The Shape of Water - crew, film crew
The entire team, the film crew of the film "The Shape of Water"
The Shape of Water (2017)
Timing:
2:3 (123 min)
7.237/10
12758
12758
6.87/10
188232
188232
7.3/10
474000
474000
Film crew
Director
Producer
Executive Producer
Liz Sayre
Executive Producer
Casting
Robin D. Cook
Casting
Editor
Sidney Wolinsky
Editor
Art Direction
Nigel Churcher
Art Direction
Costume Design
Luis Sequeira
Costume Design
Production Design
Paul D. Austerberry
Production Design
Stunt Coordinator
Jean Frenette
Stunt Coordinator
Set Decoration
Shane Vieau
Set Decoration
Jeffrey A. Melvin
Set Decoration
Makeup Artist
Kristin Wayne
Makeup Artist
Key Makeup Artist
Patricia Keighran
Key Makeup Artist
Sound Re-Recording Mixer
Christian T. Cooke
Sound Re-Recording Mixer
Brad Zoern
Sound Re-Recording Mixer
Original Music Composer
Associate Producer
T.K. Knowles
Associate Producer
John O'Grady
Associate Producer
Chuck Ryant
Associate Producer
Orchestrator
Jean-Pascal Beintus
Orchestrator
Nicolas Charron
Orchestrator
Sylvain Morizet
Orchestrator
Clifford J. Tasner
Orchestrator
Set Dresser
Jeff Poulis
Set Dresser
Stunt Double
Edward Tracz
Stunt Double
Shaila D'Onofrio
Stunt Double
Director of Photography
Camera Operator
Gilles Corbeil
Camera Operator
Makeup Department Head
Sound Effects Editor
Alex Bullick
Sound Effects Editor
Kevin Howard
Sound Effects Editor
Tyler Whitham
Sound Effects Editor
Dashen Naidoo
Sound Effects Editor
Assistant Art Director
Evan Webber
Assistant Art Director
David Best
Assistant Art Director
David G. Fremlin
Assistant Art Director
Samantha Dick
Assistant Art Director
Visual Effects Supervisor
Dennis Berardi
Visual Effects Supervisor
Supervising Sound Editor
Nathan Robitaille
Supervising Sound Editor
Script Supervisor
Dug Rotstein
Script Supervisor
Hairstylist
Lukas Press
Hairstylist
James D. Brown
Hairstylist
Special Effects Coordinator
Warren Appleby
Special Effects Coordinator
Digital Effects Supervisor
Trey Harrell
Digital Effects Supervisor
Sound Mixer
Glen Gauthier
Sound Mixer
Paul Gosse
Sound Mixer
Visual Effects Producer
Luke Groves
Visual Effects Producer
Assistant Costume Designer
Ann Steel
Assistant Costume Designer
Animation
Peter Dydo
Animation
Carlos Arancibia
Animation
Hayley Fromstein
Animation
Nate Thomas
Animation
Thanks
Tamara Deverell
Thanks
Karl I. Muntz
Thanks
Ron Fitzgerald
Thanks
Boom Operator
Steve Switzer
Boom Operator
Screenplay
Vanessa Taylor
Screenplay
Construction Coordinator
Marc Kuitenbrouwer
Construction Coordinator
Dialogue Editor
Jill Purdy
Dialogue Editor
Assistant Editor
Mary Juric
Assistant Editor
Transportation Coordinator
Bruce McLean
Transportation Coordinator
Key Grip
Robert Johnson
Key Grip
Key Hair Stylist
Rossana Vendramini
Key Hair Stylist
Seamstress
Lisa Pagliaro
Seamstress
Story
Casting Assistant
Catherine Gilchrist
Casting Assistant
Hair Designer
Paula Fleet
Hair Designer
Casting Associate
Jonathan Oliveira
Casting Associate
Ashley Gray
Casting Associate
Sculptor
Mike Hill
Sculptor
Kazu Hiro
Sculptor
Gaffer
Tom Starnes
Gaffer
Assistant Director
Pierre Henry
Assistant Director
Music
Music Editor
Dustin Harris
Music Editor
Rob Hegedus
Music Editor
Cam McLauchlin
Music Editor
Production Sound Mixer
Glen Gauthier
Production Sound Mixer
Additional Still Photographer
Sophie Giraud
Additional Still Photographer
First Assistant Camera
John B. Harper
First Assistant Camera
Digital Compositor
Jeremy Johnson
Digital Compositor
Other
Greg Sigurdson
Other
Jeff Vitkuske
Other
Post Production Supervisor
Douglas Wilkinson
Post Production Supervisor
Researcher
Danny Haeberlin
Researcher
