The Mist - crew, film crew

The entire team, the film crew of the film "The Mist"
The Mist (2007)
Timing: 2:6 (126 min)
The Mist - TMDB rating
6.942/10
5765
The Mist - Kinopoisk rating
7.603/10
262480
The Mist - IMDB rating
7.1/10
372000

Film crew

Director

Producer

Executive Producer

Photo Bob Weinstein #15880

Bob Weinstein

Bob Weinstein
Executive Producer
Photo Denise M. Huth #75155
Denise M. Huth
Executive Producer
Randi Richmond
Executive Producer
Anna Garduno
Executive Producer
Richard Saperstein
Executive Producer

Casting

Photo Deborah Aquila #13991
Deborah Aquila
Casting
Jennifer L. Smith
Casting

Editor

Hunter M. Via
Editor

Art Direction

Alex Hajdu
Art Direction

Costume Design

Giovanna Ottobre-Melton
Costume Design

Stunts

Photo Mark De Alessandro #11578
Mark De Alessandro
Stunts
Photo Gregg Brazzel #75154
Gregg Brazzel
Stunts
Photo Wayne Scott Miller #64476
Wayne Scott Miller
Stunts
Thirl Haston
Stunts
Corey Pritchett
Stunts
Casey Pritchett
Stunts
Liz Brandenburg
Stunts

Production Design

Gregory Melton
Production Design

Stunt Coordinator

Steven Ritzi
Stunt Coordinator

Second Unit Director

Photo Greg Nicotero #27436

Greg Nicotero

Greg Nicotero
Second Unit Director

Set Decoration

Raymond Pumilia
Set Decoration

Sound Re-Recording Mixer

Rick Ash

Rick Ash
Sound Re-Recording Mixer
Elliot Tyson
Sound Re-Recording Mixer

Original Music Composer

Photo Mark Isham #70209Photo Mark Isham #70210Photo Mark Isham #70211Photo Mark Isham #70212

Mark Isham

Mark Isham
Original Music Composer

Unit Production Manager

Alissa M. Kantrow
Unit Production Manager

Stunt Double

Photo Danny Cosmo #38720
Danny Cosmo
Stunt Double
Nick Stanner
Stunt Double
Jason Gray
Stunt Double

Utility Stunts

Photo Jay Amor #28535

Jay Amor

Jay Amor
Utility Stunts

Director of Photography

Rohn Schmidt
Director of Photography

Camera Operator

Richard Cantu
Camera Operator

Steadicam Operator

Photo Billy Gierhart #75156

Billy Gierhart

Billy Gierhart
Steadicam Operator

Makeup Department Head

Allen Weisinger
Makeup Department Head

Sound Effects Editor

Mike Chock
Sound Effects Editor

Property Master

Maureen Farley
Property Master

Supervising Sound Editor

George Simpson
Supervising Sound Editor

Script Supervisor

Alison Young
Script Supervisor

Hair Department Head

Photo Adruitha Lee #11081

Adruitha Lee

Adruitha Lee
Hair Department Head

Supervising ADR Editor

Thomas Jones
Supervising ADR Editor

Supervising Dialogue Editor

Thomas Jones
Supervising Dialogue Editor

Hairstylist

Yolanda Mercadel
Hairstylist

Special Effects Coordinator

Darrell Pritchett
Special Effects Coordinator

Still Photographer

Ralph Nelson Jr.
Still Photographer

Visual Effects Producer

Karen M. Murphy
Visual Effects Producer

Thanks

Photo Mike Mignola #5959
Mike Mignola
Thanks
Drew Struzan
Thanks

Boom Operator

Mark Zimbicki
Boom Operator

Screenplay

Novel

Sound Designer

George Simpson
Sound Designer

Dialogue Editor

Ralph Osborn
Dialogue Editor
Julie Feiner
Dialogue Editor
Hugh Waddell
Dialogue Editor

Rigging Grip

James Trapper McEvoy
Rigging Grip

Special Effects Makeup Artist

Photo Greg Nicotero #27436

Greg Nicotero

Greg Nicotero
Special Effects Makeup Artist

Casting Associate

Jill Stokesberry
Casting Associate
Erin Toner
Casting Associate

Sculptor

Jaremy Aiello
Sculptor

Gaffer

Bob Bates
Gaffer

Assistant Director

K.C. Colwell
Assistant Director

Music Editor

Joe E. Rand
Music Editor

Production Sound Mixer

Paul Ledford
Production Sound Mixer

Digital Compositor

Mathew Krentz
Digital Compositor

Post Production Supervisor

Karen M. Murphy
Post Production Supervisor

Executive In Charge Of Production

Matthew Stein
Executive In Charge Of Production

Digital Intermediate

Brian Beard
Digital Intermediate

Executive In Charge Of Post Production

Photo Michael Jackman #17051Photo Michael Jackman #17052
Michael Jackman
Executive In Charge Of Post Production

