Sky Captain and the World of Tomorrow - crew, film crew
The entire team, the film crew of the film "Sky Captain and the World of Tomorrow"
Sky Captain and the World of Tomorrow (2004)
Timing:
1:47 (107 min)
5.882/10
1205
1205
6.25/10
27981
27981
6.1/10
90000
90000
Film crew
Director
Producer
Marsha Oglesby
Producer
Executive Producer
Raffaella De Laurentiis
Executive Producer
Aurelio De Laurentiis
Executive Producer
Bill Haber
Executive Producer
Writer
Casting
Sheila Trezise
Casting
Editor
Sabrina Plisco
Editor
Special Effects Supervisor
Trevor Wood
Special Effects Supervisor
Art Direction
Kirsten Conran
Art Direction
Costume Design
Kevin Conran
Costume Design
Stella McCartney
Costume Design
Production Design
Kevin Conran
Production Design
Stunt Coordinator
Makeup Artist
Eloisa De Laurentiis
Makeup Artist
Sound Re-Recording Mixer
Terry Porter
Sound Re-Recording Mixer
Original Music Composer
Co-Producer
Brooke Breton
Co-Producer
Hester Hargett
Co-Producer
Production Supervisor
Matthew Feitshans
Production Supervisor
Associate Producer
Robert Gordon
Associate Producer
Orchestrator
Robert Elhai
Orchestrator
Second Assistant Director
Ben Howard
Second Assistant Director
Stunt Double
Utility Stunts
Director of Photography
Eric Adkins
Director of Photography
Camera Operator
Steven Hall
Camera Operator
Sound Effects Editor
Adam Kopald
Sound Effects Editor
Property Master
David E. Harshbarger
Property Master
Visual Effects Supervisor
Tim Alexander
Visual Effects Supervisor
Supervising Sound Editor
Script Supervisor
Sally Jones
Script Supervisor
Hairstylist
Betty Glasow
Hairstylist
Special Effects Coordinator
Richard O. Helmer
Special Effects Coordinator
Still Photographer
Keith Hamshere
Still Photographer
Lead Animator
H Haden Hammond
Lead Animator
Digital Effects Supervisor
Jeff Goldman
Digital Effects Supervisor
Associate Editor
Tim Coulter
Associate Editor
Animation Supervisor
Mauricio Baiocchi
Animation Supervisor
Sound Mixer
David Crozier
Sound Mixer
Visual Effects Producer
Melissa Brockman
Visual Effects Producer
Armorer
Laurence Harvey
Armorer
Assistant Costume Designer
Pie Lombardi
Assistant Costume Designer
Animation
Merrick Rustia
Animation
Brett Paton
Animation
Driver
Darren Thackeray
Driver
Production Manager
Marcia Gay
Production Manager
Boom Operator
John Casali
Boom Operator
Set Designer
Judy Bradbury
Set Designer
First Assistant Editor
Erik Jessen
First Assistant Editor
Foley Artist
Robin Harlan
Foley Artist
Sound Designer
Art Department Coordinator
Carrie Wilksen
Art Department Coordinator
Dialogue Editor
John Kwiatkowski
Dialogue Editor
Assistant Editor
Dana B. Wilson
Assistant Editor
First Assistant Sound Editor
Mark A. Tracy
First Assistant Sound Editor
Best Boy Grip
Andy Hopkins
Best Boy Grip
Lighting Technician
Justin Hammond
Lighting Technician
Rigging Grip
James Mann
Rigging Grip
James Mann
Rigging Grip
Compositing Supervisor
Jance Allen
Compositing Supervisor
Grip
Tony Rowland
Grip
Dolly Grip
Eric Aupetit
Dolly Grip
Key Hair Stylist
Kay Georgiou
Key Hair Stylist
Visual Effects Production Manager
Bill Murphy
Visual Effects Production Manager
Casting Assistant
Simon Drew
Casting Assistant
Foley Supervisor
Valerie Davidson
Foley Supervisor
Special Effects Technician
Christopher Brennan
Special Effects Technician
Foley Mixer
Randy Singer
Foley Mixer
Third Assistant Director
Chris Burgess
Third Assistant Director
Casting Associate
Janet Farris
Casting Associate
Gaffer
Sean Haeseler
Gaffer
Assistant Director
Marcia Gay
Assistant Director
Music Editor
Michael K. Bauer
Music Editor
Digital Imaging Technician
Susan A. Campbell
Digital Imaging Technician
ADR Mixer
Video Assist Operator
Tony Rush
Video Assist Operator
ADR Recordist
Alexander Beddow
ADR Recordist
Storyboard Artist
Jesse D'Angelo
Storyboard Artist
Camera Trainee
Digital Intermediate Assistant
Donnie Creighton
Digital Intermediate Assistant
First Assistant Camera
Mark Barrs
First Assistant Camera
Post Production Coordinator
