Manhattan - crew, film crew
The entire team, the film crew of the film "Manhattan"
Manhattan (1979)
Timing:
1:36 (96 min)
7.719/10
2587
2587
7.786/10
28351
28351
7.8/10
154000
154000
Film crew
Director
Producer
Executive Producer
Robert Greenhut
Executive Producer
Writer
Casting
Juliet Taylor
Casting
Editor
Susan E. Morse
Editor
Costume Design
Production Design
Mel Bourne
Production Design
Set Decoration
Robert Drumheller
Set Decoration
Makeup Artist
Fern Buchner
Makeup Artist
Sound Re-Recording Mixer
Jack Higgins
Sound Re-Recording Mixer
Set Dresser
Justin Scoppa Jr.
Set Dresser
Morris Weinman
Set Dresser
Second Assistant Director
Director of Photography
Camera Operator
Fred Schuler
Camera Operator
Costumer
Clifford Capone
Costumer
Property Master
Leslie Bloom
Property Master
Script Supervisor
Kay Chapin
Script Supervisor
Hairstylist
Romaine Greene
Hairstylist
Still Photographer
Brian Hamill
Still Photographer
Sound Mixer
James Sabat
Sound Mixer
Production Manager
Martin Danzig
Production Manager
Boom Operator
Vito L. Ilardi
Boom Operator
Screenplay
Assistant Editor
Michael R. Miller
Assistant Editor
Key Grip
Robert Ward
Key Grip
Carpenter
Joseph Badalucco Jr.
Carpenter
Casting Associate
Howard Feuer
Casting Associate
Jeremy Ritzer
Casting Associate
Gaffer
Dusty Wallace
Gaffer
Assistant Director
Frederic B. Blankfein
Assistant Director
Conductor
Production Assistant
Charles Zalben
Production Assistant
Cheryl Hill
Production Assistant
Unit Publicist
Scott MacDonough
Unit Publicist
Scenic Artist
James Sorice
Scenic Artist
Cosmo Sorice
Scenic Artist
Extras Casting
Aaron Beckwith
Extras Casting
Wardrobe Supervisor
C.J. Donnelly
Wardrobe Supervisor
Assistant Sound Editor
Lowell Mate
Assistant Sound Editor
Unit Manager
Michael Peyser
Unit Manager
Transportation Captain
James Fanning
Transportation Captain
Sound Editor
Dan Sable
Sound Editor
Assistant Camera
Jim Hovey
Assistant Camera
Music Arranger
Tom Pierson
Music Arranger
Production Office Coordinator
Jennifer Ogden
Production Office Coordinator
What's left behind the scenes
- Woody Allen disliked the finished film so much that he offered the studio bosses to film any movie for them for free on the condition that they shelve “Manhattan.” They refused, and the released film became a hit both at the box office and with audiences and critics. Even though it has gained cult status over the years and consistently ranks among the top films in numerous lists of Woody Allen’s best works, the director considers it his worst: “To this day, when I think about ‘Manhattan,’ I wonder: is that all I was capable of then? I don’t understand how they didn’t stop giving me money for films after that.”
- According to cinematographer Gordon Willis, this film is his best work.
- Meryl Streep filmed all scenes involving her character during breaks in Robert Benton's filming of the drama 'Kramer vs. Kramer' (1979).
- The famous bridge was filmed at 5 a.m. A garden bench had to be brought in, as there were no benches on site. The bridge was illuminated by two rows of lanterns controlled by a timer, the operation of which was the responsibility of the city authorities. The lanterns were switched off at sunrise. Cinematographer Gordon Willis (1931-2014) arranged with the city administration not to turn off the lanterns until filming was completed, and then they could be switched off. Filming of the scene began, and one row of lanterns went out; director Woody Allen was ultimately forced to use this take with only one row of lit lanterns.
- According to Woody Allen, the idea to make this film was born out of his love for the music of George Gershwin (1898-1937), just as he was listening to one of his albums of overtures.
- Meryl Streep filmed all her scenes during breaks from shooting with Robert Benton on the drama 'Kramer vs. Kramer'.
- The famous bridge was filmed at 5 a.m. A garden bench had to be brought in, as there were no benches on location. The bridge was illuminated by two rows of lanterns controlled by a timer, the operation of which was the responsibility of the city authorities. The lanterns were turned off at sunrise. Cinematographer Gordon Willis arranged with the city administration not to turn off the lanterns until filming was complete. Filming of the scene began, and one row of lanterns went out; director Woody Allen was ultimately forced to use that take.
- According to Woody Allen, the idea to make this film came from his love of George Gershwin's music, just as he was listening to one of his albums of overtures.
- Woody Allen disliked the finished film so much that he offered the studio bosses to film any film for them for free, on the condition that they shelve "Manhattan." They refused, and the released film became a hit both at the box office and with audiences and critics. Even though it has gained a cult status over the years and consistently ranks among the top films in numerous lists of Woody Allen's best works, the director considers it his worst: "To this day, when I think about "Manhattan," I wonder: is that all I was capable of then? I don't understand how they didn't stop giving me money for films after that."
- Meryl Streep filmed all her scenes during breaks in Robert Benton's filming of the drama "Kramer vs. Kramer".
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