El Camino: A Breaking Bad Movie - crew, film crew
The entire team, the film crew of the film "El Camino: A Breaking Bad Movie"
El Camino: A Breaking Bad Movie (2019)
Timing:
2:3 (123 min)
7.047/10
5564
5564
7.181/10
105389
105389
7.3/10
340000
340000
Film crew
Director
Producer
Mark Johnson
Producer
Charles Newirth
Producer
Melissa Bernstein
Producer
Executive Producer
Diane Mercer
Executive Producer
Writer
Casting
Sharon Bialy
Casting
Sherry Thomas
Casting
Editor
Skip Macdonald
Editor
Special Effects Supervisor
Werner Hahnlein
Special Effects Supervisor
Additional Second Assistant Director
Melissa Bosco
Additional Second Assistant Director
Chad Goyette
Additional Second Assistant Director
Art Direction
Travis Kerr
Art Direction
Supervising Art Director
Michael Gowen
Supervising Art Director
Costume Design
Louise Frogley
Costume Design
Stunts
Bobby Burns
Stunts
Regis Harrington
Stunts
Eliza Coleman
Stunts
Derick Pritchard
Stunts
Paul Eliopoulos
Stunts
Matthew Lee Christmas
Stunts
Chris Donaldson
Stunts
Chase Coleman
Stunts
Production Design
Judy Rhee
Production Design
Stunt Coordinator
Set Decoration
Ashley Michelle Marsh
Set Decoration
Stunt Driver
Anthony Reynolds
Stunt Driver
Key Makeup Artist
Laverne Munroe
Key Makeup Artist
Sound Re-Recording Mixer
Larry Benjamin
Sound Re-Recording Mixer
Kevin Valentine
Sound Re-Recording Mixer
Original Music Composer
Unit Production Manager
Charles Newirth
Unit Production Manager
Robin Le Chanu
Unit Production Manager
Co-Producer
Jenn Carroll
Co-Producer
Set Dresser
Shiloh Kidd
Set Dresser
Second Assistant Director
Katy Galow
Second Assistant Director
Director of Photography
Marshall Adams
Director of Photography
Camera Operator
Tim Arasheben
Camera Operator
Steadicam Operator
Paul Donachie
Steadicam Operator
Costumer
Claire Sandrin
Costumer
Jennifer Ireland
Costumer
Solange Astrid Guerrero
Costumer
Mallorie McConnell
Costumer
Noe Gomez
Costumer
Deborah Downing
Costumer
Costume Supervisor
Donna Casey-Aira
Costume Supervisor
Makeup Department Head
Cheri Montesanto
Makeup Department Head
Key Costumer
Lily Scott
Key Costumer
Sound Effects Editor
Luke Gibleon
Sound Effects Editor
Property Master
Mark Hansen
Property Master
Visual Effects Supervisor
Ara Khanikian
Visual Effects Supervisor
Supervising Sound Editor
Kurt Nicholas Forshager
Supervising Sound Editor
Script Supervisor
Alicia Accardo
Script Supervisor
Hair Department Head
Lori McCoy-Bell
Hair Department Head
Electrician
Myles Brink
Electrician
Kyle McRee
Electrician
Set Costumer
Tiffany Rink
Set Costumer
Mallorie McConnell
Set Costumer
Aerial Director of Photography
Douglas S. Holgate
Aerial Director of Photography
Mark Gerasimenko
Aerial Director of Photography
Still Photographer
Ben Rothstein
Still Photographer
Sound Mixer
Phillip W. Palmer
Sound Mixer
Visual Effects Producer
Annie Normandin
Visual Effects Producer
Armorer
Brett Andrews
Armorer
First Assistant Director
John Wildermuth
First Assistant Director
Animation
Beatrice Imrie
Animation
Thanks
Thomas Schnauz
Thanks
Trish Almeida
Thanks
Jennifer Bryan
Thanks
Gordon Smith
Thanks
Tim Keller
Thanks
Holly Rice
Thanks
Chris Silbermann
Thanks
Lauren Paul
Thanks
Story Paul
Thanks
Boom Operator
Mitchell Gebhard
Boom Operator
Graphic Designer
Alan Chao
Graphic Designer
Set Designer
Amanda Lynn Robinson
Set Designer
First Assistant Editor
Joey Reinisch
First Assistant Editor
Set Decoration Buyer
Jess Coffer
Set Decoration Buyer
Rachel Srigley
Set Decoration Buyer
Foley Artist
Alex Ullrich
Foley Artist