What's left behind the scenes

  • The film is based on Stephen King's novella "The Mist" (1980).
  • The film contains a geographical error. The fire truck passing by the supermarket is labeled "Caddo Parish." However, Caddo Parish is not located in Maine (where the film takes place), but in Shreveport, Louisiana (where the filming took place).
  • William Sadler, Jeffrey DeMunn, and Brian Libby appeared in all three films directed by Frank Darabont based on works by Stephen King ("The Shawshank Redemption," "The Green Mile," "The Mist").
  • At the beginning of the film, a poster for "The Thing" can be seen in Thomas Jane's character's room, and he himself is drawing a poster – an illustration for Stephen King's famous "Dark Tower" cycle. In particular, Roland and Eddie can be seen there. This is a reference to Drew Struzan, the artist who painted many posters and artwork for all of Darabont's films, as well as the poster for "The Thing".
  • William Sadler voiced David Drayton in the audiobook version of the novel.
  • Initially, Frank Darabont wanted to make the film in black and white. The second disc of the American two-disc gift edition contains a black-and-white director's cut of the film.
  • Frank Darabont wanted Stephen King to play a cameo role in the film – a biker was envisioned for him. However, the King of Horror declined the offer, and Brian Libby ultimately played the part.
  • The film, like much of Stephen King's work, takes place in the state of Maine. However, all the outdoor scenes were not shot in Maine, but in Minden, Louisiana. To Frank Darabont's great delight, when Stephen King watched the film, he did not notice that it was not filmed in Maine.
  • Mrs. Carmody’s line, “My life for you,” is a reference to several books by Stephen King featuring the embodiment of cosmic evil named Randall Flagg. Different characters say this phrase when pledging allegiance to Flagg in the books *The Stand* and *The Eyes of the Dragon*, as well as in the novels from the *Dark Tower* cycle.
  • The pharmacy next to the supermarket is called “King’s Pharmacy” – a reference to the author of the original novella, Stephen King. King himself once played the role of pharmacist Dr. Bangor in the film adaptation of his novel *The Langoliers*.
  • Frank Darabont wanted to adapt King's novella "The Mist" since 1980, when he first read it as part of the collection "Dark Forces." He wanted this film to be his directorial debut, but he had to start filming "The Shawshank Redemption" based on another of King's novellas.
  • In the novel, the married protagonist, David Drayton, has an affair with a married woman named Amanda Dumfries. Darabont did not want their affair to be depicted on screen. The film's characters, played by Thomas Jane and Laurie Holden, have a much stronger, emotional connection. Jane says of the characters: "We kind of create a new family—Amanda becomes my wife and Billy's mother. This nightmare that we're trying to get out of together binds us."
  • Although the monsters were described in just a couple of lines in the novel, Darabont considered it important to create monsters with unforgettable designs. Greg Nicotero meticulously studied the history of the genre to avoid repetition and similarities. After the designers finished their work, the creators showed the puppets to the actors with their "facial expressions"—the movement of their eyes and jaws. This later helped the actors perceive the monsters more vividly and, from an acting point of view, realistically.
  • Frank Darabont's original script included an introductory episode showing a military scientist, mentioned by Corporal Jessup, accidentally opening a portal to another dimension, allowing the mist and monsters to enter our world. During lunch one day, actor Andre Brouwer asked the director if this episode was really necessary. Frank Darabont seriously considered this and, a week later, decided to remove the episode, leaving the nature of the mist and monsters less clear.
  • Initially, Frank Darabont decided not to film an episode from the original novella in which David Drayton and those traveling with him in the car see a gigantic six-legged creature flying overhead, fearing that the scene could not be made convincing; this episode was not in the original script. However, during filming, several special effects artists from "Cafe Effects" studio persuaded the director to still include this episode in the film, managing to convince him that they could handle this difficult task.
  • The film's ending, which provoked a mixed reaction from viewers, is actually based on Stephen King's original novella: it contains a moment where David Drayton suggests such a development of events. Frank Darabont decided that the novella’s ambiguous ending was unsuitable for the film and expanded the story to a tragic climax. After watching the film, Stephen King was satisfied and confirmed that it was precisely the ending implied in the novella.
  • During the first confrontation with the monsters in the store, Joe Eagleton knocks over a rotating ornate bookshelf filled with books. All the books on it are publications by Stephen King (the novel 'Cell' and others).
