Cube - crew, film crew
The entire team, the film crew of the film "Cube"
Cube (1998)
Timing:
1:30 (90 min)
6.812/10
5093
5093
7.219/10
128653
128653
7.1/10
261000
261000
Film crew
Director
Producer
Mehra Meh
Producer
Betty Orr
Producer
Executive Producer
Colin Brunton
Executive Producer
Editor
John Sanders
Editor
Art Direction
Diana Magnus
Art Direction
Costume Design
Wendy May Moore
Costume Design
Stunts
Bryan J. Thomas
Stunts
Production Design
Jasna Stefanovic
Production Design
Stunt Coordinator
John Stoneham Jr.
Stunt Coordinator
Second Unit Director
Oscar Fenoglio
Second Unit Director
Makeup Artist
Susann Greenwood
Makeup Artist
Patty White
Makeup Artist
Sound Re-Recording Mixer
Darcy Kite
Sound Re-Recording Mixer
Todd Warren
Sound Re-Recording Mixer
Peter Kelly
Sound Re-Recording Mixer
Original Music Composer
Second Assistant Director
Deborah Kiss
Second Assistant Director
Stunt Double
Rebecca Stoneham
Stunt Double
Director of Photography
Derek Rogers
Director of Photography
Camera Operator
Derek Rogers
Camera Operator
Sound Effects Editor
Stephen Barden
Sound Effects Editor
Craig Henighan
Sound Effects Editor
Jill Purdy
Sound Effects Editor
Assistant Art Director
Andrew Rucklidge
Assistant Art Director
Greg Sigurdson
Assistant Art Director
Property Master
Gene Alexander
Property Master
Script Supervisor
Lisa Burling
Script Supervisor
Patricia Joyes
Script Supervisor
Electrician
Stephani Buchman
Electrician
Scott Craven
Electrician
Edmond Kopp
Electrician
Jim Young
Electrician
Hairstylist
Susann Greenwood
Hairstylist
Patty White
Hairstylist
Still Photographer
Michael Gibson
Still Photographer
Associate Editor
Wiebke von Carolsfeld
Associate Editor
First Assistant Director
Production Manager
Norah Wakula
Production Manager
Boom Operator
Jeff Wachsmann
Boom Operator
Brian Myatt
Boom Operator
Jeff Orr
Boom Operator
Dana Kearns
Boom Operator
Screenplay
André Bijelic
Screenplay
First Assistant Editor
Geoff Tunnard
First Assistant Editor
Rob MacKinnon
First Assistant Editor
Foley Artist
John Sievert
Foley Artist
Michelle Schubert
Foley Artist
Virginia Storey
Foley Artist
Dialogue Editor
Sue Conley
Dialogue Editor
Art Department Assistant
Jane Kim
Art Department Assistant
Peter Atto
Art Department Assistant
Mario D'Amaral
Art Department Assistant
Sue Motahedin
Art Department Assistant
Mark Newman
Art Department Assistant
Jamie Williamson
Art Department Assistant
Key Grip
Kevin Richter
Key Grip
Grip
Don Irvine
Grip
Paul Howden
Grip
Mark Ryan
Grip
Sandor Ajzenstat
Grip
Brad Hopkins
Grip
Todd Moore
Grip
Brian Myatt
Grip
Craig Semenuk
Grip
Barb Sniderman
Grip
Jeff Orr
Grip
Hair Designer
Louise Mackintosh
Hair Designer
Makeup Designer
Louise Mackintosh
Makeup Designer
Production Accountant
Nick Seary
Production Accountant
Gaffer
Jeremy Hudspith
Gaffer
Additional Still Photographer
Sophie Giraud
Additional Still Photographer
ADR Recordist
Greg Shim
ADR Recordist
Second Unit Director of Photography
Camera Trainee
Paul Gentleman
Camera Trainee
Juliet Wintrobe
Camera Trainee
First Assistant Camera
Patrick McGowan
First Assistant Camera
Mark McLean
First Assistant Camera
Post Production Supervisor
Production Assistant
Liz Wolfe
Production Assistant
Unit Publicist
Rob Kingston
Unit Publicist
Production Coordinator
Deborah Kiss
Production Coordinator
Scenic Artist
Bob Ceh
Scenic Artist
Susan Tanton
Scenic Artist
Stephen Willetts
Scenic Artist
Cheryl Ladrillo
Scenic Artist
Production Secretary
Linda Darras
Production Secretary
ADR Editor
John Laing
ADR Editor
Sound Mix Technician
Mark Zsifkovits
Sound Mix Technician
Brad Thornton
Sound Mix Technician
Sound Recordist
Steve McNamee
Sound Recordist
Second Assistant Camera
Daniel Chiasson
Second Assistant Camera
Matthew Brookes
Second Assistant Camera
Kevin P. O'Rourke
Second Assistant Camera
Second Unit First Assistant Director
Sarah Jarvis
Second Unit First Assistant Director
Foley Recordist
Darcy Kite
Foley Recordist
Keith Elliott
Foley Recordist
Walter-Joseph Grabowski
Foley Recordist
Color Timer
Frank Leone
Color Timer
Head Carpenter
Brian Fowler
Head Carpenter
Costume Mistress
