Harry Potter and the Order of the Phoenix - crew, film crew

The entire team, the film crew of the film "Harry Potter and the Order of the Phoenix"
Harry Potter and the Order of the Phoenix (2007)
Timing: 2:18 (138 min)
Harry Potter and the Order of the Phoenix - TMDB rating
7.672/10
20669
Harry Potter and the Order of the Phoenix - Kinopoisk rating
7.852/10
562625
Harry Potter and the Order of the Phoenix - IMDB rating
7.5/10
696000

Film crew

Director

Producer

Lorne Orleans
Producer
Photo David Barron #10457
David Barron
Producer

Executive Producer

Photo Lionel Wigram #10727

Lionel Wigram

Lionel Wigram
Executive Producer

Casting

Photo Fiona Weir #10723
Fiona Weir
Casting

Editor

Mark Day
Editor

Special Effects Supervisor

John Richardson
Special Effects Supervisor
John Richardson
Special Effects Supervisor

Art Direction

Andrew Ackland-Snow
Art Direction
Mark Bartholomew
Art Direction
Gary Tomkins
Art Direction
Alastair Bullock
Art Direction
Martin Schadler
Art Direction

Supervising Art Director

Neil Lamont
Supervising Art Director

Costume Design

Photo Jany Temime #11432

Jany Temime

Jany Temime
Costume Design

Stunts

Tina Maskell
Stunts
Photo Matthew Stirling #4098
Matthew Stirling
Stunts
Jade Gordon
Stunts
Photo Amanda Foster #11437
Amanda Foster
Stunts
Sarah Franzl
Stunts
Photo Rick English #14597Photo Rick English #14598Photo Rick English #14599Photo Rick English #14600
Rick English
Stunts
Photo Mark Archer #7870
Mark Archer
Stunts
Joanna Whitney
Stunts
Emma Mac
Stunts
Kelly Attfield
Stunts
Rowley Irlam
Stunts
Photo Pete Ford #40199
Pete Ford
Stunts

Production Design

Photo Stuart Craig #10102

Stuart Craig

Stuart Craig
Production Design

Stunt Coordinator

Photo Greg Powell #10108

Greg Powell

Greg Powell
Stunt Coordinator

Second Unit Director

Stephen Woolfenden
Second Unit Director

Set Decoration

Stephenie McMillan
Set Decoration
Satarupa Bradley
Set Decoration
Stephanie McMillan
Set Decoration

Makeup Artist

Belinda Hodgson
Makeup Artist
Sharon Nicholas
Makeup Artist

Sound Re-Recording Mixer

Doug Cooper
Sound Re-Recording Mixer

Mark Taylor

Mark Taylor
Sound Re-Recording Mixer
Mike Prestwood Smith
Sound Re-Recording Mixer

Original Music Composer

Photo Nicholas Hooper #14271
Nicholas Hooper
Original Music Composer

Unit Production Manager

Tim Lewis
Unit Production Manager

Co-Producer

John Trehy
Co-Producer

Associate Producer

Tim Lewis
Associate Producer

Orchestrator

Julian Kershaw
Orchestrator

Second Assistant Director

Matthew Sharp
Second Assistant Director

Stunt Double

Photo Nicholas Daines #7866
Nicholas Daines
Stunt Double
Photo Diz Sharpe #8651
Diz Sharpe
Stunt Double
Alisha Smith
Stunt Double
Gabrielle Fritz
Stunt Double
Anthony Knight
Stunt Double
Joanna Whitney
Stunt Double

Director of Photography

Photo Slawomir Idziak #14595

Slawomir Idziak

Slawomir Idziak
Director of Photography

Costumer

Angela Pledge
Costumer

Costume Supervisor

Graham Churchyard
Costume Supervisor

Sound Effects Editor

Jon Olive
Sound Effects Editor
Dominic Gibbs
Sound Effects Editor
Jethro Loughran
Sound Effects Editor

Visual Effects Supervisor

Tim Alexander
Visual Effects Supervisor
Photo Tim Burke #8422

Tim Burke

Tim Burke
Visual Effects Supervisor
Paul J. Franklin
Visual Effects Supervisor
Greg Butler
Visual Effects Supervisor
Craig Lyn
Visual Effects Supervisor
John Moffatt
Visual Effects Supervisor
Chris Shaw
Visual Effects Supervisor

