Twelve Monkeys - crew, film crew
The entire team, the film crew of the film "Twelve Monkeys"
Twelve Monkeys (1995)
Timing:
2:9 (129 min)
7.603/10
9011
9011
7.797/10
198527
198527
8/10
677000
677000
Film crew
Director
Producer
Charles Roven
Producer
Executive Producer
Robert Cavallo
Executive Producer
Gary Levinsohn
Executive Producer
Robert Kosberg
Executive Producer
Casting
Margery Simkin
Casting
Editor
Mick Audsley
Editor
Special Effects Supervisor
Anthony Simonaitis
Special Effects Supervisor
Art Direction
William Ladd Skinner
Art Direction
Costume Design
Stunts
Bill Anagnos
Stunts
Steve Martin
Stunts
G. A. Aguilar
Stunts
David S. Lomax
Stunts
Ronald O. Jaynes
Stunts
John Copeman
Stunts
Steve Santosusso
Stunts
Paul Couch
Stunts
E.J. Evans
Stunts
Elliot Santiago
Stunts
Production Design
Jeffrey Beecroft
Production Design
Stunt Coordinator
Steve Martin
Stunt Coordinator
Set Decoration
Crispian Sallis
Set Decoration
Makeup Artist
Allen Weisinger
Makeup Artist
Original Music Composer
Paul Buckmaster
Original Music Composer
Unit Production Manager
Lloyd Phillips
Unit Production Manager
Co-Producer
Lloyd Phillips
Co-Producer
Associate Producer
Mark Egerton
Associate Producer
Kelley Smith-Wait
Associate Producer
Orchestrator
Paul Buckmaster
Orchestrator
Set Dresser
Kate Bartouldus
Set Dresser
James Kelley
Set Dresser
Second Assistant Director
Philip A. Patterson
Second Assistant Director
Stunt Double
Terry Jackson
Stunt Double
Director of Photography
Roger Pratt
Director of Photography
Musician
Mark Berrow
Musician
Camera Operator
Kyle Rudolph
Camera Operator
Craig Haagensen
Camera Operator
Peter Norman
Camera Operator
Costumer
Marina Marit
Costumer
Costume Supervisor
Eric H. Sandberg
Costume Supervisor
Assistant Art Director
Kevin Ishioka
Assistant Art Director
Tim Galvin
Assistant Art Director
Robert LaPrell
Assistant Art Director
Property Master
Doug Harlocker
Property Master
Visual Effects Supervisor
Kent Houston
Visual Effects Supervisor
Supervising Sound Editor
Peter Joly
Supervising Sound Editor
Script Supervisor
Marilyn Bailey
Script Supervisor
Electrician
Andrew Reed Conner
Electrician
David Cecil
Electrician
Bill Fiedler
Electrician
Keith Salkowski
Electrician
Hairstylist
Christina Bartolucci
Hairstylist
William A. Kohout
Hairstylist
Special Effects Coordinator
Shirley Montefusco
Special Effects Coordinator
Still Photographer
Phillip V. Caruso
Still Photographer
Sound Mixer
Jay Meagher
Sound Mixer
First Assistant Director
Mark Egerton
First Assistant Director
Assistant Costume Designer
B.J. Rogers
Assistant Costume Designer
Chief Lighting Technician
Chuck Finch
Chief Lighting Technician
Driver
Richard Curry
Driver
Boom Operator
Randy Smith
Boom Operator
Screenplay
Janet Peoples
Screenplay
First Assistant Editor
Dan Gane
First Assistant Editor
Brian Ufberg
First Assistant Editor
Foley Artist
Diane Greaves
Foley Artist
Propmaker
Rick Gamez
Propmaker
Steve Cotroneo
Propmaker
Construction Coordinator
Steven Lane Ewing
Construction Coordinator
Location Scout
Charley Armstrong
Location Scout
Art Department Coordinator
Lara Kelly
Art Department Coordinator
Dialogue Editor
Danny Longhurst
Dialogue Editor
Assistant Editor
Amanda Pollack
Assistant Editor
Best Boy Grip
Thomas Jirgal
Best Boy Grip
Foley Editor
Ian Wilson
Foley Editor
Rigging Grip
Matt Miller
Rigging Grip
Mike Finnegan
Rigging Grip
Key Grip
Mike Miller
Key Grip
Location Manager
Scott Elias
Location Manager
Grip
Rhett Bloomquist
Grip
Lee Shapira
Grip
Brian Snell
Grip
William Jones
Grip
Dolly Grip
Patrick McGrath
Dolly Grip
Assistant Property Master
Scott Maginnis
Assistant Property Master
Key Hair Stylist
Peggy Nicholson