Construction Coordinator
Terry Kempf
Construction Coordinator
Bill Holmquist
Construction Coordinator
Art Department Coordinator
Vicki M. McWilliams
Art Department Coordinator
Kerry Myers
Art Department Coordinator
Assistant Editor
Nick Milodragovich
Assistant Editor
Best Boy Grip
Aaron Knoke
Best Boy Grip
Art Department Assistant
Kindall Almond
Art Department Assistant
April Boeckner
Art Department Assistant
Lighting Technician
Waylon Brady
Lighting Technician
Daniel Zamora
Lighting Technician
Diego Arroyo
Lighting Technician
Ben W. Estrada
Lighting Technician
Jack Browning
Lighting Technician
Foley Editor
Jeff Cranford
Foley Editor
First Assistant "B" Camera
Rob Salviotti
First Assistant "B" Camera
First Assistant "A" Camera
Christopher Norris
First Assistant "A" Camera
Transportation Coordinator
Dennis W. Milliken
Transportation Coordinator
Compositing Supervisor
Martin Larrivée
Compositing Supervisor
Julien Hery
Compositing Supervisor
Key Grip
Jake Cross
Key Grip
Ager/Dyer
Marcus Montoya
Ager/Dyer
Location Manager
Christian Diaz de Bedoya
Location Manager
Grip
Charles Arnold
Grip
Matthew Van Hook
Grip
Brad Freshman
Grip
Michael Sena
Grip
Jason Smith
Grip
Robert Trundle
Grip
Dolly Grip
James D. Wickman
Dolly Grip
Eli Schneider
Dolly Grip
Assistant Property Master
Trina Siopy
Assistant Property Master
Key Hair Stylist
Janessa Bouldin
Key Hair Stylist
Leadman
Bret Ross
Leadman
Second Second Assistant Director
Nathan E. Davis
Second Second Assistant Director
Visual Effects Production Manager
Ashley Bellm
Visual Effects Production Manager
Marie-Pier Barrette
Visual Effects Production Manager
Construction Foreman
Darren Gibson
Construction Foreman
Jason Laut
Construction Foreman
Assistant Set Decoration
Jessica Clark
Assistant Set Decoration
Music Supervisor
Thomas Golubić
Music Supervisor
Special Effects Technician
Justin Gonzales
Special Effects Technician
Foley Mixer
Stacey Michaels
Foley Mixer
Production Accountant
Tali Lipa
Production Accountant
Gaffer
Andrew J.J. Smith
Gaffer
Prosthetic Makeup Artist
"A" Camera Operator
Paul Donachie
"A" Camera Operator
Music Editor
Jason Tregoe Newman
Music Editor
Bryant J. Fuhrmann
Music Editor
Digital Imaging Technician
Ryan Nguyen
Digital Imaging Technician
Arthur To
Digital Imaging Technician
ADR Mixer
Jon Vogl
ADR Mixer
Tor McAfee Kingdon
ADR Mixer
Chris Navarro
ADR Mixer
Rodrigo Galvan
ADR Mixer
"B" Camera Operator
Matt Credle
"B" Camera Operator
Second Assistant "B" Camera
Dorian Blanco
Second Assistant "B" Camera
Dailies Operator
Brandon Robbins
Dailies Operator
Post Production Coordinator
Karly Jenkins
Post Production Coordinator
Colorist
Dan Garsha
Colorist
Music Coordinator
Yvette Metoyer
Music Coordinator
Conceptual Illustrator
Wes Louie
Conceptual Illustrator
Production Assistant
Gareth Berger
Production Assistant
Assistant Makeup Artist
Ashlynne Padilla
Assistant Makeup Artist
Karen Romero
Assistant Makeup Artist
Yael Rosas
Assistant Makeup Artist
Unit Publicist
Claire Raskind
Unit Publicist
Production Coordinator
Rob Overbeck
Production Coordinator
Visual Effects Coordinator
Lisa Barbier
Visual Effects Coordinator
Maeva Bonté
Visual Effects Coordinator
Julie Charron
Visual Effects Coordinator
Scenic Artist
Jeremy Hader
Scenic Artist
Production Secretary
Alexander E. Hoffman
Production Secretary
Second Assistant "A" Camera
Cherilyn Barnard
Second Assistant "A" Camera
Payroll Accountant
Troy Tripp
Payroll Accountant
CG Supervisor
Patrice Poissant
CG Supervisor
ADR Voice Casting
ADR Supervisor
Kathryn Madsen