Sarah Ogletree
Post Production Coordinator
Standby Painter
Jonathan Downing
Standby Painter
Additional Music
Tom Chichester-Clark
Additional Music
Post Production Supervisor
Clark Henderson
Post Production Supervisor
Researcher
Simon Eves
Researcher
Digital Intermediate Colorist
Steven J. Scott
Digital Intermediate Colorist
Stand In
Colette Appleby
Stand In
Production Assistant
Olivier Beaulieu
Production Assistant
Production Coordinator
Omar McClinton
Production Coordinator
Loader
Dylan Jones
Loader
Visual Effects Coordinator
Christopher Almerico
Visual Effects Coordinator
Visual Effects Editor
Tom Barrett
Visual Effects Editor
Tim Coulter
Visual Effects Editor
Visual Effects
Christopher Hobbs
Visual Effects
Visual Effects Compositor
Radost Yonkova Ridlen
Visual Effects Compositor
Supervising Producer
Margaux Mackay
Supervising Producer
Color Designer
Miae Kim
Color Designer
Digital Producer
Bonnie Lemon
Digital Producer
CG Supervisor
Shadi Almassizadeh
CG Supervisor
Lighting Supervisor
Steven Swanson
Lighting Supervisor
ADR Supervisor
Devon Heffley Curry
ADR Supervisor
Conceptual Design
Thom Schillinger
Conceptual Design
Extras Casting
Jennifer Alessi
Extras Casting
CG Artist
Lyoung Hui Kim
CG Artist
Rigging Gaffer
Brandon Evans
Rigging Gaffer
Post Production Assistant
Jason Beale
Post Production Assistant
Assistant Production Coordinator
Wardrobe Supervisor
Anne Brault
Wardrobe Supervisor
Visual Effects Art Director
Aaron Sims
Visual Effects Art Director
Sequence Supervisor
David Wainstain
Sequence Supervisor
Lighting Artist
Anthony Fung
Lighting Artist
Matte Painter
Dylan Cole
Matte Painter
Matchmove Supervisor
Tim Dobbert
Matchmove Supervisor
Costume Assistant
Georgina Napier
Costume Assistant
Rotoscoping Artist
Richard Gervan
Rotoscoping Artist
Production Executive
Michael Taylor
Production Executive
Title Designer
Chad Danieley
Title Designer
Set Medic
Elton Farla
Set Medic
Music Producer
Head of Production
Carole Cowley
Head of Production
Digital Intermediate Producer
Michael Kennedy
Digital Intermediate Producer
Wardrobe Master
Steven Kirkby
Wardrobe Master
Visual Effects Production Assistant
James Dornoff
Visual Effects Production Assistant
Digital Colorist
Ben Estrada
Digital Colorist
Wardrobe Assistant
Rebecca Gore
Wardrobe Assistant
Editorial Services
Valance Eisleben
Editorial Services
3D Supervisor
Melissa Almeida
3D Supervisor
Assistant Camera
John M. Barbour
Assistant Camera
Executive Visual Effects Producer
Marc Sadeghi
Executive Visual Effects Producer
Supervising Technical Director
Alec Bartsch
Supervising Technical Director
Senior Animator
John Velazquez
Senior Animator
Additional Casting
Digital Intermediate Editor
Amy Pawlowski
Digital Intermediate Editor
Software Engineer
Jim Rothrock
Software Engineer
Additional Sound Re-Recording Mixer
2D Supervisor
Kevin O'Neill
2D Supervisor
Editorial Coordinator
Paul Sadeghi
Editorial Coordinator
Makeup Effects
Gary Pollard
Makeup Effects
Dresser
Jenny Hawkins
Dresser
Creative Director
Jarik Van Sluijs
Creative Director
Digital Compositors
Lindsay Adams
Digital Compositors
Senior Visual Effects Supervisor
Scott E. Anderson
Senior Visual Effects Supervisor
Systems Administrators & Support
Devin Bunje
Systems Administrators & Support
Intern
Greg Manke
Intern
Dialogue Coach
Catherine Charlton
Dialogue Coach
I/O Supervisor
Brian Miller
I/O Supervisor
Digital Color Timer
Steve Bowen
Digital Color Timer
Coordinating Producer
Jacqueline Rosado
Coordinating Producer
Compositors
Rachel Wyn Dunn
Compositors
Colin Sittig
Compositors
John Dillon
Compositors
Casting Consultant
Richard Pagano
Casting Consultant
Presenter
What's left behind the scenes
- Practically the entire film was shot against the blue screen, so disliked by the actors. This has become commonplace lately, as many films are packed with all sorts of computer graphics. According to the creators, there are only a few shots in the film that do not have computer special effects applied.