  • Frank Darabont decided he wanted to minimize the use of musical and sound effects in order to convey a far more oppressive ending to the film than the original ending of the novel. The director explained this by saying that, in his opinion, “silence can be more frightening than strange noise; a whisper is scarier than a bang, and we wanted to bring that ratio into harmony. We minimized the sounds to make the film seem almost documentary-like to viewers.” For the film’s ending, Darabont used the composition “The Host of Seraphim” performed by Dead Can Dance – music based on stylized Gregorian chant. As a fan of the band, Darabont stated that this composition would be a kind of “requiem for the entire human race.”
  • Although the film is implied to take place in the state of Maine, the overturned patrol car that David drives past on the highway is painted yellow and white, the colors of the Illinois State Police. Police cars in Maine use blue coloring.
  • The film is based on Stephen King's novella "The Mist" (1980).
  • There is a geographical error in the film. The fire truck passing by the supermarket is labeled "Caddo Parish." However, Caddo Parish is not located in Maine (where the film takes place), but in Shreveport, Louisiana (where the filming took place).
  • William Sadler, Jeffrey DeMunn, and Brian Libby appeared in all three films directed by Frank Darabont based on the works of Stephen King ("The Shawshank Redemption", "The Green Mile", "The Mist").
  • At the beginning of the film, a poster for "The Thing" can be seen with Thomas Jane's character, and he himself draws a poster – an illustration for Stephen King's famous "The Dark Tower" cycle. In particular, Roland and Eddie can be seen there. This is a reference to Drew Struzan, the artist who drew many posters and artwork for all of Darabont’s films, as well as the poster for "The Thing".
  • Mrs. Carmody’s line, “My life for you,” is a reference to several Stephen King books featuring the embodiment of cosmic evil named Randall Flagg. This phrase is spoken by different characters when pledging allegiance to Flagg in the books "The Stand" and "The Eyes of the Dragon", as well as in novels from "The Dark Tower" cycle.
  • The pharmacy next to the supermarket is called “King’s Pharmacy” – a reference to the author of the original novella, Stephen King. King himself once played the role of pharmacist Dr. Bangor in the film adaptation of his novel "The Thinner".
  • Frank Darabont wanted to adapt King’s novella “The Mist” since 1980, when he first read it as part of the collection “Night Shift”. He wanted this film to be his directorial debut, but he had to start filming "The Shawshank Redemption" based on another of King’s novellas.
  • In the novel, the married protagonist, David Drayton, has a sexual affair with a married woman named Amanda Dumfries. Darabont did not want their affair to be depicted on screen. The film's characters, played by Thomas Jane and Laurie Holden, have a much stronger, emotional connection. Jane says of the characters, "We kind of create a new family—Amanda becomes my wife and Billy's mother. This nightmare that we’re trying to get out of together bonds us."
  • Although the monsters were described in just a few lines in the novel, it was important to Darabont to create monsters with a memorable design. Greg Nicotero carefully studied the history of the genre to avoid repetition and similarity. After the designers finished their work, the creators of the monsters showed the puppets to the actors with their "mimicry"—the movement of their eyes and mouths. This later helped the actors perceive the monsters more vividly and, from an acting perspective, believably.
  • Initially, Frank Darabont decided not to film an episode from the original novella in which David Drayton and those traveling with him in the car see a gigantic six-legged monster pass overhead, fearing that the scene could not be made convincing; this episode was not in the original script. However, during filming, several special effects artists from "Café Effects" studio persuaded the director to still include this episode in the film, managing to convince him that they could handle this difficult task.
  • During the first encounter with the monsters in the store, Joe Eagleton knocks over a rotating ornate bookshelf filled with books. All the books on it are editions of Stephen King's works (the novel 'Cell' and others).
  • Frank Darabont decided he wanted to minimize the use of music and sound effects to convey a far more "oppressive ending" to the film than the original ending of the novel. The director explained this by saying that, in his view, "silence can be more frightening than strange noise; a whisper is scarier than a bang, and we wanted to bring this ratio into harmony. We minimized the sounds so that, in the perception of viewers, the film would appear almost documentary-like." For the film's ending, Darabont used the composition "The Host of Seraphim" performed by Dead Can Dance—music based on stylized Gregorian chant. As a fan of the band, Darabont stated that this composition would be a kind of "requiem for all mankind."
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