Pearl Harbor - crew, film crew
The entire team, the film crew of the film "Pearl Harbor"
Pearl Harbor (2001)
Timing:
3:3 (183 min)
6.936/10
6941
6941
7.92/10
222308
222308
6.3/10
368000
368000
Film crew
Director
Producer
Pat Sandston
Producer
K.C. Hodenfield
Producer
Kenny Bates
Producer
Jennifer Klein
Producer
Executive Producer
Bruce Hendricks
Executive Producer
Mike Stenson
Executive Producer
Scott Gardenhour
Executive Producer
Barry H. Waldman
Executive Producer
Writer
Casting
Editor
Steven Rosenblum
Editor
Special Effects Supervisor
Keith Marbory
Special Effects Supervisor
Yves De Bono
Special Effects Supervisor
Additional Second Assistant Director
Michael Stevenson
Additional Second Assistant Director
Art Direction
William Ladd Skinner
Art Direction
Jon Billington
Art Direction
Supervising Art Director
Martin Laing
Supervising Art Director
Costume Design
Mitzi Haralson
Costume Design
Stunts
Erik Stabenau
Stunts
Diamond Farnsworth
Stunts
Randy Hall
Stunts
Danielle Burgio
Stunts
Denney Pierce
Stunts
Merritt Yohnka
Stunts
Kurt Bryant
Stunts
Doc D. Charbonneau
Stunts
Craig H. Davidson
Stunts
Bobby Burns
Stunts
Chris O'Hara
Stunts
Frank Torres
Stunts
Tony Donno
Stunts
Eddy Donno
Stunts
Henry Kingi Jr.
Stunts
Erik Rondell
Stunts
Rex Reddick
Stunts
Christian J. Fletcher
Stunts
Anthony Cecere
Stunts
Dustin Meier
Stunts
Paul M. Lane
Stunts
Richard Epper
Stunts
Lincoln Simonds
Stunts
Ivan Bates
Stunts
Tom Harper
Stunts
Danny Rogers
Stunts
Pete Antico
Stunts
Clint Lilley
Stunts
Glen Yrigoyen
Stunts
Gene Williams
Stunts
Production Design
Nigel Phelps
Production Design
Stunt Coordinator
Kenny Bates
Stunt Coordinator
Steve Picerni
Stunt Coordinator
Set Decoration
Eliza Solesbury
Set Decoration
Jennifer Williams
Set Decoration
Makeup Artist
Mindy Hall
Makeup Artist
Edouard F. Henriques
Makeup Artist
Stacye P. Branche
Makeup Artist
Gigi Williams
Makeup Artist
Sound Re-Recording Mixer
Greg P. Russell
Sound Re-Recording Mixer
Original Music Composer
Production Supervisor
Tina L. Newman
Production Supervisor
Second Assistant Director
Jeff Okabayashi
Second Assistant Director
Stunt Double
Director of Photography
John Schwartzman
Director of Photography
Pilot
Steve Hinton
Pilot
Ivor Shier
Pilot
William E. Powers
Pilot
Musician
Natalie Leggett
Musician
Camera Operator
Nigel Willoughby
Camera Operator
Michael Stone
Camera Operator
Ian Foster
Camera Operator
Kurt E. Soderling
Camera Operator
Kim Marks
Camera Operator
Steadicam Operator
Robert Presley
Steadicam Operator
Costume Supervisor
Linda Matthews
Costume Supervisor
Makeup Department Head
Sound Effects Editor
Adam Kopald
Sound Effects Editor
R.J. Palmer
Sound Effects Editor
Assistant Art Director
Robert Woodruff
Assistant Art Director
Paul Sonski
Assistant Art Director
Donna Willinsky
Assistant Art Director
William Hiney
Assistant Art Director
Property Master
Charles Stewart
Property Master
Visual Effects Supervisor
Nathan McGuinness
Visual Effects Supervisor
Ben Snow
Visual Effects Supervisor
Nathan McGuinness
Visual Effects Supervisor
Edward Hirsh
Visual Effects Supervisor
Supervising Sound Editor
George Watters II
Supervising Sound Editor
Script Supervisor
Karen Golden
Script Supervisor
Hair Department Head
Yolanda Toussieng
Hair Department Head
Electrician
William Cueto
Electrician
Supervising Dialogue Editor
Teri E. Dorman
Supervising Dialogue Editor
Hairstylist
Christine Beveridge
Hairstylist
Janine Rath
Hairstylist
Dino Ganziano
Hairstylist
Special Effects Coordinator
John Frazier
Special Effects Coordinator
