Grudge Match - crew, film crew
The entire team, the film crew of the film "Grudge Match"
Grudge Match (2013)
Timing:
1:53 (113 min)
6.091/10
1241
1241
6.958/10
42214
42214
6.4/10
65000
65000
Film crew
Director
Producer
Michael Ewing
Producer
Ravi D. Mehta
Producer
Executive Producer
Kevin King Templeton
Executive Producer
Casting
Roger Mussenden
Casting
Editor
William Kerr
Editor
Costume Design
Mary E. Vogt
Costume Design
Stunts
Eric Stratemeier
Stunts
Meredith Richardson
Stunts
Production Design
Wynn Thomas
Production Design
Set Decoration
Matt Callahan
Set Decoration
Makeup Artist
Aimee Stuit
Makeup Artist
Elvis Jones
Makeup Artist
Courtney Lether
Makeup Artist
Melissa Anchondo
Makeup Artist
Original Music Composer
Director of Photography
Makeup Department Head
Script Supervisor
Susan Bierbaum
Script Supervisor
Hair Department Head
Voni Hinkle
Hair Department Head
Aerial Director of Photography
Douglas S. Holgate
Aerial Director of Photography
Hairstylist
Jerry Popolis
Hairstylist
Yolanda Mercadel
Hairstylist
Thomas Terhaar
Hairstylist
Katherine Distefano
Hairstylist
Still Photographer
Ben Rothstein
Still Photographer
Patti Perret
Still Photographer
Screenplay
Tim Kelleher
Screenplay
First Assistant Editor
Craig Hayes
First Assistant Editor
Assistant Editor
Harold Parker
Assistant Editor
Key Hair Stylist
Kat Percy
Key Hair Stylist
Story
Tim Kelleher
Story
Music Supervisor
Jojo Villanueva
Music Supervisor
What's left behind the scenes
- Several alternative endings were filmed to protect against potential information leaks.
- The role of Sally (Kim Basinger) in her youth was played by the actress's daughter – Ireland Baldwin.
- After the end credits, a poster can be seen on the wall that reads «Seagal vs. Ewing». This is a reference to director Peter Segal and producer Michael Ewing. The same poster also reads «Osbrink vs. King» – a reference to Hollywood agent Cindy Osbrink and boxing promoter Don King.
- Dante leans on the folded convertible top of his Porsche while talking on the phone. In the following shots, when he gets out of the car, the top is already up.
- When Razor and Sally are talking in front of his house (across the street from the railroad tracks), the background changes constantly after each cut – sometimes there’s a train, sometimes it’s moving, and sometimes it’s not there at all.
- Many mistakenly believe that this project was the brainchild of Sylvester Stallone. However, according to Robert De Niro, he was the first to read the script, and he was the first to realize that Stallone would be best suited for the role of his rival. Stallone himself was initially reluctant to participate, as he did not want to star in what he called a parody of the sports drama "Rocky" (1976), but De Niro persuaded him. Stallone later said that he prepared for the role more diligently than usual, as he had recently decided to move away from action films and had lost some of his form.
- After the end credits, a poster can be seen on the wall that reads “Seagal vs. Ewing.” This is a reference to director Peter Segal and producer Michael Ewing. The same poster also reads “Osbrink vs. King” – a reference to Hollywood agent Cindy Osbrink and boxing promoter Don King.
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