Ghostbusters - crew, film crew

The entire team, the film crew of the film "Ghostbusters"
Ghostbusters (1984)
Timing: 1:47 (107 min)
Ghostbusters - TMDB rating
7.5/10
9671
Ghostbusters - Kinopoisk rating
7.963/10
214452
Ghostbusters - IMDB rating
7.8/10
485000

Film crew

Director

Producer

Michael C. Gross
Producer
Photo Joe Medjuck #70283
Joe Medjuck
Producer

Executive Producer

Bernie Brillstein
Executive Producer

Casting

Karen Rea
Casting

Editor

Sheldon Kahn
Editor
David E. Blewitt
Editor

Special Effects Supervisor

Chuck Gaspar
Special Effects Supervisor

Art Direction

John DeCuir Jr.
Art Direction

Costume Design

Suzy Benzinger
Costume Design

Stunts

Production Design

John DeCuir
Production Design

Set Decoration

Marvin March
Set Decoration

Makeup Artist

Leonard Engelman
Makeup Artist

Sound Re-Recording Mixer

Rick Alexander
Sound Re-Recording Mixer
Les Fresholtz
Sound Re-Recording Mixer
Vern Poore
Sound Re-Recording Mixer

Original Music Composer

Photo Elmer Bernstein #71923

Elmer Bernstein

Elmer Bernstein
Original Music Composer

Associate Producer

Photo Joe Medjuck #70283
Joe Medjuck
Associate Producer
Michael C. Gross
Associate Producer

Second Assistant Director

Photo Katterli Frauenfelder #66837
Katterli Frauenfelder
Second Assistant Director

Stunt Double

Photo Tom Morga #13998
Tom Morga
Stunt Double

Director of Photography

Photo László Kovács #72743

László Kovács

László Kovács
Director of Photography

Camera Operator

Robert M. Stevens
Camera Operator

Costumer

Dayton Anderson
Costumer
Peggy Thorin
Costumer

Costume Supervisor

Bruce Ericksen
Costume Supervisor

Property Master

Jack E. Ackerman
Property Master

Script Supervisor

Trish Kinney
Script Supervisor

Hairstylist

Dione Taylor
Hairstylist

Special Effects Coordinator

Joe Day
Special Effects Coordinator

Still Photographer

Gemma La Mana
Still Photographer

First Assistant Director

Gary Daigler
First Assistant Director

Production Manager

John G. Wilson
Production Manager

Screenplay

Set Designer

George Eckert
Set Designer

Sound Designer

Richard Beggs
Sound Designer
Tom McCarthy Jr.
Sound Designer

Key Grip

Gene Kearney
Key Grip

Special Effects Technician

Billy Bryan
Special Effects Technician

Songs

Gaffer

Richmond L. Aguilar
Gaffer
Colin J. Campbell
Gaffer

Production Sound Mixer

Gene S. Cantamessa
Production Sound Mixer

First Assistant Camera

Joseph E. Thibo
First Assistant Camera

Production Coordinator

Kate Guinzburg
Production Coordinator
Rita Grant Miller
Production Coordinator

Visual Effects

Second Assistant Camera

Paul Mindrup
Second Assistant Camera

Visual Effects Art Director

Photo John Bruno #12358Photo John Bruno #12359Photo John Bruno #12360Photo John Bruno #12361

John Bruno

John Bruno
Visual Effects Art Director

Sound Editor

Joseph Holsen
Sound Editor
Michael P. Redbourn
Sound Editor
John M. Colwell
Sound Editor
Don S. Walden
Sound Editor
William L. Manger
Sound Editor
Jim Bullock
Sound Editor

Theme Song Performance

Photo Ray Parker, Jr. #47446

Ray Parker, Jr.