Still Photographer
Andrew Cooper
Still Photographer
Visual Effects Producer
David S. Dranitzke
Visual Effects Producer
Jeff Werner
Visual Effects Producer
Kathy Chasen-Hay
Visual Effects Producer
Ned Gorman
Visual Effects Producer
Jeff Werner
Visual Effects Producer
Armorer
Stanford Gilbert
Armorer
First Assistant Director
K.C. Hodenfield
First Assistant Director
Textile Artist
Melissa Binder
Textile Artist
Assistant Costume Designer
Rhona Meyers
Assistant Costume Designer
Screenplay
Set Designer
William Hawa
Set Designer
William Hawkins
Set Designer
First Assistant Editor
Clay Rawlins
First Assistant Editor
Sound Designer
Construction Coordinator
Greg John Callas
Construction Coordinator
Art Department Coordinator
Alan Day
Art Department Coordinator
Greg Figiel
Art Department Coordinator
Dialogue Editor
Marshall Winn
Dialogue Editor
Allen Hartz
Dialogue Editor
David A. Arnold
Dialogue Editor
Ulrika Akander
Dialogue Editor
Art Department Assistant
Suzanne Austin
Art Department Assistant
Rigging Grip
William T. Jones
Rigging Grip
Transportation Coordinator
Bryce Guy Williams
Transportation Coordinator
Key Hair Stylist
Kathe Swanson
Key Hair Stylist
Michael Ornelaz
Key Hair Stylist
Compositor
Cathy Burrow
Compositor
Music Supervisor
Bob Badami
Music Supervisor
Kathy Nelson
Music Supervisor
Special Effects Technician
Mark Griffin
Special Effects Technician
Hair Supervisor
Marlene D. Williams
Hair Supervisor
Production Controller
Julie Jones
Production Controller
Production Accountant
Jason Bogard
Production Accountant
AnaMarie C. Gonzaga
Production Accountant
Songs
Casting Associate
Eyde Belasco
Casting Associate
Alison E. McBryde
Casting Associate
Travel Coordinator
Leslie Silvey
Travel Coordinator
Gaffer
Andy Ryan
Gaffer
Tom Derose
Gaffer
Terry Potter
Gaffer
Production Sound Mixer
Peter J. Devlin
Production Sound Mixer
Second Unit Director of Photography
Digital Compositor
Ronnie E. Williams Jr.
Digital Compositor
Jeff Sutherland
Digital Compositor
Post Production Coordinator
Miguel Ángel Poveda
Post Production Coordinator
Researcher
Vanessa Bendetti
Researcher
Aimee O'Shea
Researcher
Stand In
Allan Bragg
Stand In
Keith Butler
Stand In
Rodney Bursiel
Stand In
Production Assistant
Eric Glasser
Production Assistant
Gary A. Martin
Production Assistant
Natalie Ballesteros
Production Assistant
Brandon Arolfo
Production Assistant
Jordan Berkus
Production Assistant
Dax A. Cuesta
Production Assistant
Kirby C. Fortenberry
Production Assistant
Justin G. Maguire
Production Assistant
Adam Martinez
Production Assistant
Josh Price
Production Assistant
Dana Suman
Production Assistant
Rob McCabe
Production Assistant
Rob McCabe
Production Assistant
Unit Publicist
Gabriela Gutentag
Unit Publicist
Production Coordinator
Debra James
Production Coordinator
Emily Stillman
Production Coordinator
Stiles White
Production Coordinator
Pamela Gossage
Production Coordinator
Visual Effects Coordinator
Edward Hirsh
Visual Effects Coordinator
Lindsey Cline
Visual Effects Coordinator
David M. Gray
Visual Effects Coordinator
Susan Greenhow
Visual Effects Coordinator
Margaret B. Lynch
Visual Effects Coordinator
Key Set Production Assistant
Chris Castaldi
Key Set Production Assistant
Visual Effects Editor
Kristopher Kasper
Visual Effects Editor
Greg Hyman
Visual Effects Editor
Production Secretary
Miranda Marks
Production Secretary
Esteban Sanchez
Production Secretary
Shawn Pipkin
Production Secretary
Hagop Yaglian
Production Secretary
Derek DiBiagio
Production Secretary
Windi See Vianello
Production Secretary
