The Beguiled - crew, film crew
The entire team, the film crew of the film "The Beguiled"
The Beguiled (2017)
Timing:
1:33 (93 min)
5.91/10
2094
2094
6.076/10
30009
30009
6.3/10
66000
66000
Film crew
Director
Producer
Youree Henley
Producer
Executive Producer
Fred Roos
Executive Producer
Anne Ross
Executive Producer
Robert Ortiz
Executive Producer
Casting
Nicole Daniels
Casting
Courtney Bright
Casting
Editor
Art Direction
Jennifer Dehghan
Art Direction
Costume Design
Stacey Battat
Costume Design
Production Design
Anne Ross
Production Design
Stunt Coordinator
Set Decoration
Makeup Artist
Mia Goff
Makeup Artist
Key Makeup Artist
Kimberly Amacker
Key Makeup Artist
Sound Re-Recording Mixer
Roy Waldspurger
Sound Re-Recording Mixer
Original Music Composer
Thomas Mars
Original Music Composer
Deck D'arcy
Original Music Composer
Laurent Brancowitz
Original Music Composer
Christian Mazzalai
Original Music Composer
Unit Production Manager
Robert Ortiz
Unit Production Manager
Second Assistant Director
Steve Lonano
Second Assistant Director
Stunt Double
Lloyd Pitts
Stunt Double
Director of Photography
Philippe Le Sourd
Director of Photography
Camera Operator
Ian Lynch
Camera Operator
Costume Supervisor
Jen Wasson
Costume Supervisor
Makeup Department Head
Stacy Kelly
Makeup Department Head
Key Costumer
Patty Spinale
Key Costumer
Assistant Art Director
Alice Alward
Assistant Art Director
Property Master
Michael S. Martin
Property Master
Script Supervisor
Sasha Vitelli
Script Supervisor
Hair Department Head
Shandra Page
Hair Department Head
Tony Ward
Hair Department Head
Supervising Dialogue Editor
Julia Shirar
Supervising Dialogue Editor
Hairstylist
Lawrnell Bell-Rattler
Hairstylist
Still Photographer
Ben Rothstein
Still Photographer
First Assistant Director
Paul B. Uddo
First Assistant Director
Boom Operator
Rachel Grissom
Boom Operator
Screenplay
Albert Maltz
Screenplay
Irene Kamp
Screenplay
Novel
Thomas Cullinan
Novel
Set Designer
Dave Kelsey
Set Designer
First Assistant Editor
Zachary A. Schwartz
First Assistant Editor
Foley Artist
Heikki Kossi
Foley Artist
Sound Designer
Richard Beggs
Sound Designer
Propmaker
Robert Guillot
Propmaker
Construction Coordinator
Chuck Stringer
Construction Coordinator
Best Boy Grip
Lee McLemore
Best Boy Grip
Foley Editor
Heather Gross
Foley Editor
First Assistant "B" Camera
Austin Alward
First Assistant "B" Camera
First Assistant "A" Camera
Hector Rodriguez
First Assistant "A" Camera
Rigging Grip
Donald Roth
Rigging Grip
Scott Calcagno
Rigging Grip
Frankie Jones
Rigging Grip
Jade Maggio
Rigging Grip
Key Grip
T. Nick Leon
Key Grip
Location Manager
Batou Chandler
Location Manager
Dolly Grip
Gerald Autin
Dolly Grip
Assistant Property Master
Jorin Ostroska
Assistant Property Master
Leadman
Michael A. Johnson
Leadman
Seamstress
Aurora Knox
Seamstress
Colette Delacroix
Seamstress
Construction Foreman
Michael A. Ainsworth
Construction Foreman
Hair Designer
Odile Gilbert
Hair Designer
Foley Mixer
Pietu Korhonen
Foley Mixer
Gaffer
Bob Bates
Gaffer
ADR Mixer
Bobby Johanson
ADR Mixer
ADR Recordist
Michael Rivera
ADR Recordist
Concept Artist
Mauricio Ruiz
Concept Artist
Post Production Supervisor
Jeff Robinson
Post Production Supervisor
Unit Publicist
Diane Slattery
Unit Publicist
Production Coordinator
Bernadette Gonzales
Production Coordinator
Tailor
Lilik Antonyan
Tailor
Second Assistant "A" Camera
Bryce Marshall
Second Assistant "A" Camera
ADR Editor
Tony Martinez
ADR Editor
Rigging Gaffer
Vic Keatley
Rigging Gaffer
Best Boy Electric
Corey Erwin
Best Boy Electric
Studio Teacher
Letitia Hoaas
Studio Teacher
Dialect Coach
Elizabeth Himelstein
Dialect Coach
Set Medic
Jennifer Brown
Set Medic
Makeup Effects
Elvis Jones
Makeup Effects
Adam Walls
Makeup Effects
Pyrotechnician
Mik Kastner
Pyrotechnician
Original Film Writer
Albert Maltz
Original Film Writer
Irene Kamp
Original Film Writer
What's left behind the scenes
- Nicole Kidman and Colin Farrell began work on the film just weeks after finishing filming Yorgos Lanthimos's drama "The Killing of a Sacred Deer" (2017).
- Producers dreamed of casting an actor "similar to Chris Pratt." Colin Farrell was eventually approved for the role.
- The film was shot on 35mm film.
- Some scenes of the film were shot in the vicinity of Napoleonville, Louisiana.
- The mansion shown in the film was also used in the visual album of Beyoncé Knowles' Lemonade, released on April 23, 2016.
- At the lighting director's request, the scene in which Nicole Kidman washes Colin Farrell with a sponge had to be reshot several times. The filming of the scene took approximately two hours in total.
- Nicole Kidman was trained in medical procedures from the American Civil War era by a participant in historical reenactments of that period.
- Sofia Coppola asked Kirsten Dunst to lose weight for the role of Edwina. The actress refused, stating that she hates exercising and had recently been on a diet for another film.
- The screenplay was written with Nicole Kidman in mind.
- During filming, the cast had a sewing teacher, a dance teacher, they took etiquette lessons and had to cook and eat meals together. A priest explained a prayer from the Gospel of Matthew, and Sofia Coppola gave everyone a book on etiquette from the pre-war period titled "How to Be a Good Southern Lady".
- During filming, the cast had a sewing teacher, a dance teacher, they took etiquette lessons and were required to cook and eat meals together. A priest explained the prayers from the Gospel of Matthew, and Sofia Coppola distributed a book on etiquette from the pre-war era titled 'How to Be a Good Southern Lady' to everyone.
- Nicole Kidman and Colin Farrell began working on the film just weeks after finishing filming Yorgos Lanthimos’s drama "The Killing of a Sacred Deer" (2017).
- Producers dreamed of casting an actor “who looked like Chris Pratt.” Ultimately, Colin Farrell was chosen for the role.
- During filming, the cast had a sewing teacher, a dance instructor, etiquette lessons, and were required to cook and eat meals together. A priest explained prayers from the Book of Matthew, and Sofia Coppola gave everyone a book on etiquette from the pre-war era titled "How to Be a Good Southern Lady."
Did you like the film?
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