Pillow Talk - crew, film crew

The entire team, the film crew of the film "Pillow Talk"
Pillow Talk (1959)
Timing: 1:42 (102 min)
Pillow Talk - TMDB rating
7.119/10
269
Pillow Talk - Kinopoisk rating
7.499/10
2158
Pillow Talk - IMDB rating
7.4/10
21000

Film crew

Director

Producer

Martin Melcher
Producer
Photo Ross Hunter #195027Photo Ross Hunter #195028Photo Ross Hunter #195029
Ross Hunter
Producer

Editor

Milton Carruth
Editor

Art Direction

Richard H. Riedel
Art Direction

Costume Design

Photo Jean Louis #95202

Jean Louis

Jean Louis
Costume Design

Set Decoration

Russell A. Gausman
Set Decoration
Ruby R. Levitt
Set Decoration

Makeup Artist

Original Music Composer

Frank De Vol
Original Music Composer

Director of Photography

Arthur E. Arling
Director of Photography

Script Supervisor

Dorothy Hughes
Script Supervisor

Hairstylist

Screenplay

Stanley Shapiro
Screenplay
Photo Maurice Richlin #95617
Maurice Richlin
Screenplay

Props

Solly Martino
Props

Story

Clarence Greene
Story

Music Supervisor

Joseph Gershenson
Music Supervisor

Songs

Sol Lake
Songs
Elsa Doran
Songs
Joe Lubin
Songs
Inez James
Songs
Buddy Pepper
Songs
I. J. Roth
Songs

Gaffer

Tom Ouellette
Gaffer

Assistant Director

Phil Bowles
Assistant Director

Other

Henri Jaffa
Other

Sound

Robert Pritchard
Sound
Leslie I. Carey
Sound

Visual Effects

Clifford Stine
Visual Effects
Roswell A. Hoffmann
Visual Effects

Executive In Charge Of Production

Edward Muhl
Executive In Charge Of Production

Wardrobe Master

Rosamonde Lytele
Wardrobe Master

What's left behind the scenes

  • The character played by Tony Randall (1920-2004) slaps the heroine, Doris Day (1922-2019), in a diner, and a truck driver, played by John Indrisano (1905-1968), knocks him out with a punch to the jaw. In a subsequent interview, Randall recounted that he and Indrisano rehearsed the punch repeatedly, and that Indrisano assured him he would hit gently. When the camera started rolling, Indrisano misjudged the force of the blow and knocked Randall unconscious on the very first take.
  • Rock Hudson refused offers to star in this film three times, believing its script was “too risqué.”
  • The first scene filmed was the one near the end of the film, in which Rock Hudson carries Doris Day out of bed and through the streets of New York to his home. After filming several takes, the actor's arm muscles were already aching, and the director still wasn’t satisfied, so a kind of shoulder sling was devised for Hudson for this scene.
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