No Country for Old Men - crew, film crew
The entire team, the film crew of the film "No Country for Old Men"
No Country for Old Men (2007)
Timing:
2:2 (122 min)
7.95/10
13168
13168
7.825/10
451629
451629
8.2/10
1200000
1200000
Film crew
Director
Producer
Executive Producer
Mark Roybal
Executive Producer
Robert Graf
Executive Producer
Writer
Casting
Ellen Chenoweth
Casting
Editor
Art Direction
John P. Goldsmith
Art Direction
Costume Design
Stunts
Jose L. Vasquez
Stunts
Production Design
Jess Gonchor
Production Design
Stunt Coordinator
Jery Hewitt
Stunt Coordinator
Second Unit Director
Jery Hewitt
Second Unit Director
Set Decoration
Nancy Haigh
Set Decoration
Sound Re-Recording Mixer
Skip Lievsay
Sound Re-Recording Mixer
Craig Berkey
Sound Re-Recording Mixer
Greg Orloff
Sound Re-Recording Mixer
Original Music Composer
Production Supervisor
Karen Ruth Getchell
Production Supervisor
Associate Producer
David Diliberto
Associate Producer
Set Dresser
Quentin Matthys
Set Dresser
Sage Emmett Connell
Set Dresser
Second Assistant Director
Peter Dress
Second Assistant Director
Bac DeLorme
Second Assistant Director
Stunt Double
Mark Norby
Stunt Double
Director of Photography
Camera Operator
Andy Graham
Camera Operator
Costumer
Christine Hawes
Costumer
Delia Hauser
Costumer
Costume Supervisor
Lori DeLapp
Costume Supervisor
Makeup Department Head
Jean Ann Black
Makeup Department Head
Key Costumer
Aleah Ames
Key Costumer
Assistant Art Director
Deborah Jensen
Assistant Art Director
Visual Effects Supervisor
Vincent Cirelli
Visual Effects Supervisor
Supervising Sound Editor
Skip Lievsay
Supervising Sound Editor
Script Supervisor
Thomas Johnston
Script Supervisor
Mamie Mitchell
Script Supervisor
Hair Department Head
Paul LeBlanc
Hair Department Head
Electrician
Louis Nelson
Electrician
Jamie Garcia
Electrician
George Greene
Electrician
Tommy Kelii
Electrician
Set Costumer
Lisanne Scafine
Set Costumer
Special Effects Coordinator
Peter Chesney
Special Effects Coordinator
Still Photographer
Richard Foreman Jr.
Still Photographer
Sound Mixer
Peter F. Kurland
Sound Mixer
Visual Effects Producer
Glenn Morris
Visual Effects Producer
First Assistant Director
Betsy Magruder
First Assistant Director
Assistant Costume Designer
Chief Lighting Technician
Chris Napolitano
Chief Lighting Technician
Scott Kidner
Chief Lighting Technician
Screenplay
Novel
Sound Designer
Craig Berkey
Sound Designer
Art Department Coordinator
Roberta Marquez Seret
Art Department Coordinator
Dialogue Editor
Byron Wilson
Dialogue Editor
Assistant Editor
Katie McQuerrey
Assistant Editor
Rigging Grip
Gary Kangrga
Rigging Grip
Hank Herrera
Rigging Grip
Daniel 'Lee' Andres
Rigging Grip
Jim Threadgill
Rigging Grip
Transportation Coordinator
Timothy P. Ryan
Transportation Coordinator
Grip
Rick Marroquin
Grip
Jeff Lomaglio
Grip
Asa-Luke Twocrow
Grip
Peter Weidenfeller
Grip
Dolly Grip
Bruce Hamme
Dolly Grip
Key Rigging Grip
Charley Gilleran
Key Rigging Grip
Casting Assistant
Marie A. Kohl
Casting Assistant
Kathryn Schuetze
Casting Assistant
Production Accountant
Cheryl Kurk
Production Accountant
Casting Associate
Rachel Tenner
Casting Associate
Amelia Rasche McCarthy
Casting Associate
Travel Coordinator
Mimi N. McGreal
Travel Coordinator
Music Editor
Todd Kasow
Music Editor
Second Unit Director of Photography
Paul Elliott
Second Unit Director of Photography
First Assistant Camera
Josh Blakeslee
First Assistant Camera
Andy Harris
First Assistant Camera
Thomas Bango
First Assistant Camera
Chris Mack
First Assistant Camera
Colorist
Bruce Goodman
Colorist
Additional Hairstylist
Debra Clair
Additional Hairstylist
Unit Publicist
Louise Spencer
Unit Publicist
Production Coordinator
Rachael Lin Gallaghan
Production Coordinator
Gabriel Pérez
Production Coordinator
Production Secretary
Jennifer Mancuso
Production Secretary
Payroll Accountant
Todd Spears
Payroll Accountant
Second Assistant Accountant
Melissa Wiseman
Second Assistant Accountant
Second Assistant Camera
Liza Bambenek
Second Assistant Camera
Assistant Sound Editor
Transportation Captain
Edward Lassak
Transportation Captain
Wigmaker
Teresa Valenzuela
Wigmaker
First Assistant Accountant
Karen Yokomizo
First Assistant Accountant
Digital Intermediate Producer
Michael Kennedy
Digital Intermediate Producer
Additional Casting
Tracy Kilpatrick
Additional Casting
Assistant Chief Lighting Technician
Bryan Booth
Assistant Chief Lighting Technician
Ron Alexus
Assistant Chief Lighting Technician
Digital Color Timer
Michael Hatzer
Digital Color Timer
First Company Grip
Dave Childers
First Company Grip
Mitchell Andrew Lillian
First Company Grip
Second Company Grip
Paul Candrilli
Second Company Grip
Location Casting
Jo Edna Boldin
Location Casting
Story Editor
Narges Takesh
Story Editor
What's left behind the scenes
- The film is based on Cormac McCarthy's novel “No Country for Old Men” (2005).
