True Grit - crew, film crew
The entire team, the film crew of the film "True Grit"
True Grit (2010)
Timing:
1:50 (110 min)
7.305/10
5698
5698
7.616/10
176103
176103
7.6/10
375000
375000
Film crew
Director
Producer
Executive Producer
Paul Schwake
Executive Producer
Robert Graf
Executive Producer
Casting
Ellen Chenoweth
Casting
Editor
Art Direction
Stefan Dechant
Art Direction
Supervising Art Director
Christina Ann Wilson
Supervising Art Director
Costume Design
Stunts
Vince Deadrick Jr.
Stunts
Loyd Catlett
Stunts
Mike Watson
Stunts
Danny Downey
Stunts
Tony Lee Boggs
Stunts
Doran Ingram
Stunts
Tim Buchanan
Stunts
Pedro Barquin
Stunts
Ian Mclaughlin
Stunts
Eliza Coleman
Stunts
Monty Stuart
Stunts
Craig Branham
Stunts
Jennifer Lamb
Stunts
Scout Hendrickson
Stunts
Thomas E. Bentley
Stunts
Paul Crow Willis
Stunts
Production Design
Jess Gonchor
Production Design
Stunt Coordinator
Jery Hewitt
Stunt Coordinator
Set Decoration
Nancy Haigh
Set Decoration
Makeup Artist
Christine Beveridge
Makeup Artist
Jacenda Burkett
Makeup Artist
Key Makeup Artist
Troy Breeding
Key Makeup Artist
Beate Petruccelli
Key Makeup Artist
Sound Re-Recording Mixer
Skip Lievsay
Sound Re-Recording Mixer
Craig Berkey
Sound Re-Recording Mixer
Greg Orloff
Sound Re-Recording Mixer
Original Music Composer
Production Supervisor
Karen Ruth Getchell
Production Supervisor
Stunt Double
Utility Stunts
Willie Weber
Utility Stunts
Director of Photography
Camera Operator
Paul Elliott
Camera Operator
Costume Supervisor
Lori DeLapp
Costume Supervisor
Makeup Department Head
Thomas Nellen
Makeup Department Head
Sound Effects Editor
Jay Wilkinson
Sound Effects Editor
Property Master
Keith Walters
Property Master
Visual Effects Supervisor
Vincent Cirelli
Visual Effects Supervisor
Supervising Sound Editor
Skip Lievsay
Supervising Sound Editor
Script Supervisor
Thomas Johnston
Script Supervisor
Hair Department Head
Kay Georgiou
Hair Department Head
Set Costumer
Emily Egge
Set Costumer
Hairstylist
Deborah Ball
Hairstylist
Special Effects Coordinator
Steve Cremin
Special Effects Coordinator
Still Photographer
Lorey Sebastian
Still Photographer
Wilson Webb
Still Photographer
Digital Effects Supervisor
Animation Supervisor
Pimentel A. Raphael
Animation Supervisor
Sound Mixer
Peter F. Kurland
Sound Mixer
Visual Effects Producer
Steve Griffith
Visual Effects Producer
First Assistant Director
Betsy Magruder
First Assistant Director
Animation
Ryan Sivley
Animation
Elaine Wu
Animation
Marcos Romero
Animation
Chief Lighting Technician
Chris Napolitano
Chief Lighting Technician
Boom Operator
Randall L. Johnson
Boom Operator
Screenplay
Novel
Charles Portis
Novel
Set Designer
Adele Plauche
Set Designer
Jeff B. Adams Jr.