Supervising Sound Editor

James Mather
Supervising Sound Editor

Script Supervisor

Anna Worley
Script Supervisor

Animation Supervisor

Ferran Domenech
Animation Supervisor
Max Solomon
Animation Supervisor

Visual Effects Producer

Stephanie Hornish
Visual Effects Producer
Dominic Sidoli
Visual Effects Producer
Amy Beresford
Visual Effects Producer
Jason Heapy
Visual Effects Producer
Emma Norton
Visual Effects Producer
Theresa Corrao
Visual Effects Producer

First Assistant Director

Photo Cliff Lanning #4111
Cliff Lanning
First Assistant Director

Assistant Costume Designer

Richard Davies
Assistant Costume Designer

Thanks

Ann Koska
Thanks

Production Manager

Photo Simon Emanuel #7188

Simon Emanuel

Simon Emanuel
Production Manager

Screenplay

Photo Michael Goldenberg #14596
Michael Goldenberg
Screenplay

Novel

Foley Artist

Andie Derrick
Foley Artist

Sound Designer

James Boyle
Sound Designer
Photo Andy Kennedy #11434
Andy Kennedy
Sound Designer

Compositing Supervisor

Sean MacKenzie
Compositing Supervisor

Key Grip

Steve Ellingworth
Key Grip

Special Effects

Luke Emrose
Special Effects

Makeup Designer

Amanda Knight
Makeup Designer

Foley Mixer

Nigel Heath
Foley Mixer

Special Effects Makeup Artist

Chris Lyons

Chris Lyons
Special Effects Makeup Artist

Prosthetic Makeup Artist

Shaune Harrison
Prosthetic Makeup Artist
Photo Mark Coulier #10115

Mark Coulier

Mark Coulier
Prosthetic Makeup Artist
Paul Spateri
Prosthetic Makeup Artist
Duncan Jarman
Prosthetic Makeup Artist

Production Sound Mixer

Stuart Wilson
Production Sound Mixer

ADR Mixer

Peter Gleaves
ADR Mixer

ADR Recordist

Photo Robert Edwards #356
Robert Edwards
ADR Recordist
Rachael Tate
ADR Recordist

Second Unit Director of Photography

Mike Brewster
Second Unit Director of Photography

Digital Compositor

Dan Snape
Digital Compositor
Photo Pedro Lara #367909
Pedro Lara
Digital Compositor
Photo Tristan Myles #327507

Tristan Myles

Tristan Myles
Digital Compositor
Graham Page
Digital Compositor

Concept Artist

Rob Bliss
Concept Artist

Visual Effects Coordinator

Angela Magrath
Visual Effects Coordinator
Lisa Gonzalez
Visual Effects Coordinator

