera
Matthias Edler
Second Assistant Camera
Dustin Hasberg
Second Assistant Camera
Przemyslaw Klej
Second Assistant Camera
Construction Manager
Boris Bartholomäus
Construction Manager
Writers' Assistant
Nick Laird
Writers' Assistant
What's left behind the scenes
- Claire Denis had been considering this project as early as 2002. At that time, she hoped to cast Vincent Gallo in the lead role, but the producers rejected the idea. Denis wrote the script with Philip Seymour Hoffman in mind, but he passed away in 2014. Soon after, Robert Pattinson became interested in the project, but Denis initially thought he was too young. The actor remained hopeful about working with Denis and eventually landed the lead role.
- The idea for the film came to Claire Denis when she jokingly told Vincent Gallo during filming, «You're getting on my nerves. We should make a film where you're alone in space.»
- Robert Pattinson saw Claire Denis’s war drama *White Material* (2009), which thrilled him. As an avid film buff, he rewatched all of the director’s films and realized he really wanted to work with her.
- Robert Pattinson was already acquainted with 13-month-old Scarlett Lindsey, who plays his daughter Willow. She is the daughter of his old friend, musician Sam Bradley, whom the actor had known since school days in London. Initially, twins were cast in the role, but two days before filming began, Pattinson became convinced that it wouldn’t work – the girls started crying as soon as he picked them up and were terribly frightened whenever their mother left the set. Literally the night before filming began, Pattinson had the idea to turn to Bradley.
- The spaceship mentioned in the film spent 6,750 days (or 18 years) on its journey. On Earth, 76,864 days (or 210 years) passed during that time.
- The idea of a baby being born during a space voyage came to director Claire Denis when she read about theoretical physicist Stephen Hawking (1942-2018), who first proposed this idea for use in space exploration research.
- This is Claire Denis’s first film in English – she previously shot her 13 feature films in French. According to the director, she simply couldn’t wrap her head around the idea of people on a space voyage speaking in anything other than English or Russian, but French.
- Monte was imprisoned for a murder he committed as a child. According to Claire Denis, his story is based on the 1993 murder of two-year-old James Bugler, committed by two ten-year-old boys who were convicted and sentenced to 15 years in prison each. They became the youngest convicted murderers of the 20th century.
- Anxious and nervous before his first meeting with Claire Denis, Robert Pattinson, in his own words, studied string theory and black holes in online articles, and also tried to find an explanation for the fact that his character does not age during space flight.
- The effect accompanying the disappearance of Mia Goth's character into a black hole is called spaghettification (this is an astrophysical term meaning the strong stretching of objects vertically and horizontally caused by a large tidal force in a very powerful, inhomogeneous gravitational field). It was first described by Stephen Hawking.
- The director's cut of the film has a runtime of 137 minutes.
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Auditions in India
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