Key Hair Stylist
Leadman
John D. Kretschmer
Leadman
Carl Catanese
Leadman
Assistant Location Manager
Kathi Ash
Assistant Location Manager
Carpenter
Lê Hoàng
Carpenter
Scott T. Pina
Carpenter
Glen Foster
Carpenter
Wesley Goodwin
Carpenter
Mark Kendig
Carpenter
Ted Lubonovich II
Carpenter
Paul Maiello
Carpenter
Gary Pugh
Carpenter
Construction Foreman
Thomas Turnbull
Construction Foreman
Painter
Paul A. Minitello
Painter
Special Effects
Joseph P. Mercurio
Special Effects
Russell Hardee
Special Effects
James Healy
Special Effects
Russell Hurlburt
Special Effects
Paul Kocar
Special Effects
Thomas Lockey
Special Effects
Beecher Tomlinson
Special Effects
Casting Assistant
Marissa Giunta
Casting Assistant
Special Effects Technician
Gary Pilkinton
Special Effects Technician
Hair Designer
Christine Beveridge
Hair Designer
Production Accountant
Matilde Valera
Production Accountant
Casting Associate
Mikie Heilbrun
Casting Associate
ADR Mixer
Thomas J. O'Connell
ADR Mixer
Makeup & Hair
Christina Bartolucci
Makeup & Hair
Video Assist Operator
Ian Kelly
Video Assist Operator
First Assistant Camera
Vinnie Gerardo
First Assistant Camera
Blackford 'Boots' Shelton
First Assistant Camera
Post Production Coordinator
Lucy Darwin
Post Production Coordinator
Standby Painter
Wayne Smith
Standby Painter
Wayne Smith
Standby Painter
Conductor
Paul Buckmaster
Conductor
Colorist
Eric McClain
Colorist
On Set Dresser
Joseph Timothy Conway
On Set Dresser
Production Assistant
Alex Brown
Production Assistant
Greensman
Larry Misselhorn
Greensman
Unit Publicist
Ernie Malik
Unit Publicist
Production Coordinator
Elizabeth J. Nevin
Production Coordinator
Loader
Thomas Greco
Loader
Visual Effects Coordinator
Susi Roper
Visual Effects Coordinator
Scenic Artist
Silvija L. Moess
Scenic Artist
Production Secretary
Valerie Bartlett
Production Secretary
Post Production Accountant
Howard Baral
Post Production Accountant
Payroll Accountant
J.R. Craigmille
Payroll Accountant
Local Casting
Mike Lemon
Local Casting
ADR Editor
Budge Tremlett
ADR Editor
Extras Casting
Susan Gish
Extras Casting
Rigging Gaffer
Craig Ligget
Rigging Gaffer
Post Production Assistant
Glynn Williams
Post Production Assistant
Pamela Susan Hall
Post Production Assistant
Wardrobe Supervisor
Melissa Stanton
Wardrobe Supervisor
Security
Avi Korein
Security
Legal Services
Marc Diener
Legal Services
Warren Holcomb
Legal Services
Karen A. Oliver
Legal Services
Second Assistant Camera
Bill Gerardo
Second Assistant Camera
Assistant Sound Editor
Simon Cozens
Assistant Sound Editor
Post-Production Manager
Lucy Darwin
Post-Production Manager
Production Executive
Richard Suckle
Production Executive
Assistant Production Manager
Charles Miller
Assistant Production Manager
Title Designer
Penny Causer
Title Designer
Animal Coordinator
Jim Clubb
Animal Coordinator
Sound Editor
Imogen Pollard
Sound Editor
Set Medic
Ted Criswell
Set Medic
Foley Recordist
Ted Swanscott
Foley Recordist
Color Timer
Eddie Wilder
Color Timer
Public Relations
Dennis Davidson
Public Relations
Location Production Assistant
Tim Downs
Location Production Assistant
Craft Service
Elena Moscatt
Craft Service
Carole French
Craft Service
Reva Grantham
Craft Service
Negative Cutter
Trevor Collins
Negative Cutter
Set Buyer
Robert Holtzman
Set Buyer
Foley
Jason Swanscott
Foley
Jack Stew
Foley
Art Department Trainee
Mitchell Scherr
Art Department Trainee
Assistant Chief Lighting Technician
Steven Litecky
Assistant Chief Lighting Technician
Apprentice Sound Editor
Tasha Pym
Apprentice Sound Editor
Pyrotechnician
Ken Tarallo
Pyrotechnician
Digital Compositors
Martin Body
Digital Compositors
Richard Bain