Gerri Char
Production Secretary
Melisa Uchida
Production Secretary
Collene Van Arkel
Production Secretary
Payroll Accountant
Debi West
Payroll Accountant
Michael Goldberg
Payroll Accountant
Line Producer
Selwyn Roberts
Line Producer
ADR & Dubbing
Cindy Marty
ADR & Dubbing
Christopher T. Welch
ADR & Dubbing
Julie Feiner
ADR & Dubbing
Michelle Pazer
ADR & Dubbing
Petra Bach
ADR & Dubbing
CG Artist
Craig Lyn
CG Artist
Rigging Gaffer
Jeffrey P. Soderberg
Rigging Gaffer
Assistant Production Coordinator
Robert Mazaraki
Assistant Production Coordinator
Rachael Lin Gallaghan
Assistant Production Coordinator
Elona Tsou
Assistant Production Coordinator
Cindy Franke
Assistant Production Coordinator
Neal Naito
Assistant Production Coordinator
Lisa Davidson
Assistant Production Coordinator
Paul LaZebnik
Assistant Production Coordinator
Second Assistant Accountant
Dana M. Michaelsen
Second Assistant Accountant
Amy Davila
Second Assistant Accountant
Kathy Donno
Second Assistant Accountant
Ernst W. Laurel
Second Assistant Accountant
Dialect Coach
Mika Sogawa
Dialect Coach
Visual Effects Art Director
Alex Jaeger
Visual Effects Art Director
Sequence Supervisor
Joel Aron
Sequence Supervisor
Modeling
Ross Shuman
Modeling
Production Executive
Jason Reed
Production Executive
Title Designer
Robert Dawson
Title Designer
Animal Coordinator
Paul 'Sled' Reynolds
Animal Coordinator
First Assistant Accountant
Jeff Dash
First Assistant Accountant
Rick Marcena
First Assistant Accountant
David M. Atkinson
First Assistant Accountant
Eric D. Shain
First Assistant Accountant
Joan M. Zulpher
First Assistant Accountant
Andrew MacLean
First Assistant Accountant
Military Consultant
David M. Kennedy
Military Consultant
Set Medic
Louis Farah
Set Medic
Foley
Special Effects Manager
William H. Schirmer
Special Effects Manager
Aerial Coordinator
Alan D. Purwin
Aerial Coordinator
Stephen Grey
Aerial Coordinator
Script Coordinator
Matthew Cohan
Script Coordinator
Makeup Effects
John Rosengrant
Makeup Effects
Marine Coordinator
Douglas C. Merrifield
Marine Coordinator
VFX Director of Photography
Martin Rosenberg
VFX Director of Photography
Prosthetic Supervisor
John Rosengrant
Prosthetic Supervisor
Underwater Camera
Pete Romano
Underwater Camera
Special Effects Best Boy
William Aldridge
Special Effects Best Boy
What's left behind the scenes
- Matt Damon, Ben Affleck, and Gwyneth Paltrow were initially considered for the three lead roles. Due to commitments to other projects, two of them were forced to decline the offers. However, Matt Damon appears in a cameo as a shooter firing a machine gun during the Japanese attack. The actor agreed to this participation in the project for free, as a sign of respect for Michael Bay.
- The role of President Franklin Delano Roosevelt was initially offered to Gene Hackman. Only after his refusal was John Voight invited.
- Kevin Costner was offered the role of Colonel James Doolittle, but he turned down the offer.
- One of the roles in the film could have gone to Adrien Brody.
- Ashton Kutcher vied for the role of Danny Walker, but Josh Hartnett was ultimately chosen.
- The role of Rafa McCauley could have gone to James Marsden and James Caviezel.
- Charlize Theron turned down the lead female role in the film, opting instead for the drama "Sweet November" (2001).
- The original title of the screenplay was "Tennessee." Disney Studios acquired it for two million dollars. In the initial version, both main characters were fighter pilots on the aircraft carrier "Tennessee."