- The film's title is taken from the first line of William Butler Yeats' poem "Sailing to Byzantium".
- The hairstyle of the killer Anton Chigurh was taken from a photograph of a brothel patron taken in 1979. After the hairstyle was brought to life, Javier Bardem exclaimed, looking at himself in the mirror: "Oh no, now I won't have sex for two months!"
- Producers negotiated with Heath Ledger for the role of Llewelyn Moss, but he ultimately declined to participate in the film.
- The Coen brothers refused Josh Brolin an audition for the film. So Josh asked Robert Rodriguez to help him record an audition tape. Josh's audition was filmed with a $950,000 camera, with Robert Rodriguez behind the camera and Quentin Tarantino directing the filming.
- The film does not have an original soundtrack. Only music written for the film is heard during the end credits.
- Joel and Ethan Coen not only produced, wrote, and directed the film, but also edited it themselves. However, the credits list their collective pseudonym – Roderick Jaynes.
- The Coens like to include references to one of their favorite directors, Stanley Kubrick. For example, the film features a motel room numbered 114; this number appeared repeatedly in Kubrick's films as well.
- Filming took place from May 23rd to August 16th, 2006.
- The Coen brothers tried to preserve not only the spirit but also the letter of the novel – most of the dialogues and monologues in the film repeat the book word for word.
- The film was shot concurrently with Paul Thomas Anderson's 'There Will Be Blood,' and the sets were located close to each other, literally within two hills. Once, the Coens had to interrupt filming because thick smoke from the 'There Will Be Blood' set was drifting into the frame.
- The action takes place in Texas, but for financial reasons, the film was shot in Las Vegas. Nevertheless, at Tommy Lee Jones' insistence, the Coen brothers filmed several scenes in West Texas.
- Paul Walker actively pursued the role of Moss. He said he had always wanted to work with the Coen brothers and even auditioned. However, the brothers preferred Heath Ledger, and after he turned it down, the role went to Josh Brolin.
- The pharmacy near which Chigurh blows up a parked car is called Mike Zoss Pharmacy. In Minneapolis, there is a pharmacy with the same name where Joel and Ethan Coen spent a lot of time as children. Their own film company is also called Mike Zoss Productions.
- The weapon used by Anton Chigurh is a pistol with an exposed striker, commonly used in slaughterhouses.
- The film contains numerous anachronisms: although the film is set in 1980, Llewellyn Moss (Josh Brolin) picks up a Heckler & Koch SP89 pistol at the drug deal location, which was manufactured in 1989. Anton Chigurh (Javier Bardem) is armed with an Intratec TEC-9 submachine gun, manufactured in 1985, as well as a Remington 11-87 shotgun, manufactured after 1987. He also fires a Glock pistol, which appeared in 1983. One of the Mexicans in the hotel fires a Cobray M11/9 submachine gun, manufactured in 1983.
- The film is based on Cormac McCarthy's novel 'No Country for Old Men' (2005).
- The film's title is taken from the first line of William Butler Yeats' poem 'Sailing to Byzantium'.
- The hairstyle of the killer Anton Chigurh was taken from a photograph of a brothel patron, taken in 1979. After the hairstyle was brought to life, Javier Bardem exclaimed, looking at himself in the mirror: “Oh no, now I’m without sex for two months!”
- The Coen brothers tried to preserve not only the spirit but also the letter of the novel – most of the dialogues and monologues in the film repeat the book word for word.
- The film was shot simultaneously with Paul Thomas Anderson's “There Will Be Blood,” and the filming locations were close to each other, literally a couple of hills apart. Once, the Coens had to interrupt filming because thick smoke was billowing from the “There Will Be Blood” set, getting into the frame.
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