Unit Publicist
Drone Operator
Chris Bacik
Drone Operator
Visual Effects Coordinator
Ryan MacDuff
Visual Effects Coordinator
Jae Won D. Lee
Visual Effects Coordinator
Kirsten Bligh
Visual Effects Coordinator
John Markle
Visual Effects Coordinator
Anastasia Starova
Visual Effects Coordinator
Visual Effects Editor
Brandon Schaafsma
Visual Effects Editor
Animation Director
ADR Supervisor
Nelson Ferreira
ADR Supervisor
Conceptual Design
Guy Davis
Conceptual Design
Luca Nemolato
Conceptual Design
Rigging Gaffer
Jason Dodds
Rigging Gaffer
Picture Car Coordinator
Glenn Hughes
Picture Car Coordinator
Sound Recordist
John Soukup
Sound Recordist
Choreographer
Roberto Campanella
Choreographer
Title Designer
Cam McLauchlin
Title Designer
Sound Editor
Nelson Ferreira
Sound Editor
Digital Intermediate
Sarah Riley
Digital Intermediate
Foley
Steve Baine
Foley
Animal Wrangler
Jordan Worrell
Animal Wrangler
Underwater Camera
Brent Robinson
Underwater Camera
Associate Choreographer
What's left behind the scenes
- Filming took 12 weeks.
- Eliza displays existing records of The Great Benny Goodman and Glenn Miller Plays Selections from The Glenn Miller Story and Other Hits. Both were released in 1956.
- It took over 9 months to create the creature's appearance. Guillermo del Toro claims that "The Shape of Water" is the most complex film he has ever undertaken.
- Guillermo del Toro began working on the film in 2011. He financed many aspects of the production (particularly the creation of the laboratory and the creature on screen) out of his own pocket.
- Initially, Guillermo del Toro wanted to shoot the film in black and white, but he changed his mind when the studio offered to increase the budget if the film was shot in color.
- It took Doug Jones three hours each day to get into the creature's costume. The actor stated that he had never had so much trouble with a costume in any of del Toro's previous films.
- The main inspiration for creating “The Shape of Water” was the film “Creature from the Black Lagoon,” which the director watched as a child. Del Toro was captivated by the gill-man even then, despite his unappealing appearance, wanting to see a successful development of a romantic storyline between the creature and the kidnapped Kay Lawrence. Initially, Del Toro wanted to remake the film, where the plot would also revolve around an expedition in the upper reaches of the Amazon, but with the difference that a woman would lead the group, and a romance would develop between her and the gill-man. The director attempted to negotiate with Universal to create the film, but the company's executives rejected the idea.
- It took over 9 months to create the creature's image. Guillermo del Toro states that 'The Shape of Water' is the most complex film he has ever undertaken.
- The main inspiration for creating 'The Shape of Water' was the film 'Creature from the Black Lagoon,' which the director watched as a child. Del Toro was already captivated by the gill-man despite his unappealing appearance, wanting to see a successful development of a romantic storyline between the creature and the kidnapped Kay Lawrence. Initially, Del Toro wanted to film a remake of the film, where the plot also revolves around an expedition in the upper Amazon, but with the difference that a woman leads the group, and a romance develops between her and the gill-man. The director attempted to negotiate with Universal about creating the film, but the company's executives rejected the idea.
Did you like the film?
Auditions in India
Casting calls in USA
Castingi w Polsce
Кастинги в Україні