- Before filming began on Pearl Harbor, a Hawaiian priest blessed the film crew. This practice is recommended by local customs when filming movies in the Hawaiian Islands.
- To better prepare for his role, Alec Baldwin spent considerable time on flight simulators at Fort Rucker, Alabama.
- It took eight weeks to build the model of the battleship "Oklahoma." During its capsizing, 150 people were knocked off their feet or left suspended in the air.
- To depict and film the capsizing of the battleship 'Oklahoma', the world's largest articulated mechanism was constructed.
- The battleship 'Missouri', permanently docked at Pearl Harbor, was used to film several American battleships in the movie. All changes were limited to altering the ship's name on the life vests.
- Scenes of the countryside in Tennessee were filmed in the Californian town of Soomis, an hour's drive from Los Angeles. To make the location more like Tennessee, corn was planted in the field five months before filming.
- The filming of the bombing scenes was conducted under the supervision of the Environmental Protection Agency.
- The film crew used 700 dynamite charges, over 600 meters of detonating cord, and over 15,000 liters of gasoline to ignite 6 ships.
- It took 106 days to film the movie.
- During filming, airplanes flew over an abandoned military base in California. This caused panic among local residents, who believed that real combat operations had begun.
- Unlike the earlier film 'Tora! Tora! Tora!' (1970), which was also dedicated to the attack on Pearl Harbor, actual Japanese 'Mitsubishi Zero' fighters were used. A total of three fighters were involved – one located at the 'Planes of Fame Museum' in Chino, California, the second at the 'Museum of Flight' in Santa Monica, California, and the third owned by the 'Commemorative Air Force', based in Texas. In the film 'Tora! Tora! Tora!', accurate replicas were used, constructed for the US Army during World War II. Thirty years later, some of them were used again during the filming of 'Pearl Harbor'.
- While searching for suitable locations, the producers concluded that the American city of Gary, Indiana, most closely resembled Tokyo in 1942. Cinematographers photographed the city from the air and subsequently integrated the resulting footage into the film.
- During filming, one of the Japanese planes crashed on the Hawaiian islet of Ford, located in the middle of Pearl Harbor. Fortunately, the pilot was unharmed, and footage of the crash made it into the final version of the film.
- Two Japanese Mitsubishi A6M Zero fighters were specially built for the film at a factory in Orenburg, Russia, specializing in the restoration of aircraft from World War II.
- The takeoff of the Doolittle Raid participants was filmed aboard the USS Constellation off the coast of California, near San Diego. Computer graphics were used to transform the angled deck of the modern aircraft carrier into the straight deck of a World War II era carrier.
- Two genuine Curtiss P-40 Warhawks, borrowed from the Warhawk Air Museum in Nampa, Idaho, were used during filming.
- The scenes inside the hospital were actually filmed inside the Fort Shafter American military base in Honolulu.
- Jon Voight wore accurate replicas of the steel braces that President Franklin Delano Roosevelt was forced to wear. As a result, the actor suffered bruising and skin irritation where the braces were during filming and for several weeks afterward.
- A fictional character by Thurmann, played by Dan Aykroyd, brings together a team of codebreakers who deciphered fragments of Japanese messages before the attack.
- Colonel Dolittle's dog is actually Mason, a bullmastiff belonging to director Michael Bay.
- Director Michael Bay left the project four times due to disagreements with the film studio.
- Director Michael Bay and producer Jerry Bruckheimer agreed to reduce their fees by four million dollars to cut project costs. In response, many actors also agreed to corresponding salary reductions.
- The film premiered in Pearl Harbor aboard the aircraft carrier “John C. Stennis.” Seating for viewers was set up on the flight deck, and the hangar was transformed into a 1940s-style nightclub for the party that followed the premiere. The screen was installed between the Arizona Memorial and the permanent mooring of the USS Missouri.
- The total amount of funds spent on the film's production and advertising campaign is roughly equivalent to the amount of damage caused by the Japanese attack.
- A total of 2,403 Americans were killed and 1,178 were wounded as a result of the attack on Pearl Harbor. Nearly half of the casualties (1,102 people) were caused by the explosion and subsequent sinking of the battleship 'Arizona'. The Japanese lost 64 personnel.