Tamara Rigby-Funke
Costume Mistress
Digital Effects Producer
Lisa Bechard
Digital Effects Producer
Stephen Segal
Digital Effects Producer
Assistant Dialogue Editor
Patricia Quintanilla
Assistant Dialogue Editor
Colin Woods
Assistant Dialogue Editor
Casting Consultant
On Set Props
Dana Kearns
On Set Props
Evelyn Mitsou
On Set Props
Story Editor
Hugh Graham
Story Editor
What's left behind the scenes
- The film was shot in 20 days in a sound studio in Toronto. Only one room, measuring 14x14x14 feet, was built for the filming. The color of the room was changed using interchangeable colored panels. The film was shot sequentially for each color because changing the panels took time. Initially, they wanted to use six colors for the room, but due to the small budget, they had to settle for five. There was only one functioning door on set.
- To show support for the Toronto film industry, C.O.R.E. produced all of the film’s digital effects for free.
- Vincenzo Natali also filmed a ‘bonus’ short film showing the Cube from the outside. However, he vowed never to reveal what lies beyond the Cube and later destroyed the short film.
- The hatch handles are pipe threading protectors and are available at any hardware store.
- Vincenzo Natali had been developing the idea for the film for about five years.
- Vincenzo Natali considered the filming a disaster and was very surprised when the film received international recognition: “If someone had told me at the time that 'Cube' would be widely released and have a sequel, I would have fallen off my chair.”
- The characters not only bear the names of prisons but also reflect their characteristics. Kazan (a person suffering from autism) is a disorganized prison. Quentin (a policeman) is known for his brutality. Holloway is a women's prison. Alderson is a prison where isolation is a common punishment. Leavenworth is a prison with a precise set of rules (mathematical precision of Leavenworth).
- In one of the early script drafts, the characters found unnatural alien food. The idea had to be abandoned because it gave too clear an idea of the creators of the Cube.
- The Cube consists of 26x26x26 = 17576 rooms, plus one 'bridge' room.
- On the very first day of filming, the crew encountered a difficult problem – the mechanical hatch connecting the cube's rooms was so heavy that even Maurice Dean Wint, a man of robust build, could not move it. Since the entire script revolved around opening and closing doors, it was decided to film a large dialogue scene. Special effects master William Phillips rebuilt the door structure from materials purchased at a hardware store.
- Leven's assertion about the 'astronomical' task of decomposing three-digit numbers into prime factors is not entirely accurate. In reality, it is quite easy to determine whether a three-digit number is prime. The largest factor that needs to be checked is 31 (since 31² = 961, the next prime factor gives 37² = 1369 – already a four-digit number), and since divisibility by 2, 3, 5, 7, and 11 is very easy to check using known rules, only 6 prime factors (13, 17, 19, 23, 29, 31) remain to be checked. Furthermore, powers of prime factors are very easily checked for three-digit numbers: only 11 of them have squares, only 4 have cubes, only 3 have fourth powers, and even higher powers are only present in 2 of them – 2 and 3, which are trivial to check. All this greatly simplifies the task, and there is no 'astronomical' aspect to these calculations.
- The film was shot in 20 days in a recording studio in Toronto. Only one room, measuring 14x14x14 feet, was built for the filming. The room’s color was changed using interchangeable colored panels. The film was shot sequentially for each color, as changing the panels took time. Initially, they wanted to use six colors for the room, but due to the limited budget, they had to settle for five. There was only one functioning door on set.
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Auditions in India
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Кастинги в Україні
