Chicken Run: Dawn of the Nugget - crew, film crew

The entire team, the film crew of the film "Chicken Run: Dawn of the Nugget"
Chicken Run: Dawn of the Nugget (2023)
Timing: 1:41 (101 min)
Chicken Run: Dawn of the Nugget - TMDB rating
6.934/10
861
Chicken Run: Dawn of the Nugget - Kinopoisk rating
6.322/10
6515
Chicken Run: Dawn of the Nugget - IMDB rating
6.3/10
29000

Film crew

Director

Photo Sam Fell #67027
Sam Fell
Director

Producer

Steve Pegram
Producer
Leyla Hobart
Producer

Executive Producer

Photo Sam Fell #67027
Sam Fell
Executive Producer
Photo Nick Park #66830Photo Nick Park #66831Photo Nick Park #66832

Nick Park

Nick Park
Executive Producer
Photo Peter Lord #67008Photo Peter Lord #67009
Peter Lord
Executive Producer
Carla Shelley
Executive Producer
Paul Kewley
Executive Producer

Casting

Lucy Rands
Casting

Editor

Stephen Perkins
Editor

Art Direction

Sarah Hauldren
Art Direction
Richard Edmunds
Art Direction
Simon Farrell
Art Direction
Matt Sanders
Art Direction

Supervising Art Director

Matt Perry
Supervising Art Director

Production Design

Darren Dubicki
Production Design

Sound Re-Recording Mixer

Gilbert Lake
Sound Re-Recording Mixer

Original Music Composer

Co-Producer

Zoe Verrier-Stunt
Co-Producer

Director of Photography

Charles Copping
Director of Photography

Assistant Art Director

Grace Mahony
Assistant Art Director

Visual Effects Supervisor

Jon Biggins
Visual Effects Supervisor

Supervising Sound Editor

Dillon Bennett
Supervising Sound Editor

Animation Supervisor

Loyd Price
Animation Supervisor
Ian Whitlock
Animation Supervisor

Visual Effects Producer

Kirstie Deane
Visual Effects Producer

Production Manager

Ben Barrowman
Production Manager

Screenplay

Additional Editor

Sim Evan-Jones
Additional Editor

Camera Technician

James Baber

James Baber
Camera Technician

Story

Characters

Photo Nick Park #66830Photo Nick Park #66831Photo Nick Park #66832

Nick Park

Nick Park
Characters

Storyboard Artist

Andy Janes
Storyboard Artist
Andrea Simonti
Storyboard Artist
Kartika Mediani
Storyboard Artist

Original Casting

Patsy Pollock
Original Casting

Additional Writing

Photo Lynn Ferguson #30986Photo Lynn Ferguson #67845

Lynn Ferguson

Lynn Ferguson
Additional Writing
Photo Mark Burton #18341
Mark Burton
Additional Writing
Photo Ben Willbond #44558Photo Ben Willbond #44559

Ben Willbond

Ben Willbond
Additional Writing
Photo Holly Walsh #65154

Holly Walsh

Holly Walsh
Additional Writing

Story Consultant

Photo David Bowers #66931

David Bowers

David Bowers
Story Consultant
Peter Peake
Story Consultant

Co-Executive Producer

Photo David Sproxton #67010
David Sproxton
Co-Executive Producer
Sarah Cox
Co-Executive Producer
Alicia Gold
Co-Executive Producer
Sean Clarke
Co-Executive Producer
Kerry Lock
Co-Executive Producer

Co-Director

Jeff Newitt
Co-Director

Other

Tom Barnes
Other
Kate Anderson
Other
Zoë Starzak
Other

In Memory Of

Maurice Morgan
In Memory Of
Katherine Houghton-Potts
In Memory Of

Head of Story

Richard Phelan
Head of Story

Consulting Producer

Richard Beck
Consulting Producer

Production Assistant

Photo Atharv Pujari #382007

Atharv Pujari

Atharv Pujari
Production Assistant

What's left behind the scenes

  • To prevent the chickens from shining in the frame, the surface of each puppet was carefully dusted with the finest sugar icing.
  • Nut shells were used to create the road surface, and the soil in the chicken village was made from recycled Leyland cypress leaves grown near the studio building.
  • The film consists of 1,400 frames, and only 28 of them were entirely the product of computer technology. The longest shot at the beginning of the film (showing the island) included 284 frames and lasted 32.67 seconds, taking 80 working days to create.
  • 75 kg of popcorn was used in the scene with the missile silo.
  • In the first film, no one paid attention to the chickens' dirty paws because the action took place on a farm. Here, in the artificial environment of the island, the chickens' paws had to be kept clean, which director Sam Fell specifically insisted upon.
  • A total of 119 sets were created for the film, as well as 130 animated props, including a corn conveyor and a windmill.
  • Over 100,000 storyboards were created for the film, taking into account all possible plot lines and their development.
Did you like the film?

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