Visual Effects

Tim Alexander
Visual Effects

Modelling Supervisor

José Granell
Modelling Supervisor

CG Supervisor

John Walker
CG Supervisor

ADR Editor

Production Runner

Katie Byles
Production Runner

Draughtsman

Julia Dehoff
Draughtsman

Supervising Sound Effects Editor

James Mather
Supervising Sound Effects Editor

Compositing Lead

Ben Aickin
Compositing Lead

Compositing Artist

Matthew Twyford
Compositing Artist

Makeup Effects Designer

Nick Dudman
Makeup Effects Designer

What's left behind the scenes

  • The film is based on J.K. Rowling's novel "Harry Potter and the Order of the Phoenix" (2003).
  • The first trailer for the film appeared in US cinemas on November 17th at the premiere of the animated film "Happy Feet".
  • In mid-2006, filming of the fifth film was interrupted for a month because Daniel Radcliffe and Emma Watson needed to take exams. This break cost Warner Bros. $4.8 million.
  • Some scenes in "The Order of the Phoenix" were filmed in Scandinavia, as there was simply not enough snow in Scotland.
  • At the Entrepreneurial Exchange charity gala, director David Yates auctioned off a small role in the fifth film, with all proceeds from the event going to a fund to help struggling African countries.
  • Actress Miriam Margolyes, who plays Professor Sprout, as well as Miranda Richardson (Rita Skeeter), did not appear in "Order of the Phoenix".
  • Contrary to producer David Heyman's statements, the role of the giant Grawp was not played by a computer-generated character, but by a real person, Tony Modsley.
  • A special effects group from the Double Negative film company was invited to remove (using computers) pimples and stubble from the faces of the main characters in the fifth Potter film.
  • Evanna Lynch was chosen for the role of Luna Lovegood from 15,000 applicants.
  • Daniel Radcliffe visited a psychologist to prepare for filming, in order to understand how someone who survived feels after losing a loved one.
  • The 127-page script for 'Order of the Phoenix' was found in a rather dubious location by the side of the road. Warner Bros. tracked down the negligent employee.
  • In mid-October 2006, the film crew was supposed to work in Italy, but Warner Bros. denied this information, stating that the filming location had become known to all 'Harry Potter' fans, which would interfere with the actors' normal work.
  • Simultaneously with the release of the fifth film in standard format, it also appeared in IMAX theaters.
  • J.K. Rowling herself firmly insisted that the house-elf Kreacher be kept, as he is important for the further storyline.
  • Artist Stuart Craig, a three-time Academy Award winner, based the design on early 20th-century London Underground stations. Craig liked how the designers of the old stations imitated classical architecture while using ceramic tiles to face the walls. This technique was borrowed when working on the film’s sets; over 30,000 tiles were used to face the atrium walls. Building the entire set took about 20 weeks. It was over 60m long, 36m wide, and almost 10m high.
  • Also, for the first time in a Harry Potter film, a set entirely modeled on a computer appeared. This is the Hall of Prophecy, in which thousands of glass spheres containing the prophecies themselves stand on shelves stretching into infinity. Initially, the filmmakers seriously discussed commissioning 15,000 glass spheres to be placed on glass shelves.
  • To combat film piracy, the film was distributed to cinemas under the false title "The Raven".
  • When Arthur Weasley takes Harry to the Ministry of Magic, they must first enter a secret code on the telephone keypad. He enters the numbers 62442. The letters under these numbers on a standard mobile phone keyboard spell the word "magic".
  • The scene of Harry Potter and Cho kissing was filmed in only 24 takes.
  • Albus Dumbledore appeared in a new robe.
  • The wizard Voldemort shatters the windows of the Ministry of Magic with a powerful burst of his destructive energy. Glass shards rain down on the atrium. John Richardson's team from Special Effects worked on this scene. To create the desired effect, hundreds of panes of glass had to be broken. The shards falling directly on the actor playing Voldemort were made of silicone, not glass, to avoid injury. Specialists from the MPC studio supplemented the episode with digital rain of falling shards and bursting windowpanes, intensifying the picture of the nightmarish explosion.
  • A total of 11 studios worked on the special effects. They created over 1400 shots with visual effects for the film, including duels with wands, fantastic Patronuses, kittens meowing in paintings, unforgettable fireworks, and fire-breathing monsters such as a dragon and a serpent. The giant fiery serpent created by Voldemort during the battle, and the fire-breathing dragon, were made by the MPC studio, which used animated digital objects and programs in combination with lighting, pyrotechnic, and smoke effects.
  • Towards the end of the scene where Harry, Ron, and Hermione discuss Harry’s kiss with Cho, the actors start to “break” and giggle. They genuinely ruined the take, but the director left their laughter in the film, as he found it very fitting for the situation.
  • The film is based on J.K. Rowling's novel "Harry Potter and the Order of the Phoenix" (2003).
  • The first trailer for the film appeared in US cinemas on November 17th, during the premiere of the animated film "Happy Feet".
  • Actress Miriam Margolyes, who played Professor Sprout, as well as Miranda Richardson (Rita Skeeter) did not appear in "The Order of the Phoenix".
  • Three-time Oscar winner Stuart Craig based the design on early 20th-century London Underground stations. Craig liked how the designers of the old stations imitated classical architecture while using ceramic tiles to face the walls. This technique was borrowed when working on the film's sets; over 30,000 tiles were used to cover the walls of the atrium. Building the entire set took about 20 weeks. It was over 60m long, 36m wide, and almost 10m high.
  • When Arthur Weasley takes Harry to the Ministry of Magic, they must first enter a secret code on the telephone keypad. He enters the numbers 62442. The letters under these numbers on a standard mobile phone keyboard spell the word "magic".
  • Towards the end of the scene where Harry, Ron, and Hermione discuss Harry's kiss with Cho, the actors start to break character and giggle. They really botched the take, but the director left their laughter in the film, deeming it very fitting for the situation.
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