Elizabeth: The Golden Age - crew, film crew
The entire team, the film crew of the film "Elizabeth: The Golden Age"
Elizabeth: The Golden Age (2007)
Timing:
1:54 (114 min)
6.705/10
1290
1290
7.313/10
59368
59368
6.8/10
78000
78000
Film crew
Director
Casting
Fiona Weir
Casting
Editor
Jill Bilcock
Editor
Andrew Haddock
Editor
Art Direction
David Allday
Art Direction
Andy Thomson
Art Direction
Jason Knox-Johnston
Art Direction
Phil Sims
Art Direction
Christian Huband
Art Direction
Supervising Art Director
Frank Walsh
Supervising Art Director
Costume Design
Alexandra Byrne
Costume Design
Stunts
Peter Pedrero
Stunts
Rob Inch
Stunts
Andy Smart
Stunts
Ray Nicholas
Stunts
David Anders
Stunts
Peter Miles
Stunts
Paul Kennington
Stunts
Nick Chopping
Stunts
Rowley Irlam
Stunts
Gordon Seed
Stunts
Paul Herbert
Stunts
Gary Hoptrough
Stunts
Daniel Naprous
Stunts
Bradley Farmer
Stunts
Pete Ford
Stunts
Aldonio Danny Frietas
Stunts
Dominic Preece
Stunts
Dave Fisher
Stunts
Andy Godbold
Stunts
Rick English
Stunts
Rick English
Stunts
Pete Ford
Stunts
Production Design
Guy Hendrix Dyas
Production Design
Stunt Coordinator
Set Decoration
Makeup Artist
Joe Hopker
Makeup Artist
Susan Howard
Makeup Artist
Uxue Laguardia
Makeup Artist
Jenny Shircore
Makeup Artist
Sound Re-Recording Mixer
Steve Single
Sound Re-Recording Mixer
Tim Cavagin
Sound Re-Recording Mixer
Original Music Composer
Craig Armstrong
Original Music Composer
Stunt Double
Abbi Collins
Stunt Double
James Grogan
Stunt Double
Director of Photography
Remi Adefarasin
Director of Photography
Camera Operator
Ben Wilson
Camera Operator
Mark Milsome
Camera Operator
Simon Finney
Camera Operator
Steadicam Operator
Roger Tooley
Steadicam Operator
Alf Tramontin
Steadicam Operator
Costume Supervisor
Suzi Turnbull
Costume Supervisor
Assistant Art Director
Helen Xenopoulos
Assistant Art Director
Property Master
David Balfour
Property Master
Visual Effects Supervisor
Johnny Lockwood
Visual Effects Supervisor
Richard Stammers
Visual Effects Supervisor
Steve Street
Visual Effects Supervisor
Supervising Sound Editor
Mark Auguste
Supervising Sound Editor
Script Supervisor
Angela Wharton
Script Supervisor
Set Costumer
Martin Chitty
Set Costumer
Fiona McCann
Set Costumer
Maurizio Torti
Set Costumer
Peter K. Christopher
Set Costumer
Hairstylist
Morag Ross
Hairstylist
Dorka Nieradzik
Hairstylist
Marion McCormack
Hairstylist
Jenny Shircore
Hairstylist
Still Photographer
Laurie Sparham
Still Photographer
Digital Effects Supervisor
Nicolas Aithadi
Digital Effects Supervisor
Visual Effects Producer
Michelle Corney
Visual Effects Producer
Victoria Mowlam
Visual Effects Producer
Production Manager
Mark Mostyn
Production Manager
Screenplay
William Nicholson
Screenplay
First Assistant Editor
Billy Browne
First Assistant Editor
Foley Artist
Mario Vaccaro
Foley Artist
Art Department Coordinator
Anna Skrein
Art Department Coordinator
Dialogue Editor
Sam Auguste
Dialogue Editor
Foley Editor
Andrew Neil
Foley Editor
Location Manager
Alex Gladstone
Location Manager
Nick Daubeny
Location Manager
Manus Home
Location Manager
Visual Effects Production Manager
Drew Jones
Visual Effects Production Manager
Sculptor
Duncan McDevitt
Sculptor
Stephen McClure
Sculptor
Alexandra Harwood
Sculptor
Steve Deahl
Sculptor
"A" Camera Operator
Simon Finney
"A" Camera Operator
Music Editor
Tony Lewis
Music Editor
ADR Recordist
Robert Edwards
ADR Recordist
Second Unit Director of Photography
Alan Stewart
Second Unit Director of Photography
Greensman
Ian Whiteford
Greensman
Unit Publicist
Stacy Mann
Unit Publicist
Scenic Artist
Rohan Harris
Scenic Artist
James Gemmill
Scenic Artist
