Juno - crew, film crew
The entire team, the film crew of the film "Juno"
Juno (2007)
Timing:
1:36 (96 min)
7.058/10
7583
7583
7.226/10
100825
100825
7.4/10
571000
571000
Film crew
Director
Producer
Jim Miller
Producer
Brad Van Arragon
Producer
Lianne Halfon
Producer
Mason Novick
Producer
Kelli Konop
Producer
Russell Smith
Producer
Executive Producer
Joseph Drake
Executive Producer
Nathan Kahane
Executive Producer
Daniel Dubiecki
Executive Producer
Writer
Casting
Mindy Marin
Casting
Kara Lipson
Casting
Editor
Dana E. Glauberman
Editor
Special Effects Supervisor
John Sleep
Special Effects Supervisor
Art Direction
Catherine Schroer
Art Direction
Michael Diner
Art Direction
Costume Design
Monique Prudhomme
Costume Design
Production Design
Steve Saklad
Production Design
Stunt Coordinator
Scott J. Ateah
Stunt Coordinator
Set Decoration
Shane Vieau
Set Decoration
Makeup Artist
Monica Huppert
Makeup Artist
Sandy Cooper
Makeup Artist
Key Makeup Artist
Victoria Down
Key Makeup Artist
Sound Re-Recording Mixer
J. Stanley Johnston
Sound Re-Recording Mixer
Ken S. Polk
Sound Re-Recording Mixer
Scott Sanders
Sound Re-Recording Mixer
Original Music Composer
Co-Producer
Kelli Konop
Co-Producer
Brad Van Arragon
Co-Producer
Jim Miller
Co-Producer
Set Dresser
Sergio Lavilla
Set Dresser
Michael Jovanovski
Set Dresser
Michael Church
Set Dresser
Paul Arthur Hartman
Set Dresser
Sigrid Spade
Set Dresser
Christopher Wishart
Set Dresser
Director of Photography
Camera Operator
John Clothier
Camera Operator
Costume Supervisor
Paul Lavigne
Costume Supervisor
Property Master
Bryan Korenberg
Property Master
Supervising Sound Editor
Perry Robertson
Supervising Sound Editor
Script Supervisor
Stephanie Rossel
Script Supervisor
Supervising ADR Editor
Barney Cabral
Supervising ADR Editor
Hairstylist
Robert A. Pandini
Hairstylist
Still Photographer
Doane Gregory
Still Photographer
First Assistant Director
Jason Blumenfeld
First Assistant Director
Assistant Costume Designer
Christine Coutts
Assistant Costume Designer
Chief Lighting Technician
John Dekker
Chief Lighting Technician
Boom Operator
Tony Wyman
Boom Operator
Screenplay
First Assistant Editor
Clay Rawlins
First Assistant Editor
Sound Designer
Scott Sanders
Sound Designer
Construction Coordinator
John Beatty
Construction Coordinator
Art Department Coordinator
Lori West
Art Department Coordinator
Best Boy Grip
Marty Coady
Best Boy Grip
Lighting Technician
Randy A. Jablonka
Lighting Technician
First Assistant "B" Camera
David Lourie
First Assistant "B" Camera
Transportation Coordinator
Clif Kosterman
Transportation Coordinator
Key Grip
Dave Askey
Key Grip
Location Manager
Neil Robertson
Location Manager
Dolly Grip
David Kershaw
Dolly Grip
Key Hair Stylist
Sherry Linder-Gygli
Key Hair Stylist
Carpenter
Kevin Tomecek
Carpenter
Painter
Doug Currie
Painter
Music Supervisor
Peter Afterman
Music Supervisor
Margaret Yen
Music Supervisor
Songs
Kimya Dawson
Songs
Music Editor
Nick South
Music Editor
Second Assistant "B" Camera
Ian R. C. Levine
Second Assistant "B" Camera
First Assistant Camera
Stewart Whelan
First Assistant Camera
Greensman
Josephine Bleuer
Greensman
Production Coordinator
Trevor Westerhoff
Production Coordinator
Rigging Gaffer
Michael Mayo
Rigging Gaffer
Assistant Production Coordinator
Sheryl Rhodes
Assistant Production Coordinator
Second Assistant Camera
Dean Morin
Second Assistant Camera
Patrick Hogue
Second Assistant Camera
Transportation Captain
Scott Delaplace
Transportation Captain
Sound Editor
Rickley W. Dumm
Sound Editor
Richard Dwan Jr.
Sound Editor
Foley
Nick Neutra
Foley
Michael Kreple
Foley
What's left behind the scenes
- The hamburger phone belongs to Diablo Cody, who wrote the screenplay.
- At Ellen Page’s suggestion, Juno was a fan of Kimya Dawson and The Moldy Peaches’ music.
- When Juno is looking for a father for her future child, she says, "He has to be someone cool, like a graphic designer." In real life, Ellen "Juno" Page's father and the ex-husband of screenwriter Diablo Cody are both graphic designers.
- If you look closely, you can notice a "hamburger phone" in the background and in Michael Cera's character's room.
- Before one of the scenes where Juno visits Jason Bateman's character, he is sitting at a computer reading the real blog of screenwriter Diablo Cody.
- This is the first film from Fox Searchlight Pictures to surpass the $100 million mark at the box office.
- The project was initially supposed to be titled "Junebug," but that option ultimately had to be abandoned to avoid a repeat of the title of the 2005 film starring Amy Adams.
- Filming period: February 14 – March 27, 2007.
- Initially, Brad Silberling was supposed to direct, but he left the project due to creative differences.
- The hamburger-shaped phone belongs to Diablo Cody, who wrote the screenplay.
- When Juno is looking for parents for her future child, she says, “They have to be someone cool, like a graphic designer.” In real life, Elliot Page’s father and Diablo Cody’s ex-husband are both graphic designers.
- J.K. Simmons later recounted that he liked the script so much that he was willing to play the teacher even without any lines – just to be cast in the film.
- It was not easy to show all four seasons within 30 shooting days, and to achieve this, the filmmakers had to resort to various tricks. In particular, in the relevant scenes, bright spring flowers were darkened using digital technology to make them look like summer blooms, and off-screen crew members ensured the fall of artificial leaves during autumn scenes. A snowstorm unexpectedly hit Vancouver (which is extremely rare in March), and before the fallen snow melted, three different scenes were filmed in one shooting day, contrary to the pre-arranged shooting schedule. This saved the filmmakers a significant amount of money that would have been spent on artificial snow.
- Jennifer Garner agreed to a lower-than-usual fee in favor of percentage points from box office revenue, and as it turned out, she didn't miss out at all, as the film was commercially extremely successful.
- The scene in which Juno, played by Elliot Page, pulls the car over to the side of the road and cries was filmed after the shooting period had ended, when Page had already had their hair cut. If you look closely, you can see hair extensions.
Did you like the film?
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