John Wick: Chapter 4 - crew, film crew
The entire team, the film crew of the film "John Wick: Chapter 4"
John Wick: Chapter 4 (2023)
Timing:
2:50 (170 min)
7.707/10
7821
7821
7.623/10
758491
758491
7.6/10
407000
407000
Film crew
Director
Producer
Erica Lee
Producer
Executive Producer
Michael Paseornek
Executive Producer
Louise Rosner-Meyer
Executive Producer
Writer
Casting
Editor
Special Effects Supervisor
Art Direction
Cornelia Ott
Art Direction
Karim Kheir
Art Direction
Thierry Zemmour
Art Direction
Emil Birk
Art Direction
Supervising Art Director
Chris Shriver
Supervising Art Director
Andreas Olshausen
Supervising Art Director
Costume Design
Stunts
Saori Izawa
Stunts
Stilyan Mavrov
Stunts
Genadiy Ganchev
Stunts
David Demianoff
Stunts
Ivan Iliev
Stunts
Genko Ivanov
Stunts
Tsvetolyub Iliev
Stunts
Daniela Kahl
Stunts
Marie Mouroum
Stunts
Bryan Vigier
Stunts
Vasil Yordanov
Stunts
Production Design
Kevin Kavanaugh
Production Design
Stunt Coordinator
Scott Rogers
Stunt Coordinator
James M. Halty
Stunt Coordinator
Second Unit Director
Scott Rogers
Second Unit Director
Set Decoration
Mark Rosinski
Set Decoration
Stunt Driver
Jalil Jay Lynch
Stunt Driver
Stefan Langel
Stunt Driver
Jérémy Lagniez
Stunt Driver
Declan Nolan
Stunt Driver
Stephan Verdier
Stunt Driver
Makeup Artist
Birger Laube
Makeup Artist
Key Makeup Artist
Valérie Chapelle
Key Makeup Artist
Sound Re-Recording Mixer
Casey Genton
Sound Re-Recording Mixer
Original Music Composer
Co-Producer
Charlie Woebcken
Co-Producer
Christoph Fisser
Co-Producer
Stunt Double
Todd Forsberg
Stunt Double
Tyler Forsberg
Stunt Double
Anthony Oh
Stunt Double
Fight Choreographer
Laurent Demianoff
Fight Choreographer
Koji Kawamoto
Fight Choreographer
Jeremy Marinas
Fight Choreographer
Director of Photography
Camera Operator
Kyle Rudolph
Camera Operator
Costume Supervisor
Kate Edwards
Costume Supervisor
Nathalie Chesnais
Costume Supervisor
Luka Antonić
Costume Supervisor
Sound Effects Editor
Luke Gibleon
Sound Effects Editor
Nicholas Interlandi
Sound Effects Editor
Assistant Art Director
Lorenz Plassmann
Assistant Art Director
Visual Effects Supervisor
Jonathan Rothbart
Visual Effects Supervisor
Janelle Croshaw Ralla
Visual Effects Supervisor
Michael Ralla
Visual Effects Supervisor
Supervising Sound Editor
Script Supervisor
Aria Harrison
Script Supervisor
Electrician
Jean-Philippe Labille
Electrician
Set Costumer
Melanie Randolph
Set Costumer
Hairstylist
Kerrie Smith
Hairstylist
Clémence Gaag
Hairstylist
Still Photographer
Murray Close
Still Photographer
Visual Effects Producer
Reina Sparks
Visual Effects Producer
Brooke Lyndon-Stanford
Visual Effects Producer
First Assistant Director
Mark Anthony Little
First Assistant Director
Jeremy Marks
First Assistant Director
Chief Lighting Technician
Helmut Prein
Chief Lighting Technician
Boom Operator
Simon Brown
Boom Operator
Set Designer
Thierry Poulet
Set Designer
Marie Delfau
Set Designer
Alice Wong
Set Designer
Julian Burger
Set Designer
Julia Halbfas
Set Designer
Additional Editor
Nicholas Lundgren
Additional Editor
Foley Artist
Gadou Naudin
Foley Artist
Sound Designer
Alan Rankin
Sound Designer
Stephen P. Robinson
Sound Designer
Gael Nicolas
Sound Designer
Xiao'ou Olivia Zhang
Sound Designer
Dialogue Editor
Tom Boykin
Dialogue Editor
Michael Baird
Dialogue Editor
Jason W. Freeman
Dialogue Editor
Assistant Editor
Christian Reinhardt
Assistant Editor
Kenji T. Yasutake
Assistant Editor
Michael Jordan
Assistant Editor
Foley Editor
Laurent Chassaigne
Foley Editor
Key Grip
Pascal Delaunay
Key Grip
Tana Dubbe
Key Grip
Glenn König
Key Grip
Charlie Marroquin
Key Grip
Dolly Grip
Peter Horvath
Dolly Grip
Hannes Tröger
Dolly Grip
Characters
Music Supervisor
Jen Malone
Music Supervisor
Foley Supervisor
Srdjan Kurpjel
Foley Supervisor
Hair Designer
Kerrie Smith
Hair Designer
Foley Mixer
Louis Naudin
Foley Mixer
Third Assistant Director
Maud Ducre
Third Assistant Director
Ahmad Khomakho
Third Assistant Director
Samuel Payen
Third Assistant Director
Songs
Gaffer
Jeff Ferrero
Gaffer
Stéphane Bourgoin
Gaffer
Music Editor
Chris Newlin
Music Editor
Oliver Hug
Music Editor
Daniel Waldman
Music Editor
Standby Art Director
Régis Marduel
Standby Art Director
Zoltán Virányi-Fontan
Standby Art Director
Digital Imaging Technician
Gabriel Kolodny
Digital Imaging Technician
Production Sound Mixer
Manfred Banach
Production Sound Mixer
ADR Mixer
Chris Navarro
ADR Mixer
Chris Whiteside
ADR Mixer
Storyboard Artist
Todd Harris
Storyboard Artist
Dailies Operator
Alex Kaufman
Dailies Operator
Concept Artist
Kristian Llana
Concept Artist
In Memory Of
Post Production Supervisor
Michael Tinger
Post Production Supervisor
Visual Effects Coordinator
Ryan Terk
Visual Effects Coordinator
Construction Buyer
Rabeir Ourak
Construction Buyer
Vocals
Azam Ali
Vocals
Compositing Lead
Shuming Jiang
Compositing Lead
Main Title Designer
Additional Soundtrack
Dylan Eiland
Additional Soundtrack
What's left behind the scenes
- A trilogy was originally planned, but after the success of the first films, a decision was made to expand the universe.