Set Designer
Sound Designer
Craig Berkey
Sound Designer
Construction Coordinator
Tom Ward
Construction Coordinator
Art Department Coordinator
Jarrette Moats
Art Department Coordinator
Leigh Anne Montaño
Art Department Coordinator
Dialogue Editor
Byron Wilson
Dialogue Editor
Assistant Editor
Gershon Hinkson
Assistant Editor
David O. Rogers
Assistant Editor
Lighting Technician
John K.D. Graham
Lighting Technician
Foley Editor
Rigging Grip
Pete Stockton
Rigging Grip
Charley Gilleran
Rigging Grip
Kevin Fahey
Rigging Grip
Jason Keene
Rigging Grip
Rich Bond
Rigging Grip
Phillip Renke
Rigging Grip
Erik Untersee
Rigging Grip
Craig Wadlin
Rigging Grip
Key Grip
Mitchell Andrew Lillian
Key Grip
Ager/Dyer
Bren Cook
Ager/Dyer
Carol Demarti
Ager/Dyer
Janice Janecek
Ager/Dyer
Dominick De Rasmo
Ager/Dyer
Dolly Grip
Bruce Hamme
Dolly Grip
Rick Marroquin
Dolly Grip
Key Hair Stylist
Geordie Sheffer
Key Hair Stylist
Seamstress
Erica Ciaglia
Seamstress
Casting Associate
Marie A. Kohl
Casting Associate
Amelia Rasche McCarthy
Casting Associate
Music Editor
Todd Kasow
Music Editor
Production Sound Mixer
Douglas Axtell
Production Sound Mixer
Peter F. Kurland
Production Sound Mixer
First Assistant Camera
Andy Harris
First Assistant Camera
Donald R. Howe Jr.
First Assistant Camera
On Set Dresser
Elliott Hostetter
On Set Dresser
Visual Effects Coordinator
Katie Godwin
Visual Effects Coordinator
Catherine Hughes
Visual Effects Coordinator
Marla Neto Henshaw
Visual Effects Coordinator
CG Supervisor
Pavel Pranevsky
CG Supervisor
Richard Sutherland
CG Supervisor
Local Casting
Jo Edna Boldin
Local Casting
ADR Editor
Kenton Jakub
ADR Editor
Byron Wilson
ADR Editor
Title Designer
Randall Balsmeyer
Title Designer
Digital Intermediate
Loan Phan
Digital Intermediate
Foley
Marko Costanzo
Foley
Visual Effects Technical Director
Nick Damico
Visual Effects Technical Director
Makeup Effects Designer
What's left behind the scenes
- The film is based on Charles Portis' novel 'True Grit' (1968).
- Michael Biehn auditioned for the role of Ned Pepper.
- Jeff Bridges and Josh Brolin played Wild Bill Hickok in the films 'Wild Bill' (1995) and 'Young Riders' (1989) respectively.
- One of the few films produced by Steven Spielberg that does not begin with the 'Amblin Entertainment' or 'DreamWorks Pictures' logo.
- In 'True Grit' (1969), Rooster Cogburn wears an eye patch over his left eye. In 'True Grit' (2010), the patch is worn over his right eye.
- Rooster Cogburn is around 40 years old, however both John Wayne and Jeff Bridges were over sixty when they played the role.
- J.K. Simmons voiced Noble Daggert, Mattie's lawyer.
- Michael Biehn auditioned for the role of Ned Pepper.
- Due to child labor laws, Joel and Ethan Coen (the directors, writers, and producers of the film) were unable to film any scenes involving Haley Steinfeld after dark. This introduced certain difficulties into the process (as the film has many night scenes) and made scheduling challenging. In many of the night scenes, an adult stunt double played Mattie, not Steinfeld.
- 15,000 teenage girls auditioned for the role of Mattie. Haley Steinfeld played the role in the film.
- In scenes where horses fall or experience pain or fear, a combination of appropriate animal training and skillful editing was used.
- According to Jeff Bridges, who played Rooster Cogburn, the Coen brothers first instructed him to completely forget how John Wayne had played the role. They informed the actor that they intended to return to the original source – the novel of the same name by Charles Portis from 1968, who also became one of the screenwriters.
- When creating the image of Fort Smith, computer graphics and special effects were not used. Filming took place in another Texan town, as it still preserved the old layout and wide streets in places. The props department had to do a lot of work: they integrated mock-ups between existing buildings, repainted buildings, and remodeled facades to match the required historical period; sand was piled onto the paved streets, making them appear unpaved; telephone poles, a hallmark of the 20th century, were either dug up or draped to look like trees. The film takes place in winter, and the leaves of a tree that accidentally ended up in the frame during the hanging scene had to be torn off by hand. Finally, a small section of railway was borrowed from a museum for a specially constructed train of the appropriate era.
- For the corresponding scene, Matt Damon tied a tie around his tongue to create the impression for the audience that he had no tongue at all.
- Elizabeth Marvel, who played the grown-up one-armed Mattie, was doubled by Ruth Morris. In reality, Morris had even more screen time than Marvel.
Did you like the film?
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