- Contrary to popular belief, the damage from the attack on Pearl Harbor was not as catastrophic as often portrayed. None of the three large aircraft carriers were present at the time and therefore remained undamaged. Most of the American battleships damaged and sunk were already obsolete by that time and could not have provided a decisive advantage. Damaged ships were only temporarily withdrawn from the theater of operations, and some of the sunken ships were soon salvaged and repaired. Valuable parts, such as gun turrets, were removed from the majority of ships beyond repair. A more significant loss was the destruction of 155 out of 188 aircraft based in Hawaii. The psychological shock following the attack was far greater than the material damage.
- Many American veterans who participated in the events depicted in the film rejected and criticized it as being too 'Hollywood' and far from reality, as well as containing numerous errors and inaccuracies. Among other things, the portrayal of Colonel James Doolittle as a boisterous, arrogant, and conceited man drew particular displeasure, in contrast to the warm, brave, sincere, and humble man he actually was. Virtually all veterans who knew him personally were deeply offended.
- In the film, President Franklin Delano Roosevelt receives news of the Japanese attack and the damage incurred from an advisor entering the room. In reality, the President was having lunch with his old friend Harry Hopkins when a call came from Secretary of War Henry Stimson. Hopkins refused to believe the message, but the President did.
- The roles of the two main characters in the fragment depicting the attack on Pearl Harbor correspond to two American pilots, Lieutenants George Welch and Kenneth M. Taylor, who took to the skies and together shot down between 6 and 10 Japanese fighters. At the same time, the film does not contain a single mention of Welch and Taylor, which many considered incorrect, if not simply offensive.
- Six months after the film's release, the National Geographic channel released a documentary film, “Making of ‘Pearl Harbor’” (2001), almost entirely devoted to the errors and inaccuracies in the film.
- One of the most famous American critics of our time, Roger Ebert, gave the film a highly negative review. Subsequently, director Michael Bay called Ebert's criticism the most painful insult he had received throughout his film career.
- The film earned a place in the Guinness Book of Records as the film in which the most explosives were used.
- Dorie Miller, played by Cuba Gooding Jr., was the first African American to serve in the US Navy.
- The attack scenes were filmed at the same Mexican studios as James Cameron's legendary "Titanic".
- The Stearman biplane shown in the opening scenes of the film was put into production in 1935 and therefore could not have existed in 1923, when the scenes are set according to the script.
- Japanese aircraft of that period were painted light gray, not green, as shown in the film.
- In one of the panoramic shots in the film, the memorial to the battleship "Arizona", built over its sunken hull, can be seen. The memorial was created in the 1960s. In another such panoramic shot of the American fleet before the "Doolittle Raid", a "Burke"-class destroyer is visible. The first of these warships entered service in 1991.
- When Rafe and the team rushed to the hangars of the second airfield, the Japanese had not yet attacked, and two P-40 fighters were already burning.
- Jack Daniel's whiskey in bottles like these did not exist in the 1940s (the awards this brand has yet to earn are visible).
- General Marshall, who was speaking with Roosevelt, inexplicably wears the Vietnam Service Medal ribbon.
- One of the roles in the film could have gone to Adrien Brody, but he preferred filming in "The Pianist".
- Filming of the movie took place from April 10th to September 15th, 2000.
- One of the roles in the film could have gone to Adrien Brody, but he preferred to film in "The Pianist".
- Charlize Theron turned down the lead female role in the film, preferring the drama "Sweet November" (2001).
- Unlike the earlier film "Tora! Tora! Tora!" (1970), also dedicated to the attack on Pearl Harbor, actual Japanese "Mitsubishi Zero" fighters were used. A total of three fighters were involved – one located in the "Planes of Fame Museum" in Chino, California, the second – in the "Museum of Flight" in Santa Monica, California, and the third belonging to the non-profit organization "Memorial Air Force", based in Texas. The film "Tora! Tora! Tora!" used accurate replicas constructed for the US Army during World War II. Thirty years later, some of them were used again during the filming of "Pearl Harbor".
- Jack Daniel's whiskey in similar bottles did not exist in the 1940s (awards that the brand had not yet earned are visible).
- General Marshall, who was talking to Roosevelt, inexplicably wore the Vietnam Service Medal ribbon on his chest.
Did you like the film?
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