E.T. the Extra-Terrestrial - crew, film crew

The entire team, the film crew of the film "E.T. the Extra-Terrestrial"
E.T. the Extra-Terrestrial (1982)
Timing: 1:55 (115 min)
E.T. the Extra-Terrestrial - TMDB rating
7.513/10
11914
E.T. the Extra-Terrestrial - Kinopoisk rating
6.06/10
449
E.T. the Extra-Terrestrial - IMDB rating
0/10
0

Film crew

Director

Producer

Writer

Photo Melissa Mathison #72142
Melissa Mathison
Writer

Casting

Jane Feinberg
Casting
Photo Marci Liroff #67368
Marci Liroff
Casting

Editor

Carol Littleton
Editor

Stunts

Richard E. Butler
Stunts
Bobby Porter
Stunts
Photo Chuck Waters #17794
Chuck Waters
Stunts
Photo Fred Lerner #71610
Fred Lerner
Stunts

Production Design

Stunt Coordinator

Glenn Randall Jr.
Stunt Coordinator

Second Unit Director

Glenn Randall Jr.
Second Unit Director

Set Decoration

Jackie Carr
Set Decoration

Makeup Artist

Robert Sidell
Makeup Artist

Sound Re-Recording Mixer

Robert Knudson

Robert Knudson
Sound Re-Recording Mixer
Robert Glass
Sound Re-Recording Mixer
Don Digirolamo
Sound Re-Recording Mixer

Original Music Composer

Photo John Williams #1889Photo John Williams #1890

John Williams

John Williams
Original Music Composer

Production Supervisor

Photo Frank Marshall #7178

Frank Marshall

Frank Marshall
Production Supervisor

Associate Producer

Photo Melissa Mathison #72142
Melissa Mathison
Associate Producer

Orchestrator

Herbert W. Spencer
Orchestrator

Second Assistant Director

Daniel Attias

Daniel Attias
Second Assistant Director

Director of Photography

Photo Allen Daviau #73616

Allen Daviau

Allen Daviau
Director of Photography

Camera Operator

Selwyn Eddy
Camera Operator

Costumer

Sound Effects Editor

Samuel C. Crutcher
Sound Effects Editor
Richard C. Franklin
Sound Effects Editor
Louis L. Edemann
Sound Effects Editor
David Pettijohn
Sound Effects Editor

