The Call of the Wild - crew, film crew

The entire team, the film crew of the film "The Call of the Wild"
The Call of the Wild (2020)
Timing: 1:40 (100 min)
The Call of the Wild - TMDB rating
7.525/10
3893
The Call of the Wild - Kinopoisk rating
7.665/10
263222
The Call of the Wild - IMDB rating
6.7/10
64000

Film crew

Director

Producer

Erwin Stoff
Producer

Executive Producer

Photo Diana Pokorny #73357
Diana Pokorny
Executive Producer
Photo Michael Green #12770Photo Michael Green #327495

Michael Green

Michael Green
Executive Producer
Ryan Stafford
Executive Producer

Casting

Photo Denise Chamian #7553
Denise Chamian
Casting

Editor

David Heinz
Editor

Art Direction

Andrew Max Cahn
Art Direction
Iain McFadyen
Art Direction
Jason T. Clark
Art Direction

Supervising Art Director

Desma Murphy
Supervising Art Director

Costume Design

Kate Hawley
Costume Design

Stunts

Carrick O'Quinn
Stunts

Production Design

Stefan Dechant
Production Design

Stunt Coordinator

Photo Charles Croughwell #8064Photo Charles Croughwell #8065
Charles Croughwell
Stunt Coordinator

Set Decoration

Danielle Berman
Set Decoration

Sound Re-Recording Mixer

David Giammarco
Sound Re-Recording Mixer
Warren Hendriks
Sound Re-Recording Mixer

Original Music Composer

Photo John Powell #15349

John Powell

John Powell
Original Music Composer

Production Supervisor

Gavin J. Behrman
Production Supervisor

Second Assistant Director

Conte Mark Matal
Second Assistant Director

Stunt Double

Utility Stunts

Photo Clay Cullen #65892

Clay Cullen

Clay Cullen
Utility Stunts

Director of Photography

Photo Janusz Kamiński #27589

Janusz Kamiński

Janusz Kamiński
Director of Photography

Steadicam Operator

George Billinger III
Steadicam Operator

Sound Effects Editor

Troy Prehmus
Sound Effects Editor

Visual Effects Supervisor

Erik Nash
Visual Effects Supervisor

Supervising Sound Editor

Warren Hendriks
Supervising Sound Editor

Still Photographer

Merie Weismiller Wallace
Still Photographer

First Assistant Director

K.C. Colwell
First Assistant Director

Graphic Designer

Ellen Lampl
Graphic Designer
Andrew Campbell
Graphic Designer

Screenplay

Novel

Art Department Coordinator

Katrina Sainz
Art Department Coordinator

First Assistant "B" Camera

Jeff Porter
First Assistant "B" Camera

First Assistant "A" Camera

Mark Spath
First Assistant "A" Camera

Location Manager

"A" Camera Operator

Mitch Dubin
"A" Camera Operator

"B" Camera Operator

George Billinger III
"B" Camera Operator

Second Assistant "B" Camera

Larissa Supplitt
Second Assistant "B" Camera

Production Assistant

Cristobal Hernandez
Production Assistant

VFX Artist

Audrey Gabriel
VFX Artist

Visual Effects

Brian Adler
Visual Effects
Farid K. Yazami
Visual Effects
Bhardwaj Divyanshu
Visual Effects
Adam Kunsberg
Visual Effects
Adam Maier
Visual Effects

Second Assistant "A" Camera

David O'Brien
Second Assistant "A" Camera

CG Supervisor

Sheen Wei Yap
CG Supervisor

Camera Loader

Tim Balcomb
Camera Loader

Vocals

Holly Sedillos
Vocals

Digital Colorist

Michael Hatzer
Digital Colorist

Editorial Production Assistant

Photo A.R. Björklund #7194
A.R. Björklund
Editorial Production Assistant

What's left behind the scenes

  • Each dog in Beck's team, except Spitz, was given features of one of the dwarfs from the classic Disney cartoon “Snow White and the Seven Dwarfs” (1937): Dolly is Dopey, Pike is Grumpy, Joe is Happy, Billy is Sleepy, Dave is Bashful, Dub is Sneezy, and Sol-Leks is Doc.
  • The film features dogs created using computer graphics, which allowed for a wider range of emotions and avoided injuries. Chris Sanders was chosen as the director of this film due to his experience in animation at Disney and DreamWorks.
  • In memory of Jack London (1876-1916) and his love of nature, the creation of this film was made as environmentally friendly as possible. No single-use plastic bottles were used during the film's production, and only biodegradable plates and cutlery were used. Leftover food was given to the needy, solar-powered generators were used, and recycled paper was utilized.
  • Buck's digital model used a scan of Buckley, a dog that director Chris Sanders and his wife Jessica adopted from a shelter in Kansas.
  • Wes Brown, who played the police officer, was asked to catch a mailbag thrown to him with one hand, without looking. Brown did just that, on the very first take. However, during editing, someone from the studio management decided it looked too “cartoonish,” so Brown’s hand was replaced with a digital one and the mailbag was made to fall in the snow.
  • Hal’s red and black suit, played by Dan Stevens, was sewn from a piece of fabric woven over 100 years ago before the Klondike Gold Rush.
Did you like the film?

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