Army of the Dead - crew, film crew
The entire team, the film crew of the film "Army of the Dead"
Army of the Dead (2021)
Timing:
2:28 (148 min)
6.209/10
4357
4357
5.901/10
66411
66411
5.8/10
200000
200000
Film crew
Director
Producer
Executive Producer
Bergen Swanson
Executive Producer
Casting
Kim Winther
Casting
Editor
Dody Dorn
Editor
Special Effects Supervisor
Michael Gaspar
Special Effects Supervisor
Supervising Art Director
Gregory S. Hooper
Supervising Art Director
Geoffrey S. Grimsman
Supervising Art Director
Costume Design
Stephanie Portnoy Porter
Costume Design
Stunts
Trevor Logan
Stunts
Athena Perample
Stunts
Production Design
Stunt Coordinator
Wayne Dalglish
Stunt Coordinator
Damon Caro
Stunt Coordinator
Second Unit Director
Damon Caro
Second Unit Director
Set Decoration
Sophie Neudorfer
Set Decoration
Stunt Driver
Brian Avery
Stunt Driver
Makeup Artist
Karla Muenze
Makeup Artist
Jolynn Nieto
Makeup Artist
Sound Re-Recording Mixer
Martyn Zub
Sound Re-Recording Mixer
Ian Chase
Sound Re-Recording Mixer
Original Music Composer
Unit Production Manager
Bergen Swanson
Unit Production Manager
Lyn Pinezich
Unit Production Manager
Production Supervisor
Lindsay Feldman
Production Supervisor
Set Dresser
Eric Luling
Set Dresser
Matthew J Ellis
Set Dresser
Stunt Double
Brady Romberg
Stunt Double
Rob de Groot
Stunt Double
Utility Stunts
Shahaub Roudbari
Utility Stunts
Corrina Roshea Bobb
Utility Stunts
Seth Duhame
Utility Stunts
Ryan Ryusaki
Utility Stunts
CJ Stuart
Utility Stunts
Heath Hensley
Utility Stunts
Jessie Springer
Utility Stunts
Amy Sturdivant
Utility Stunts
Tom Shaughnessy
Utility Stunts
Leah Hopkins
Utility Stunts
Lucas Swallow
Utility Stunts
Enele Ma'afu Tauteoli
Utility Stunts
Tony Vittorioso
Utility Stunts
Mike Justus
Utility Stunts
Director of Photography
Camera Operator
Costume Supervisor
Javier Arrieta
Costume Supervisor
Assistant Art Director
Brett McKenzie
Assistant Art Director
Tyler Standen
Assistant Art Director
Henry Arce
Assistant Art Director
Visual Effects Supervisor
Steve Dinozzi
Visual Effects Supervisor
Michael Gaspar
Visual Effects Supervisor
Mark LeDoux
Visual Effects Supervisor
Marcus Taormina
Visual Effects Supervisor
Andrew Byrne
Visual Effects Supervisor
Robert Winter
Visual Effects Supervisor
Joao Sita
Visual Effects Supervisor
Supervising Sound Editor
Chuck Michael
Supervising Sound Editor
Script Supervisor
Kimi Webber
Script Supervisor
Sharon Watt
Script Supervisor
Brooke Satrazemis
Script Supervisor
Gabriela Gomez
Script Supervisor
Set Costumer
Red Rose Connerty
Set Costumer
Solange Astrid Guerrero
Set Costumer
Brittnee Holmquist
Set Costumer
Hairstylist
Andreya Joseph
Hairstylist
Still Photographer
Sound Mixer
Chris Kellett
Sound Mixer
Visual Effects Producer
Bobby Tucker
Visual Effects Producer
Perdita Carvil
Visual Effects Producer
Boom Operator
Michael Kaleta
Boom Operator
Graphic Designer
Christina Myal
Graphic Designer
Alan Chao
Graphic Designer
Screenplay
Set Designer
Mark Hitchler
Set Designer
Siobhan Roome
Set Designer
C. Scott Baker
Set Designer
Julie Vash
Set Designer
Jimmy Hendrix
Set Designer
Jimmy Hendrix
Set Designer
Foley Artist
Adam DeCoster
Foley Artist
Sound Designer
Chuck Michael
Sound Designer
Art Department Coordinator
Schuyler Grimsman
Art Department Coordinator
Assistant Editor
Carlos Castillon
Assistant Editor
Jenny Caceres
Assistant Editor
Compositing Supervisor
Owen Jackson
Compositing Supervisor
Key Hair Stylist
Melissa Yonkey
Key Hair Stylist
Leadman
Brett Von Shirley
Leadman
Special Effects
Bryan Sides
Special Effects
Anthony Delacruz
Special Effects
Story
Special Effects Technician
Mike Sasgen
Special Effects Technician
Daniel Yates
Special Effects Technician
Roderic 'Mick' Duff
Special Effects Technician
John Carlos Higgins II
Special Effects Technician
Roderic Duff
Special Effects Technician
Foley Mixer
Randy Singer
Foley Mixer
Production Controller
April A. Janow
Production Controller
Mike Revell
Production Controller
Special Effects Makeup Artist
Siobhan Carmody
Special Effects Makeup Artist
Michele Spooner
Special Effects Makeup Artist
Cary Gunnar Lee
Special Effects Makeup Artist
Clinton Wayne
Special Effects Makeup Artist
Music Editor
Michael K. Bauer
Music Editor
ADR Mixer
Chris Navarro
ADR Mixer
Michael Miller
ADR Mixer
Aravind Vijayakumar
ADR Mixer
Storyboard Artist
Digital Compositor
Daniel L. Smith