Steve Mitchell
Scenic Artist
Visual Effects Editor
Aled Robinson
Visual Effects Editor
CG Supervisor
Ian Ward
CG Supervisor
ADR Editor
Tim Hands
ADR Editor
Choreographer
Jane Gibson
Choreographer
Dialect Coach
Penny Dyer
Dialect Coach
Unit Manager
Tom Forsyth
Unit Manager
Clapper Loader
Finance
Michele Tandy
Finance
Music Consultant
Kirsten Lane
Music Consultant
Additional Camera
David Worley
Additional Camera
What's left behind the scenes
- Location shooting took place at the Tower, Cambridge, and historic cathedrals in England. Scenes involving Spaniards were also filmed in England.
- Specifically for the filming, a 54-meter-long ship mockup was constructed from logs and steel frames, with a mechanism to simulate pitching and rolling.
- The love affair and secret marriage between Walter Raleigh (Clive Owen) and Elizabeth Throckmorton (Abbie Cornish) occurred in 1591; their firstborn was born in the same year, but died of the plague at six months old. Elizabeth I first learned of the marriage in 1592, after which Raleigh was imprisoned in the Tower for five years. In the film, Elizabeth I learns about the marriage of her favorite and lady-in-waiting before the attack of the Spanish Armada, which is dated to 1588.
- In the film, Walter Raleigh was presented to court after he had already completed his expeditions to the New World. In reality, his acquaintance with the Queen, when Raleigh threw a scarlet cloak trimmed with precious stones at her feet, took place in 1581, and from 1583 Elizabeth began to patronize Raleigh. Only in 1584 was the first expedition to the New World equipped with money received from Elizabeth's favors, but Raleigh himself did not participate in it, as Elizabeth did not want to let her favorite go. Only in 1595, already in disgrace, did he first take part in an expedition overseas.
- In 1585, Elizabeth I was already 52 years old. Scenes depicting potential suitors being shown to the Queen actually took place much earlier. Ivan the Terrible died a year earlier – in 1584. Moreover, Elizabeth is presented with a portrait of Ivan IV in the film, painted by Viktor Mikhailovich Vasnetsov in 1897.
- During the military actions in 1588, Infanta Isabella was 21 years old, but in the film her role is played by a little girl.
- The film depicts the construction of St. Paul's Cathedral as Elizabeth arrives. In reality, the filming coincided with renovation work at the cathedral. The film's director, Shekhar Kapur, preferred to improvise and gave stonemasons and builders authentic period clothing and tools for the stone cutting scenes.
- To save money, only one ship model was built. It looked like a British ship from one side and a Spanish galleon from the other. During filming on deck, the transition line between the British ship and the Spanish galleon was camouflaged with smoke.
- Westminster Abbey in London served as the monastery called El Escorial (which serves as a residence for the kings of Spain and is located an hour's drive from Madrid). Because the abbey is an active church, the filmmakers had to wait for services to end, remove all more or less recognizable elements from the interior, film all scenes at night, and restore the abbey's appearance to its original state before the morning service.
- When Bess, played by Abby Cornish, learns the volta (a paired dance of the Renaissance era in which the man performs a supporting element and spins his partner), the actress was lifted into the air every six counts. After numerous takes, her whole body ached, and she walked with difficulty the next day.
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