- To speed up the editing process, director Kerry Conran shot a lot of various shots against a blue screen. As a result, he gained the ability to manipulate the footage and not waste additional time on re-takes of the main scenes.
- Initially, the project was titled "The World of Tomorrow," but after it became known that Roland Emmerich's "The Day After Tomorrow" was being released, the decision was made to add the main character's name to the title.
- The idea for a full-length feature film arose after Kerry Conran filmed a 6-minute reel of robots walking around New York. Producer John Evnet was so impressed with what he saw that he was able to convince Conran to turn his ideas into a full-fledged project.
- Although Kerry Conran filmed a movie about events taking place in future New York, he had never visited the metropolis in his life. He was assisted in working on the set design only by old photographs of city landmarks, many of which were digitized, processed, and used in the film as a backdrop.
- The first screening of the film took place on July 22, 2004, in San Diego. There were about two months left until the premiere, which provided hope for correcting some imperfections and shortcomings.
- The film was supposed to be released on June 25, 2004. However, after the release date for "Spider-Man 2" (June 30, 2004) was announced, the producers, just to be on the safe side, postponed the release by as much as 3 months – to September 17, 2004.
- The role of Dr. Totenkopf was “played” by actor Laurence Olivier – his face was recreated from old photographs.
- Angelina Jolie participated in filming for only three days. However, despite this, she met with many British pilots, veterans of World War II, long before participating in the film, to showcase some character traits of that period and convey some of the slang of the time to the audience.
- Dexter Diborn was originally supposed to be played by Casey Affleck.
- Totenkopf translates from German as “Dead Head”.
- Peter Law, who played Dr. Kessler, is the father of Jude Law.
- The model of the aircraft flown by the Sky Captain – the R-40 fighter.
- Filming of the picture began on March 14, 2003, and ended on April 8, 2003.
- Joe and his friends fly over a graveyard of sunken ships. Among them are the 'Titanic' and the ship that carried King Kong (you can even see the giant monkey's cage).
- The film was initially shot on black and white film and subsequently colorized on a computer.
- The sound of the blasters installed in the heads of the giant robots was taken from the film 'The War of the Worlds' (1953).
- The very first scene filmed for the movie was the entrance of the Sky Captain into his office on the base, where Polly was waiting for him.
- Practically the entire film was shot against the blue screen, so disliked by the actors. This has become commonplace recently, as many films are packed with all sorts of computer graphics. According to the creators, there are only a few shots in the film that do not have computer special effects applied.
- To speed up the editing process, director Kerry Conran shot a lot of various shots against a blue screen. As a result, he was able to manipulate the footage and avoid spending extra time on re-shooting main scenes.
- The project was initially titled “The World of Tomorrow,” however, after the release of Roland Emmerich’s “The Day After Tomorrow” was announced, it was decided to add the name of the main character to the title.
- The idea of creating a full-length film arose after Kerry Conran shot a 6-minute video about robots walking around New York. Producer John Evnet was so impressed with what he saw that he managed to convince Conran to turn his ideas into a full-fledged project.
- Although Kerry Conran filmed a movie about events taking place in the future New York, he had never visited this metropolis in his life. He was assisted in working on the set design only by old photographs of city landmarks, many of which were digitized, processed, and used in the film as a background.
- The film was supposed to be released on June 25, 2004. However, after the release date of "Spider-Man 2" (June 30, 2004) was announced, the producers, just to be on the safe side, postponed the release by as much as 3 months — to September 17, 2004.
- Totenkopf translates from German as "Dead Head".
Did you like the film?
Auditions in India
Casting calls in USA
Castingi w Polsce
Кастинги в Україні