Ray Parker, Jr.
Theme Song Performance

Visual Effects Camera

Jim Aupperle
Visual Effects Camera

What's left behind the scenes

  • The filmmakers were unable to postpone the release date, and a "rough" version of the film with unfinished special effects and some plot inaccuracies was released in the US in the summer of 1984. Fortunately, audiences overlooked these flaws and brought the filmmakers decent box office receipts.
  • The role of Peter Venkman was written for John Belushi.
  • The role of Winston was developed with Eddie Murphy in mind.
  • To build anticipation for the film, director Ivan Reitman embarked on a rather interesting venture. A commercial was launched where the traditional '555' prefix for movie phone numbers was replaced with a standard '1-800' number. Curious viewers who called this number could hear a specially recorded message performed by Bill Murray and Dan Aykroyd. For six weeks, around 1000 calls were received on this number every hour.
  • The title song from the film, written by Ray Parker Jr., topped the Billboard charts for three weeks.
  • Originally, the Ectomobile was supposed to be completely black. But after it was decided that a large portion of the filming would take place at night, the car was repainted white.
  • Steve Guttenberg could have played Peter Venkman, but he chose to work on "Police Academy" (1984) instead of "Ghostbusters".
  • The script was originally titled "Ghost Smashers".
  • In fact, in 1982, Ivan Reitman planned to film "The Hitchhiker's Guide to the Galaxy" (with Bill Murray and Dan Aykroyd), but instead made "Ghostbusters".
  • The demonic voice of Dana/Zuul belongs to Ivan Reitman.
  • In the original version of the script, Harold Ramis's story took place in the future, on different planets. But Ivan Reitman said that such a film would cost $300 million (and that was in 1984), so the script had to be rewritten.
  • The ghost known as "Slimer" was originally called "Lukogolov" (literally 'Onionhead') due to his bad breath.
  • The building where Dana lives actually exists, but instead of 22 floors, it only has 20 (address: 55 Central Park West, New York).
  • Gozer was originally intended to appear as a man in a business suit and was to be played by Paul Reubens, but he turned down the role. Similarly, punk rocker Ann Carlisle also refused the role of Zuul.
  • Christopher Walken, John Lithgow, Jeff Goldblum, and Christopher Lloyd were all considered for the role of Egon.
  • Michael Keaton was also offered the role of Peter Venkman, and after he turned it down, he was offered the role of Egon. Keaton refused that role as well. Chevy Chase was another contender. He turned it down, later explaining that he was given a rough draft of the script which was dark and frightening.
  • The role of Louis (played by Rick Moranis) was intended for John Candy, but he declined after his ideas about the character were rejected by Ivan Reitman.
  • Harold Ramis didn't want to act in the film, only to help Ackroyd with the script. But the role suited Ramis so well that he decided to play it, although he had previously focused mainly on screenwriting and directing.
  • The film's sets utilized an existing set from the film "Rich and Famous." Gozer's temple was built separately and was one of the most complex sets to film at the time.
  • According to the script, the Stay Puft Marshmallow Man was initially supposed to appear against the backdrop of the Statue of Liberty to demonstrate the size difference, but this scene was deemed too difficult to film and had to be removed from the script.
  • The filmmakers were unable to postpone the release date, and in the summer of 1984, a ‘raw’ version of the film with unfinished special effects and some plot inaccuracies was released in the United States. Fortunately, audiences ignored these flaws and brought the filmmakers decent box office receipts.
  • To generate interest in the film, director Ivan Reitman embarked on a rather interesting venture. An advertisement was launched in which the traditional “555” prefix for movie phone numbers was replaced with a regular “1-800”. Curious viewers who called this number could hear a specially recorded message performed by Bill Murray and Dan Aykroyd. For six weeks, around 1000 calls were received on this number every hour.
  • The title song from the movie, written by Ray Parker Jr., topped the Billboard charts for three weeks.
  • Steve Guttenberg could have played Peter Venkman, but he chose to work on "Police Academy" (1984) instead of "Ghostbusters".
  • In fact, in 1982, Ivan Reitman planned to film "The Hitchhiker's Guide to the Galaxy" (with Bill Murray and Dan Aykroyd), but instead made "Ghostbusters".
  • The film's sets used an existing set from "Rich and Famous." Gozer's temple was built separately and was one of the most complex sets to film at the time.
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