ADR Supervisor
Rigging Gaffer
Mark Mele
Rigging Gaffer
Best Boy Electric
Brennan Price
Best Boy Electric
Location Coordinator
Camelia Finley
Location Coordinator
Construction Buyer
Angela Chavez
Construction Buyer
Lea Donatelli
Construction Buyer
Modeling
Marc-Andre Poulin
Modeling
Kevin Blaney
Modeling
Wigmaker
Justin Stafford
Wigmaker
Title Designer
Joey Reinisch
Title Designer
First Assistant Accountant
Cheri Jacobs
First Assistant Accountant
Visual Effects Production Assistant
Laurence Beaudoin-Auclair
Visual Effects Production Assistant
Patricia David
Visual Effects Production Assistant
Wardrobe Assistant
Samantha Jackson
Wardrobe Assistant
Aerial Coordinator
Steve Stafford
Aerial Coordinator
Additional Camera
Jordan Slovin
Additional Camera
Animal Wrangler
Kip B. Lewis
Animal Wrangler
Chelsey Lewis
Animal Wrangler
Chef
Holmes Jim
Chef
Background Casting Director
Kathryn Wamego
Background Casting Director
Location Casting
Kiira Arai
Location Casting
What's left behind the scenes
- The working title of the film was "Greenbrier".
- The first version of the film was three hours long.
- Flashbacks were filmed with a handheld camera, while the action unfolding in the present was filmed with cameras mounted on tripods.
- Filming took 50 days.
- Bryan Cranston wore a prosthetic bald cap during filming. Previously, while filming the series, he shaved his head, but now, while shooting, he was simultaneously working on other projects that required him to have hair.
- The spider in Todd's apartment is the same one he picked up after the child's murder in the "Dead Freight" episode of the series "Breaking Bad" (2008-2013).
- When Ed gives a description of Jesse to police officers in a vacuum cleaner store, he is actually describing Spider Jerusalem – a character from Warren Ellis' comic book series "Transmetropolitan" (1997-2002).
- Aaron Paul spoke about an alternate ending in one interview. The initial script envisioned this: Jesse is shown driving through Alaska, and the viewer hears a voiceover revealing the contents of the letter. It contains an apology to Brock for everything that happened and expresses hope that, perhaps, someday they will be able to talk about it openly.
- Initially, Vince Gilligan planned to end the series with Jesse's arrest at the Canadian border. It was the director's friend who convinced him that the audience would not perceive this as a happy ending – given everything Jesse had been through.
- When recreating the drug lab props from surviving elements, a bloody handprint of Walter's was discovered on one of the items. It was decided to include it in the film as an "Easter egg".
- Jesse's farewell letter is addressed to Brock.
- The common belief was that Walter died in the finale of the series "Breaking Bad" (2008-2013), but this was only officially confirmed in this film, where representatives of various law enforcement agencies repeatedly state that, having received confirmation of Walter's death, they are now continuing the investigation.
- Initially, Vince Gilligan planned to end everything with Jesse's arrest at the Canadian border. A friend of the director convinced him that the audience would not accept this as a happy ending – considering everything Jesse had been through.
- While reconstructing the drug lab props from surviving elements, a bloody palm print of Walter's was discovered on one of the items. It was decided to include it in the film as an "Easter egg".
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