Sunset Boulevard - crew, film crew
The entire team, the film crew of the film "Sunset Boulevard"
Sunset Boulevard (1950)
Timing:
1:50 (110 min)
8.3/10
2898
2898
7.996/10
33219
33219
8.4/10
260000
260000
Film crew
Director
Producer
Editor
Arthur P. Schmidt
Editor
Art Direction
Costume Design
Set Decoration
Makeup Artist
Karl Silvera
Makeup Artist
Frank Thayer
Makeup Artist
Original Music Composer
Orchestrator
Leonid Raab
Orchestrator
Sidney Cutner
Orchestrator
Leo Shuken
Orchestrator
George Parrish
Orchestrator
Second Assistant Director
Director of Photography
Camera Operator
Otto Pierce
Camera Operator
Hairstylist
Nellie Manley
Hairstylist
Vera Tomei
Hairstylist
Still Photographer
Glen E. Richardson
Still Photographer
Production Manager
Hugh Brown
Production Manager
Screenplay
Construction Coordinator
Gene Lauritzen
Construction Coordinator
Assistant Editor
Frank Bracht
Assistant Editor
Props
Tom Plews
Props
Grip
Fred True
Grip
Assistant Property Master
Jack Colconda
Assistant Property Master
Makeup Supervisor
Gaffer
Walter Tayler
Gaffer
Assistant Director
Charles C. Coleman
Assistant Director
Visual Effects
Gordon Jennings
Visual Effects
Farciot Edouart
Visual Effects
Sound Recordist
Harry Lindgren
Sound Recordist
John Cope
Sound Recordist
Supervising Editor
Wardrobe Master
Hazel Hegarty
Wardrobe Master
Ed Fitzharris
Wardrobe Master
Assistant Camera
Harlow Stengel
Assistant Camera
Head Carpenter
Steve Beers
Head Carpenter
Dialogue Coach
Ronnie Lubin
Dialogue Coach
Technical Advisor
Norris Stensland
Technical Advisor
What's left behind the scenes
- The film became the last joint work of Wilder and Brackett, who had collaborated for 14 years prior to this.
- Early script versions were titled 'A Can of Beans,' as the authors feared the studio would not support a script expressing a negative view of the film industry. Their fears were confirmed. After the film's release, MGM head Louis B. Mayer accused Wilder of insulting Hollywood. Mayer believed Wilder should be banished from the film community that had nurtured and raised him.
- Filming began even before the final version of the script was completed.
- Real screen idols of the silent film era – Mae West, Pola Negri, Greta Garbo, Mary Pickford – were invited for the role of Norma Desmond. After their refusals, the role went to Gloria Swanson.
- The name Norma Desmond is a combination of the names of actors Mabel Normand and William Desmond Taylor, who were involved in a scandal in the early 1920s related to the latter's murder.
- The character of Norma Desmond was largely based on the exceptionally scandalous silent film star Mae Murray, from whom Stroheim also suffered considerably during the filming of «The Merry Widow».
- Literally, the name of the street where the main action of the film takes place translates to “Boulevard of Sunset.” This name was chosen deliberately, as both the main character, Norma Desmond, and the former director, now butler Max von Mayerling, and Norma Desmond's guests are “setting suns” of cinema, “stars” of the silent film era.
- In the first version, the film began in a Los Angeles morgue, where the body of William Holden was brought. There he conversed with 11 other corpses, each of whom told the circumstances of their death. The episode caused laughter from the audience and was removed.
- In the projection room, Gloria Swanson's character watches the film «Queen Kelly» (1929), directed by Erich von Stroheim, who played the role of Max.
- Silent film stars such as Mae West, Pola Negri, Greta Garbo, and Mary Pickford were considered for the role of Norma Desmond, but they all declined.
- The character of Norma Desmond is based on the scandalous silent film star Mae Murray, from whom Stroheim also suffered a great deal during the filming of 'The Merry Widow'.
- The street name where most of the film takes place literally translates to 'Boulevard of the Setting Sun.' This name was chosen deliberately, as both the main character, the former director now butler Max von Mayerling, and Norma Desmond's guests are 'setting suns' of cinema—stars of the silent film era.
- Initial script versions went by the title “A Can of Beans,” as the writers feared the studio wouldn’t support a script expressing a negative view of the film industry. Their fears were confirmed. After the film's release, MGM head Louis B. Mayer accused Wilder of insulting Hollywood. Mayer believed Wilder should be ostracized from the film community that had nurtured and raised him.
- The character of Norma Desmond is based on the scandalous silent film star Mae Murray, who caused Stroheim considerable trouble during the making of “The Merry Widow.”
- The street where the main action of the film takes place is literally translated as “Boulevard of the Setting Sun.” This name was chosen deliberately, as both the protagonist and the former director, now butler Max von Mayerling, and Norma Desmond’s guests are “setting suns” of cinema, stars of the silent era.
- In the projection room, Gloria Swanson’s character watches “Queen Kelly” (1929), directed by Erich von Stroheim, who also played the role of Max.
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