Property Master

Russell Goble
Property Master

Visual Effects Supervisor

Photo Dennis Muren #28275

Dennis Muren

Dennis Muren
Visual Effects Supervisor

Supervising Sound Editor

Photo Charles L. Campbell #27469

Charles L. Campbell

Charles L. Campbell
Supervising Sound Editor

Script Supervisor

Esther Vivante
Script Supervisor

Hairstylist

Lola 'Skip' McNalley
Hairstylist

Still Photographer

Photo Bruce McBroom #73447
Bruce McBroom
Still Photographer

Sound Mixer

Gene S. Cantamessa
Sound Mixer

First Assistant Director

Katy Emde
First Assistant Director

Screenplay

Photo Melissa Mathison #72142
Melissa Mathison
Screenplay

Set Designer

First Assistant Editor

Kathleen Korth
First Assistant Editor

Art Department Coordinator

Leslie Butcher
Art Department Coordinator

Best Boy Grip

Bob Munoz
Best Boy Grip

Key Grip

Gene Kearney
Key Grip

Location Manager

Richard Vane
Location Manager

Dolly Grip

Donald L. Hartley
Dolly Grip

Special Effects

Dale L. Martin
Special Effects

Production Accountant

Bonne Radford
Production Accountant

Gaffer

Photo James Plannette #73068
James Plannette
Gaffer

Music Editor

Kenneth Hall
Music Editor

Unit Publicist

Lyla Foggia
Unit Publicist

Visual Effects

Al Bailey
Visual Effects

Camera Production Assistant

Karl Herrmann
Camera Production Assistant

ADR Editor

Hank Salerno
ADR Editor
Nicholas Korda
ADR Editor

Assistant Accountant

Jane Goe
Assistant Accountant

Assistant Sound Editor

Chuck Neely
Assistant Sound Editor

Transportation Captain

John Feinblatt
Transportation Captain

Color Timer

Robert Raring
Color Timer

Craft Service

Ramon Pahoyo
Craft Service

Negative Cutter

Donah Bassett
Negative Cutter
Dennis Brookins
Negative Cutter

Visual Effects Camera

Photo Robert Elswit #70742Photo Robert Elswit #70743

Robert Elswit

Robert Elswit
Visual Effects Camera

What's left behind the scenes

  • During the audition, Henry Thomas recalled the day his dog died in order to portray the sadness of his character. His face was so sad that director Steven Spielberg himself cried and immediately gave the boy the lead role in the film.
  • The Alien's face was modeled after poet Carl Sandburg, Albert Einstein, and a pug dog.
  • The communicator constructed by the Alien actually worked and was created by Henry Feinberg, an expert in interpreting science and technology for the general public.
  • Steven Spielberg shot much of the film at a child's eye level to better show the connection between Elliott and the Alien.
  • The voice of the Alien is performed by Pat Welsh with contributions from Debra Winger and Steven Spielberg.
  • Steven Spielberg arranged a private screening of the film at the White House for U.S. President Ronald Reagan and Nancy Reagan.
  • The film's script was written during the production of "Indiana Jones: Raiders of the Lost Ark" (1981) in between takes. Steven Spielberg dictated the plot to Melissa Mathison, as she was the screenwriter and was there with her husband, Harrison Ford.
  • Almost a tenth of the extraordinarily low total budget (10.5 million dollars) went towards creating E.T. himself.
  • The shot of Elliott and E.T. flying on a bicycle against the backdrop of the moon became the trademark of Amblin Entertainment.
  • Elliott's last name is never mentioned in the film.
  • The project's initial title was "A Boy's Life." The film acquired its final title only during the shooting process.
  • Steven Spielberg and Melissa Mathison considered creating a sequel titled "Nightmares," where Elliott and his friends were kidnapped by hostile aliens, and E.T. rescued them.
  • From January 16, 1983, to February 12, 1997, the film held the top spot among the highest-grossing films in the history of American box office.
  • Italian special effects master Carlo Rambaldi created three models of E.T. with a total cost of $700,000. They were made of special rubber and fiberglass and contained numerous electronic devices. The models had different functions: the first was purely mechanical; it was attached to the floor and could make 30 different movements with parts of the face and another 30 movements with different parts of the body. The second model was automatic, electronic, and could make 86 types of movements. The third model could only make 10 types of movements, but was autonomous; it was used in scenes where movement needed to be shown. In cases where none of the models could provide a sufficiently believable "living" impression (such episodes accounted for about 15% of the screen time), little people and a 12-year-old boy, born without legs (this detail was not publicized at the time), participated in the filming: Pat Bilon, Tamara De Treaux, and Matthew De Merritt. They wore an E.T. mask and "costume" that were controlled with electronics.
  • Four E.T. heads were separately manufactured for filming various special effects developed by Industrial Light and Magic.
  • A curious fact, little known to advertising historians: the film features a scene where Elliott lays a trail to the house for the alien guest using colorful chocolate "buttons." The M&M's company refused to provide its product, which "melts in your mouth, not in your hand," to the film, stating that the sight of the repulsive-looking E.T. would scare children and adults away from sweets. Instead, Hershey's won out, and their colorful Reese's Pieces tablets became extraordinarily popular immediately after the film's premiere. Their sales increased by 65 percent. However, there was another "loser" in the chocolate story—the Milk Duds corporation refused Spielberg on the grounds that the sight of a space guest chewing colorful caramels was "painfully unappetizing."
  • Shelley Long was initially offered the role of the children's mother, but she had already agreed to star in Ron Howard's "Night Shift" (1982) and was forced to decline.
  • Spielberg's original concept was much darker, featuring aliens terrorizing a family in their own home. This concept was later used in "Poltergeist" (1982).
  • The scene where Elliott's mother looks into the closet and sees the alien surrounded by toys, pretending to be one of them, was conceived by Robert Zemeckis.
  • Debra Winger not only temporarily voiced E.T., but also appeared in a single Halloween scene. She is dressed in a mask, lab coat, and is leading a poodle.
  • The song sung by Elliott's brother, Michael, while looking in the refrigerator is called "Accidents Will Happen" and was written by Elvis Costello.
  • The real name of Keys (Peter Coyote's character) is never revealed.
  • Besides Yoda in the Halloween scene, various toys from the 'Star Wars' series can be found in Elliot's room. George Lucas supported the theme and featured several E.T. figures in 'Star Wars: Episode I – The Phantom Menace' (1999).
  • The alien's plant collection includes a triffid (from the film 'The Day of the Triffids' (1962)).
  • In the Halloween celebration scene, a child encountered by E.T. who meets his gaze is dressed as Master Yoda from 'Star Wars: Episode V – The Empire Strikes Back'. A snippet of John Williams’ ‘Yoda’s Theme’ plays during this moment.
  • Harrison Ford played the role of the school principal, but Steven Spielberg cut the only scene featuring him, believing his presence would distract the audience.
  • Steven Spielberg filmed in chronological order to get genuine reactions from the actors (primarily the children) in the scene of parting with E.T.
  • One of the clips that E.T. watches on television is a segment from "This Island Earth" (1955), in which aliens send their equipment to Earth scientists.
  • The shot of Elliott and the Alien flying on a bicycle against the backdrop of the moon became a trademark of "Amblin Entertainment".
  • A curious fact, not widely known even among advertising historians: the film features a scene where Elliot lays a trail to his house for the alien guest using colorful chocolate 'pughovki' candies. The 'M & M's' company refused to provide their product, which 'melts in your mouth, not in your hand,' to the film, stating that the sight of the repulsive alien E.T. would deter children and adults from the sweets. However, 'Hershey's' won out, with their colorful 'Reese's Pieces' tablets becoming extraordinarily popular immediately after the film's premiere. Their sales increased by 65 percent. However, there was another 'loser' in the chocolate story – the 'Milk Duds' corporation turned down Spielberg on the grounds that the sight of the alien chewing colorful caramels was 'unappetizingly unpleasant'.
  • One of the excerpts that E.T. watches on television is a segment from 'This Island Earth' (1955), in which aliens send their equipment to Earth scientists.
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