Looper - crew, film crew

The entire team, the film crew of the film "Looper"
Looper (2012)
Timing: 1:58 (118 min)
Looper - TMDB rating
6.905/10
10809
Looper - Kinopoisk rating
7.022/10
280780
Looper - IMDB rating
7.4/10
627000

Film crew

Director

Producer

Executive Producer

Photo Julie Goldstein #71411
Julie Goldstein
Executive Producer
Photo Peter Schlessel #618
Peter Schlessel
Executive Producer
Douglas Hansen
Executive Producer
Dan Mintz
Executive Producer

Writer

Casting

Lindsay Graham Ahanonu
Casting

Editor

Photo Bob Ducsay #13023
Bob Ducsay
Editor

Art Direction

Scott Plauche
Art Direction
James A. Gelarden
Art Direction

Costume Design

Sharen Davis
Costume Design

Stunts

Photo Sean Paul Braud #3205
Sean Paul Braud
Stunts
Photo Dion Lam Dik-On #54145
Dion Lam Dik-On
Stunts
Shaun Grant
Stunts
Photo Han Soto #38716
Han Soto
Stunts
Thirl Haston
Stunts
Photo Greg Sproles #24959
Greg Sproles
Stunts
Photo Amy Le #54140
Amy Le
Stunts
Photo Emily Brobst #26790Photo Emily Brobst #26791
Emily Brobst
Stunts
Andy Abele
Stunts
Regis Harrington
Stunts
Rose Leiker
Stunts
Photo John Bernecker #69678
John Bernecker
Stunts
Photo Trace Cheramie #68277
Trace Cheramie
Stunts
Photo William Scharpf #68306
William Scharpf
Stunts
Tom Akos
Stunts
Photo Christian J. Fletcher #66068
Christian J. Fletcher
Stunts
Photo Eric VanArsdale #20831
Eric VanArsdale
Stunts
Photo Hunter Baxley #38723
Hunter Baxley
Stunts
Joe Nin Williams
Stunts
Junwei Liu
Stunts
Adam Gomez
Stunts
Photo Eddie Matthews #17830
Eddie Matthews
Stunts
Ross Morgan Ruben
Stunts
John Zimmerman
Stunts
Tony Vo
Stunts
Amy Lee
Stunts
Brian Nguyen
Stunts
Chris Bryant
Stunts
Bruce Sanders Jr.
Stunts
Tom Sicola
Stunts
Pok Yan Leung
Stunts

Production Design

Ed Verreaux
Production Design

Stunt Coordinator

Steven Ritzi
Stunt Coordinator
Lex D. Geddings
Stunt Coordinator

Set Decoration

Katherine Verreaux
Set Decoration

Makeup Artist

Nikki I Brown
Makeup Artist

Original Music Composer

Photo Nathan Johnson #13032

Nathan Johnson

Nathan Johnson
Original Music Composer

Unit Production Manager

David Pomier
Unit Production Manager

Co-Producer

David Pomier
Co-Producer
Christopher C. Chen
Co-Producer
Lucas Smith
Co-Producer
Eleanor Nett
Co-Producer

Stunt Double

Photo Stuart F. Wilson #72478
Stuart F. Wilson
Stunt Double

Utility Stunts

Director of Photography

Photo Steve Yedlin #8940

Steve Yedlin

Steve Yedlin
Director of Photography

Camera Operator

Dale Myrand
Camera Operator

Costume Supervisor

Dana Kay Hart
Costume Supervisor

Makeup Department Head

Stacy Kelly
Makeup Department Head

Visual Effects Supervisor

Karen E. Goulekas
Visual Effects Supervisor
Ray McIntyre Jr.
Visual Effects Supervisor
Photo Ryan Tudhope #327361

Ryan Tudhope

Ryan Tudhope
Visual Effects Supervisor

Script Supervisor

Samuel W. Sullivan
Script Supervisor

Set Costumer

Yvonne Bastidos
Set Costumer
Leoisick Castro
Set Costumer

Hairstylist

Melizah Anguiano Wheat
Hairstylist
Photo Tony Ward #13591
Tony Ward
Hairstylist

Still Photographer

Alan Markfield
Still Photographer

Thanks

First Assistant Editor

Joseph Kirkland
First Assistant Editor

Art Department Coordinator

Kristin Lekki
Art Department Coordinator

Music Supervisor

Photo John Houlihan #28142
John Houlihan
Music Supervisor

Casting Assistant

Ashley Carmichael
Casting Assistant

Casting Associate

Photo Tara Feldstein Bennett #6640
Tara Feldstein Bennett
Casting Associate
Brandon Hemmerling
Casting Associate

