Frankenweenie - crew, film crew

The entire team, the film crew of the film "Frankenweenie"
Frankenweenie (2012)
Timing: 1:27 (87 min)
Frankenweenie - TMDB rating
7.004/10
3590
Frankenweenie - Kinopoisk rating
7.134/10
74158
Frankenweenie - IMDB rating
6.9/10
125000

Film crew

Director

Producer

Photo Allison Abbate #26113
Allison Abbate
Producer

Executive Producer

Photo Don Hahn #8688

Don Hahn

Don Hahn
Executive Producer

Casting

Editor

Mark Solomon
Editor

Art Direction

Tim Browning
Art Direction

Production Design

Photo Rick Heinrichs #13022
Rick Heinrichs
Production Design

Sound Re-Recording Mixer

Photo Christopher Boyes #326931

Christopher Boyes

Christopher Boyes
Sound Re-Recording Mixer
Photo Tom Johnson #6600

Tom Johnson

Tom Johnson
Sound Re-Recording Mixer
Photo Michael Semanick #5089Photo Michael Semanick #5090

Michael Semanick

Michael Semanick
Sound Re-Recording Mixer

Original Music Composer

Photo Danny Elfman #8220Photo Danny Elfman #8221

Danny Elfman

Danny Elfman
Original Music Composer

Unit Production Manager

Joan Schneider
Unit Production Manager

Co-Producer

Photo Derek Frey #26117

Derek Frey

Derek Frey
Co-Producer

Associate Producer

Connie Nartonis Thompson
Associate Producer

Orchestrator

Edgardo Simone
Orchestrator
David Slonaker
Orchestrator

Second Assistant Director

Richard Lake
Second Assistant Director

Director of Photography

Peter Sorg

Peter Sorg
Director of Photography

Sound Effects Editor

Steve Browell
Sound Effects Editor
Dillon Bennett
Sound Effects Editor

Visual Effects Supervisor

Tim Ledbury
Visual Effects Supervisor

Supervising Sound Editor

Oliver Tarney

Oliver Tarney
Supervising Sound Editor

Supervising Dialogue Editor

Bjorn Ole Schroeder
Supervising Dialogue Editor

Lead Animator

Tobias Fouracre
Lead Animator
Anthony Elworthy
Lead Animator
Brian Leif Hansen
Lead Animator
Dobrin Yanev
Lead Animator

Associate Editor

Stephen Perkins
Associate Editor

Animation Supervisor

Mark Waring
Animation Supervisor

Visual Effects Producer

Jonny Ffinch
Visual Effects Producer

First Assistant Director

Kev Harwood
First Assistant Director

Animation

Photo Cesar Diaz Melendez #87497
Cesar Diaz Melendez
Animation
Danail Kraev
Animation
Chris Gilligan
Animation
Tim Allen
Animation
Peter Dodd
Animation
Jens Jonathan Gulliksen
Animation
Daniel Alderson
Animation
Kristien Vanden Bussche
Animation
Rachelle Lambden
Animation
Matias Liebrecht
Animation
Chuck Duke
Animation
Photo Kim Keukeleire #328179
Kim Keukeleire
Animation
Jody Meredith
Animation
Marjolaine Parot
Animation
Steve Warne
Animation
Boris Wolf
Animation

Thanks

Thomas L. Wilhite
Thanks
Julie Hickson
Thanks

Stereoscopic Supervisor

Richard Baker
Stereoscopic Supervisor

Screenplay

First Assistant Editor

Tom Kemplen
First Assistant Editor

Foley Artist

Andie Derrick
Foley Artist
Jason Swanscott
Foley Artist
Jack Stew
Foley Artist

Characters

Foley Mixer

Glen Gathard
Foley Mixer

Production Accountant

Jeffrey Broom
Production Accountant

Casting Associate

Caitlin Well
Casting Associate

Gaffer

Toby Farrar
Gaffer

Music Editor

Michael Higham
Music Editor

ADR Mixer

Photo Mark DeSimone #4040
Mark DeSimone
ADR Mixer
Photo Chris Navarro #300966
Chris Navarro
ADR Mixer

ADR Recordist

Simon Diggins
ADR Recordist

Post Production Supervisor

Jessie Thiele
Post Production Supervisor

Production Coordinator

Andrew Bonner
Production Coordinator
Alice Lister
Production Coordinator
Faye Robinson
Production Coordinator

Visual Effects Editor

Lucy Benson
Visual Effects Editor

Line Producer

Simon Quinn
Line Producer

Animation Director

Trey Thomas
Animation Director

Local Casting

Photo Jen Rudin #22376
Jen Rudin
Local Casting

Original Story

Leonard Ripps
Original Story
Photo Mary Shelley #74537

Mary Shelley

Mary Shelley
Original Story

Assistant Sound Editor

Rachael Tate
Assistant Sound Editor

Title Designer

Richard Morrison
Title Designer
Dean Wares
Title Designer

Idea

Storyboard

Photo Jorgen Klubien #8692
Jorgen Klubien
Storyboard
Philip Vallentin
Storyboard
Christian De Vita
Storyboard
Dean Roberts
Storyboard
Gabriele Zucchelli
Storyboard

Sound Effects Designer

Michael Fentum
Sound Effects Designer

Story Developer

Photo Jorgen Klubien #8692
Jorgen Klubien
Story Developer

What's left behind the scenes

  • The short film "Frankenweenie" (1984), which served as the basis for the animated film, was deemed unsuitable for children by Disney Studios at the time and shelved. The director was fired from the studio after filming due to cost overruns. In 2007, the studio itself approached Burton with a request to remake the film.
  • The animated film was shot at 24 frames per second. Animators had to change the position of dolls and objects in the frame 24 times to shoot just one second of film. On average, one animator can only shoot 5 seconds of footage per week. Creating multiple identical dolls of the same character allows for a significant increase in shooting speed – animators can film multiple scenes with that character at the same time. Up to 18 animators worked on the film simultaneously and independently.
  • All the characters were created based on sketches by Tim Burton himself. He made some sketches in 1984 during the filming of the live-action short film "Frankenweenie", while other drawings appeared during the work on the new, animated version.
  • The characters are voiced by the same actors who dubbed the characters in the 1984 short film.
  • The main characters are named after characters from popular horror films of the 1930s – Frankenstein and Dracula: Victor Frankenstein, Elsa Van Helsing, Edgar E. Gore, and Mr. Burgermeister.
  • Over 200 different dolls and set pieces were created for the filming. 17 identical copies of Victor Frankenstein and 12 copies of the dog Sparky were made. Thanks to the dolls having “doubles,” animators were able to film various scenes with the characters independently of each other. Furthermore, a certain number of doll copies were created anticipating that the “characters” might be damaged during filming.
  • The doll of the dog Sparky was created first. It served as the benchmark for the scale of all subsequent dolls and sets. Tim Burton wanted Sparky to be very mobile, just like a real dog. Accordingly, the doll’s frame had to consist of many joints. A size of 10 centimeters proved to be the smallest possible size for creating the Sparky doll—given that it had to clearly demonstrate the habits and mimicry of a dog. Once the size of the first doll was approved, the artists calculated the proportions for all other characters and sets.
  • The film takes place in the fictional town of New Holland, which largely resembles the Californian city of Burbank from the 1970s. This is the city where Tim Burton grew up. And a windmill really did stand on a hill near Burton’s home. The structure played an important role in the annual celebration of Dutch Days.
  • The sets for the film were built on tables. Most of the miniature props were made and painted by hand.
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