Digital Compositor
Michael A. Martinez
Digital Compositor
Bryan Haines
Digital Compositor
Joe DiNozzi
Digital Compositor
Duncan Key
Digital Compositor
Ndosi Anyabwile
Digital Compositor
Tanner Bartlett
Digital Compositor
Ryan McConnell
Digital Compositor
David Neuberger
Digital Compositor
Edgar Lopez
Digital Compositor
Chris Bergman
Digital Compositor
Evan Hirschberg
Digital Compositor
Lilia Collar
Digital Compositor
Conceptual Illustrator
Henry Fong
Conceptual Illustrator
Jonathan Bach
Conceptual Illustrator
Clay Staub
Conceptual Illustrator
Jared Purrington
Conceptual Illustrator
Production Assistant
Rob Howard
Production Assistant
Visual Effects Coordinator
Kareem Babeel
Visual Effects Coordinator
Utility Sound
Karl Wasserman
Utility Sound
Visual Effects Editor
Heather Taylor
Visual Effects Editor
Kate Stauduhar
Visual Effects Editor
Local Casting
Jo Edna Boldin
Local Casting
Sound Recordist
Caleb Hollenback
Sound Recordist
Modeling
Tony Bohorquez
Modeling
Matte Painter
Daniel Dupre
Matte Painter
Post-Production Manager
Andrea Wertheim
Post-Production Manager
Executive Visual Effects Producer
Matt Akey
Executive Visual Effects Producer
Compositing Artist
Paul Song
Compositing Artist
Sound Effects Designer
David Werntz
Sound Effects Designer
Justin M. Davey
Sound Effects Designer
What's left behind the scenes
- Chris D'Elia played the role of the helicopter pilot, but the actor was accused of sexual harassment. It was impossible to gather all the actors for reshoots, so he was replaced by Tig Notaro in post-production.
- During the filming of the car collision scene at the beginning of the film, the camera was deliberately destroyed to realistically show the crash from the passengers' point of view.
- Filming the opening scene of the film, where the military encounter alpha zombies, proved to be the most exhausting and took five weeks, as Zack Snyder absolutely wanted this scene to take place at dusk.
- Dave Bautista turned down a role in 'The Suicide Squad' in order to film in this movie.
- For several years, Zack Snyder purchased vintage Canon Dream Lens lenses from the 1960s online, and then had to create a customized digital camera to use these lenses for filming the movie.
- 2,500 plastic skeletons were dressed and laid out on the set.
- Work on the film began in 2009 when Zack Snyder wrote the screenplay, but he declined to direct due to commitments to other projects. James Gunn was considered as a director for a time, but he ultimately turned down the offer. In 2011, it was announced that Mattias van Heijningen Jr. would be directing the film, and it would be released in the fall of 2013. In 2012, van Heijningen Jr. announced his departure from the project, and it was shelved again until 2018.
- Everything the actors touched and walked on was real. Everything else, including the rooftops of buildings and the outline of Las Vegas against the sky, was created using computer technology.
- All scenes with Tig Notaro were filmed alone. This was because she had recovered from cancer, and filming took place during the height of the coronavirus pandemic. Dave Bautista was not personally acquainted with Notaro; they had never even met, although they appear together in several scenes in the film. Notaro's image was simply inserted into these scenes using digital technology.
- The zombie horse ridden by Zeus through the ruins of Las Vegas was conceived by Gabriel Bartalos. Justin Raleigh, who was responsible for the makeup, said that many layers of makeup were applied to a real horse: a layer depicting bones and muscles, a layer depicting skin on top of it, and then veins and makeup on the muzzle were added in small pieces.
- The zombies wore contact lenses of various types. At the beginning of a person's transformation into a zombie, the contact lenses made it appear as if blood was leaking from their eyes, then the eyes became increasingly red, and the amount of blood seemed to grow. In the end, the lenses were completely white. All the contact lenses – over 60 sets – were created by Kristina Patterson.
- The actors playing zombies had to undergo a basic training course, mainly to learn how to handle weapons. One of them, Matthias Schweighöfer, already had relevant training, so he had to try to look more clumsy and less prepared.
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