Music Editor

Drew DeAscentis
Music Editor

Second Unit Director of Photography

Jaron Presant
Second Unit Director of Photography

Other

Photo Ryan Lott #13323
Ryan Lott
Other

Colorist

Andrew Francis
Colorist

Visual Effects Editor

Mark Edward Wright
Visual Effects Editor

Extras Casting

Wendy Talazac
Extras Casting

Prosthetic Designer

Kazu Hiro
Prosthetic Designer

Extras Casting Assistant

Greg Uddo
Extras Casting Assistant

Location Casting

Craig Fincannon
Location Casting
Lisa Mae Fincannon
Location Casting

What's left behind the scenes

  • The idea for the film came to Rian Johnson immediately after finishing filming "Brick," and since he wanted to work with Gordon-Levitt again, he wrote the role specifically for him, even giving the main character the actor's name.
  • Willis was the first actor offered the role of Old Joe, and he agreed immediately.
  • To make Gordon-Levitt look more like Willis, the actor had to spend three hours each morning in the makeup chair. Makeup artist Kazuhiro Tsuji, known for his work on films such as "The Curious Case of Benjamin Button" and "Men in Black," worked on his makeup.
  • To create the image of Young Joe, it was decided to base it on Bruce Willis's most recent work, as the task was not to "imitate a young Willis, but to create a character who, as he grew older, could resemble the hero played by Willis as he is now." Therefore, Gordon-Levitt was more focused on the actor’s later roles, particularly in "Sin City."
  • At the request of the Chinese distributor, several scenes filmed in Shanghai and cut for the international audience were included in the Chinese version of the film.
  • The incredibly large revolvers were not created specifically for the film; they are actually produced firearms. These are “Magnum Research BFR” revolvers (large-bore revolvers) with “.45-70 Government” cartridges, which were adopted for use by the American military in 1873. Such revolvers weigh approximately 4.5 pounds (about 2 kg).
  • Bruce Willis fires two modern-looking pistols in one scene. These are “FN P90” models developed and manufactured by “FN Herstal” in Belgium.
  • According to director Rian Johnson, Noah Segan attended several special classes to learn how to spin his revolver around his finger. Johnson told “Entertainment Weekly” that he shot many takes of Segan spinning the gun, but ultimately used one where he accidentally fumbled and almost dropped it. Johnson found it amusing.
  • The diner where and around which scenes were filmed was built in the small town of Thibodaux, Louisiana (about an hour's drive north of New Orleans). Locals, seeing the diner being built, would come and ask the film crew when the establishment would open. Director Rian Johnson was later told that the diner survived even after Hurricane Isaac passed through the area in September 2012.
  • The scene where young Joe (Joseph Gordon-Levitt) falls from a fire escape was filmed on the actor's 30th birthday. Gordon-Levitt was left hanging on wires while the crew sang "Happy Birthday" and brought out a celebration cake.
  • The record player shown in several scenes is a Gyro SE, made by British company Michell Engineering. It has been in continuous production since 1983.
  • The red car Joe drives is a Mazda MX-5 Mk 1. The car was produced from 1990 to 1998, perfectly matching Joe's late 20th-century retro style.
  • Originally, in the script, Joe was supposed to move to Paris as he got older, which is why he tries to learn French. However, Ryan Johnson realized they simply didn't have the money to film in Paris. The plot was changed, and Joe was "sent" to Shanghai because the film's Chinese distributor offered to pay for the filming there. Johnson accepted their offer because his best alternative to the Paris scenes was filming them in New Orleans, which he didn't want to do, and he also felt that Shanghai better reflected the futuristic setting of the film.
  • Sid ultimately takes the nickname "The Rainmaker" (referred to as "Shaman" in the Russian version). In the film, his mother on the farm uses a futuristic sprinkler that essentially "creates" rain.
  • In the future, the Rainmaker's followers wear black coats and wide-brimmed hats, because he "makes it rain blood" when he destroys enemies.
  • Sarah shot Young Joe in the right shoulder (Old Joe also noticed a scar on his right shoulder). However, when she later bandages his wound, it is visible that only his left shoulder is injured.
  • When Paul Dano's character (Seth) is waiting in Joe's apartment while they want to kill him, he has a runny nose, then doesn't.
  • When Joe talks to Sid at night in the kitchen, Sid has a gap between his front teeth. In the next scene, where Sid is talking to his mother, he still has a loose baby tooth in the place where the gap previously was.
  • When Joe and Sid are talking, looking out of the manhole cover at the end of the tunnel from the house, the branch holding the manhole cover changes its position. It rotates approximately 90 degrees, and this happens 4 or 5 times during the conversation.
  • When Old Joe returns to the cane field, he knocks out Young Joe, throws the musket, and drives away with it. Later in the film, the musket reappears with Old Joe when he shoots the bad guy in the car near Young Joe's apartment.
  • Young Joe is right-handed, while Old Joe is left-handed.
  • When Sarah is smoking in bed, the length of the cigarette changes from shot to shot.
  • When Sid and Sarah are driving down the road towards Old Joe, the car flips over and falls onto the road, clearly revealing a safety roll cage supporting the car's roof.
  • When Sarah approaches Joe and examines his face at the end of the film, despite him being supposed to be dead, a pulsating vein is clearly visible on his temple.
  • Bruce Willis fires two modern-looking pistols in one scene. These are "FN P90" models, designed and manufactured by "FN Herstal" in Belgium.
  • According to director Rian Johnson, Noah Segan attended several special classes to learn how to spin his revolver around his finger. Johnson told "Entertainment Weekly" that he shot many takes of Segan spinning the gun, but ultimately used one where he accidentally fumbled and almost dropped it. Johnson found it amusing.
  • The scene where young Joe (Joseph Gordon-Levitt) falls from a fire escape was filmed on the actor's 30th birthday. Gordon-Levitt was left hanging on wires while the film crew sang “Happy Birthday” and wheeled out a birthday cake.
Did you like the film?

© ACMODASI, 2010-2026

All rights reserved.
The materials (trademarks, videos, images and text) contained on this site are the property of their respective owners. It is forbidden to use any materials from this site without prior agreement with their owner.
When copying text and graphic materials (videos, images, text, screenshots of pages) from this site, an active link to the site www.acmodasi.in must necessarily accompany such material.
We are not responsible for any information posted on this site by third parties.