Digital Compositors
Steve Cutmore
Digital Compositors
Doug Forrest
Digital Compositors
Chris Panton
Digital Compositors
Original Film Writer
Production Illustrator
Matt Codd
Production Illustrator
Warren Manser
Production Illustrator
Catering
Mark Quigg
Catering
Assistant Craft Service
Carole French
Assistant Craft Service
Accounting Trainee
Robert Zorella
Accounting Trainee
What's left behind the scenes
- Towards the end of the film, Cole and Catherine are watching Alfred Hitchcock's 'Vertigo' – a film that inspired Chris Marker during the filming of 'La Jetée'.
- Gilliam gave Willis a list of typical acting clichés to avoid during the filming of '12 Monkeys,' including the 'steel blue gaze'.
- The scenes in the psychiatric hospital were filmed at Eastern State Penitentiary, a closed prison in the state of Pennsylvania.
- On the radio, we hear the phrase "This is a report by Roger Pratt." Roger Pratt is the cinematographer of the film.
- Brad Pitt, who played the madman Goines, agreed to star for a relatively small fee; at the beginning of filming, he was still an up-and-coming star. However, "Interview with the Vampire" (1994), "Legends of the Fall" (1994), and "Se7en" (1995) were subsequently released, after which the actor gained superstar status.
- Jeffrey Goines speaks quickly and indistinctly; Gilliam thought Pitt wouldn't be able to master the fast "tongue-twister" for the role. He initially sent him to a coach, and then simply made him quit smoking – achieving the desired effect.
- Cole says: "I see dead people." Four years later, this phrase would haunt Willis in the supernatural thriller "The Sixth Sense" (1999) (it is spoken by a boy named Cole).
- Jeff Bridges was considered for the role of Jeffrey Goines.
- Nick Nolte auditioned for the role of James Cole.
- Filming took place from February 8 to May 6, 1995, in Philadelphia and Baltimore.
- During filming, difficulties arose repeatedly due to winter weather conditions and the complex mechanisms used to create a futuristic atmosphere.
- Due to the film's non-linear plot, errors were made frequently, and some scenes had to be reshot. Despite the difficulties encountered during filming, the director managed to stay within budget, with filming lasting only one week longer than planned.
- Production designer Jeffrey Beecroft admitted that filming this movie was difficult, and it wasn't due to a lack of money or time, but rather due to director Gilliam, who went to great lengths not to exceed the budget, as he had been reprimanded for doing so in the past.
- Since the filmmakers were unable to shoot in studios, they found abandoned buildings and architectural monuments where filming was permitted. The final scene was shot at Baltimore Airport and the Pennsylvania Trade Center.
- The film takes place in 1917, 1990, 1996, and 2035.
- Many actors agreed to work for less than their usual fee, just to appear in a Terry Gilliam film.
- The initial slogan proposed for the film was “The days to come are in the hands of man, deprived of them,” but the decision was later changed, as the phrase sounded as if it referred to a man deprived of arms, not of the future.
- For his performance as Jeffrey Goines, actor Brad Pitt received his first Golden Globe and an Oscar nomination.
- American theorist and artist Lebbeus Woods (1940-2012) claimed that the interrogation chair shown in the film bore a striking resemblance to his 1987 work. Following the film's release, Woods even managed to obtain a court injunction against its distribution. He eventually withdrew all his objections, but only after Universal Pictures paid him a six-figure sum.
