Enforcement - crew, film crew
The entire team, the film crew of the film "Enforcement"
Shorta (2020)
Timing:
1:48 (108 min)
6.346/10
228
228
6.187/10
2492
2492
6.5/10
7800
7800
Film crew
Director
Anders Ølholm
Director
Frederik Louis Hviid
Director
Producer
Morten Kaufmann
Producer
Signe Leick Jensen
Producer
Editor
Anders Albjerg Kristiansen
Editor
Art Direction
Gustav Pontoppidan
Art Direction
Original Music Composer
Martin Juel Dirkov
Original Music Composer
Martin Dirkov
Original Music Composer
Director of Photography
Jacob Møller
Director of Photography
Screenplay
Anders Ølholm
Screenplay
Frederik Louis Hviid
Screenplay
Story
Anders Ølholm
Story
Sound
Morten Green
Sound
Post Producer
Mikael Windelin
Post Producer
Producer's Assistant
Carla Malling Agger
Producer's Assistant
Lin Jo Skytte
Producer's Assistant
What's left behind the scenes
- The working title of the script was “Panser,” which translates from Danish as “armor,” “breastplate,” or “armament,” and in slang means cops. But the director and screenwriter Anders Elholm changed it to “Shorta” (which translates from Arabic as “police”).
- During the scene where the characters, played by Jakob Loman and Issa Hattaab, meet in an underground parking garage, the inscription “jusqu'ici tout va bien” (which translates to “so far, so good”) is visible in the background. This is a reference to Mathieu Kassovitz’s crime drama “Hate” (1995).
- Before the start of filming, Simon Sears and Jakob Loman, who play the main characters, underwent special training with technical advisor Dennis Petersen.
- The film depicts the fictional ghetto of Svalegården.
- The character played by Dan Boie has a tattoo on his chest that reads “Born to lose.” According to director and screenwriter Anders Elholm, this is a reference to Michael Mann’s action film “Heat” (1995).
- Anders Elholm began working on the script in 2015. Initially, his friend Fredrik Louis Hviid was to be the film's director, but Elholm asked the producers to make him a co-director, and they agreed.
- At the end of the film, the audience hears a radio conversation between director Anders Elholm and screenwriter Dennis Petersen, a former police officer hired for the project as a technical consultant.
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