- The Paris Metro station where Keanu Reeves and Laurence Fishburne's characters meet is "Porte des Lilas". It is often used as a filming location because it has a platform that is no longer in use but is maintained in good condition. This is done when it is necessary to film the Paris Metro without disrupting train traffic.
- After filming wrapped, each stunt performer on the film received a t-shirt from Keanu Reeves as a gift, detailing their numerous 'deaths' in the movie. Each member of his stunt team also received a 'Rolex Submariner' watch worth $10,000 apiece, with a personal thank-you message engraved on the caseback.
- The desert scene at the beginning of the film was shot without the use of digital enhancement. Keanu Reeves and George Georgiou’s characters meet near a cliff where David Lean (1908-1991) filmed 'Lawrence of Arabia' (1962).
- Throughout the entire film, Keanu Reeves’ character speaks only 380 words – the lowest number of lines for a lead actor in cinematic history.
- Wanting to perform as many stunts himself as possible, Keanu Reeves underwent a 12-week course in martial arts and extreme driving before filming began.
- Chad Stahelski had no idea who Rina Sawayama was, stumbled upon one of her videos on 'YouTube', and decided that, being a pop artist and a dancer, she would fit the role of Akira perfectly. He called her and offered her the part within 24 hours.
- Some of the steps had additional padding to cushion falls, but in certain cases, this extra precaution had to be bypassed. According to stunt coordinator Scott Rogers, he was very pleased that, aside from “a few bruises and contusions” among the stunt performers, there were no serious injuries during filming.
- The call sign of the radio station sounds like “USYA.” Usya is a genre of Chinese fantasy that focuses on showcasing martial arts.
- The role of Klaus is played by Sven Marquardt, who actually works as a bouncer at one of Berlin's establishments. The piercings and tattoos on his face are not the result of makeup; they are genuinely Marquardt's piercings and tattoos. (It was thanks to them that he gained fame throughout Europe.) He works as a bouncer at the “Berghain” nightclub on the outskirts of Berlin, which was previously a power plant. The building was converted into a club in the 2000s and is now one of the most famous establishments of its kind in the world. The building has many floors, each playing its own music, and numerous staircases. Marquardt decides who to let in and who not to, and it has happened that he has refused entry to visitors on the grounds that, in his opinion, they were not dressed, spoke, or even smiled appropriately. Conan O'Brien and Elon Musk have both been turned away at the door at one time or another.
- Scott Adkins wore special pads and a visually thickening costume.
- According to Chad Stahelski, Keanu Reeves performed all the stunts on the staircase himself, with the exception of the “grand” fall, which featured stunt double Vincent Buonanno. The scene was shot on the second take, as during the first, he somehow got stuck on the railing.
- The filming of the fight scene ascending the stairs took seven nights, sometimes in the rain, and at times filming had to be paused to allow ski lifts carrying tourists to pass. 35 stunt performers participated in the filming, and Keanu Reeves's hero repeatedly threw some of them aside as he climbed. According to fight coordinator Scott Rogers's calculations, each stunt performer was "killed" on the steps five or six times.
- Filming of the movie took place from June 28 to October 2021 in Berlin, Paris, New York, Tokyo, and Osaka.
- According to director Chad Stahelski, he and the film's crew approached the creation of fight scenes as choreography and complex dances. The goal of this approach was to create organic interaction between the actors and adapt the scenes to their skills. Chad states that he first encountered such an approach while working on 'The Matrix' with stunt coordinator Yuen Woo-Ping.
- The desert scene at the beginning of the film was shot without scaling using digital technology. The characters of Keanu Reeves and George Georgiou meet near a cliff where David Lean (1908-1991) filmed “Lawrence of Arabia” (1962).
- The filming of the ascent with a fight up the stairs took seven nights, sometimes in the rain, and at times filming had to be paused to allow ski lifts carrying tourists to pass. 35 stunt performers participated in the filming, and some of them were repeatedly thrown aside by Keanu Reeves’s character as he climbed. According to fight coordinator Scott Rogers' calculations, each stunt performer was “killed” on the steps five or six times.
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