- The creators of the screenplay were inspired to create the underground "Army of the 12 Monkeys" by an episode from L. Frank Baum's (1856-1919) children's book *The Wonderful Wizard of Oz* (1919), in which characters persuade 12 monkeys to become soldiers in exchange for an unlimited supply of food.
- The reporters shown in the film's news broadcast were, at the time of filming, actually working reporters employed by a news organization.
- Terry Gilliam said that Joseph Melito, who played young Cole, had disappointed him. The boy was cast because of his expressive eyes, but Gilliam felt he was still not right for the role. Another young actor was even present on set, in case Melito struggled with any scene.
- When Kathryn Railly first learns about Cole, she is at a poetry reading, during which quatrains by Omar Khayyam (1048-1131) are recited.
- In a cinema showing Hitchcock films non-stop, Katherine puts on a wig and transforms into a blonde. It is known that Alfred Hitchcock (1899-1980) had a fondness for blonde actresses. At this moment, music from the climactic scene of the film "Vertigo" (1958) plays. This scene also features a brunette who transforms into a blonde.
- Katherine first appears in the film during a lecture she is giving at the Walters Art Museum – a public art museum in the suburbs of Baltimore.
- Robert De Niro was offered the lead role in the film, but he declined the offer.
- The film begins and ends with a close-up of young Cole’s eye.
- In one of the shots, a poster for the debut album of rapper Nas, released in 1994, can be seen on the wall.
- Terry Gilliam deliberately made the plot ambiguous. The film contains many hints that Cole is simply insane, and that nothing shown about the future actually happens. This is why the director wanted to end the film immediately after Cole's death, with young Cole looking at Dr. Railly. However, they also filmed a scene in which a female scientist from the future takes a virus sample from Dr. Peters on a plane, thus completing the task entrusted to Cole, as well as a scene with young Cole near the airport. Gilliam wanted to give the film one of these two endings, but ultimately used both.
- Director Terry Gilliam and producer Charles Roven repeatedly argued about how the film should end. Gilliam wanted to end it with a shot of Railly looking at young Cole, while Roven preferred the scene on the parking lot near the airport as written in the script. To dissuade Roven, Gilliam insisted on complex sets with two cranes on top of each other and a sea of parked cars, hoping he would decide it would be expensive and abandon the idea. Roven, however, approved the idea, and Gilliam was so pleased with the result that he used it in the final edit.
- The final scene at the airport was filmed in the Philadelphia Convention Center, but the scene where Cole and Dr. Railly enter the airport building was filmed at Baltimore-Washington International Thurgood Marshall Airport in Maryland.
- Towards the end of the film, Cole and Katherine watch "Vertigo" – Alfred Hitchcock's film, which inspired Chris Marker during the filming of “La Jetée”.
- Gilliam gave Willis a list of typical acting clichés that he should avoid while filming "12 Monkeys," including a "steel blue-eyed gaze."
- On the radio, we hear the phrase "This is a report by Roger Pratt." Roger Pratt is the film's cinematographer.
- Brad Pitt, who played the madman Goines, agreed to star for a relatively small fee; at the start of filming, he was still an up-and-coming star. However, "Interview with the Vampire" (1994), "Legends of the Fall" (1994), and "Seven" (1995) were subsequently released, after which the actor achieved superstar status.
- Jeffrey Goines speaks quickly and indistinctly; Gilliam doubted that Pitt would be able to master the fast "tongue-twister" needed for the role. He initially sent him to a speech coach, and then simply forced him to quit smoking – and achieved the desired effect.
- Cole says, "I see dead people." Four years later, this phrase would haunt Willis in the supernatural thriller "The Sixth Sense" (1999) (where it is spoken by a boy named Cole).
- In a cinema endlessly screening Hitchcock films, Catherine puts on a wig and transforms into a blonde. It is known that Alfred Hitchcock (1899-1980) had a fondness for blonde actresses. At this moment, music from the climactic scene of the film 'Vertigo' (1958) plays. This scene also features a brunette who transforms into a blonde.
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