There Will Be Blood - crew, film crew

The entire team, the film crew of the film "There Will Be Blood"
There Will Be Blood (2007)
Timing: 2:38 (158 min)
There Will Be Blood - TMDB rating
8.078/10
7347
There Will Be Blood - Kinopoisk rating
7.854/10
173494
There Will Be Blood - IMDB rating
8.2/10
704000

Film crew

Director

Producer

Executive Producer

Photo Scott Rudin #21762Photo Scott Rudin #21763

Scott Rudin

Scott Rudin
Executive Producer

Eric Schlosser

Eric Schlosser
Executive Producer

Writer

Casting

Cassandra Kulukundis
Casting

Editor

Art Direction

David Crank
Art Direction

Costume Design

Photo Mark Bridges #14157

Mark Bridges

Mark Bridges
Costume Design

Stunts

Larry M. Shorts
Stunts
Photo Denney Pierce #14548
Denney Pierce
Stunts
Photo Shawn Patrick Lane #70491
Shawn Patrick Lane
Stunts
Photo Keii Johnston #15024
Keii Johnston
Stunts
Photo Frank Lloyd #73638
Frank Lloyd
Stunts
Scott Sproule
Stunts
Photo Brian Avery #17821
Brian Avery
Stunts
Photo Ryan Happy #65923Photo Ryan Happy #65924Photo Ryan Happy #328091
Ryan Happy
Stunts
Paul Sklar
Stunts
Jake Lombard
Stunts
Photo Mike Justus #12385
Mike Justus
Stunts

Production Design

Photo Jack Fisk #9738Photo Jack Fisk #9739Photo Jack Fisk #66809

Jack Fisk

Jack Fisk
Production Design

Stunt Coordinator

Myke Schwartz
Stunt Coordinator

Set Decoration

Jim Erickson
Set Decoration

Makeup Artist

Kim Ayers
Makeup Artist
Catherine Conrad
Makeup Artist

Sound Re-Recording Mixer

Photo Tom Johnson #6600

Tom Johnson

Tom Johnson
Sound Re-Recording Mixer
Photo Michael Semanick #5089Photo Michael Semanick #5090

Michael Semanick

Michael Semanick
Sound Re-Recording Mixer

Original Music Composer

Photo Jonny Greenwood #11421Photo Jonny Greenwood #11422Photo Jonny Greenwood #11423Photo Jonny Greenwood #11424

Jonny Greenwood

Jonny Greenwood
Original Music Composer

Production Supervisor

Will Weiske
Production Supervisor

Set Dresser

Mark Hanks
Set Dresser
Brad Blei
Set Dresser
Jack Colmenero
Set Dresser

Second Assistant Director

Richard Oswald
Second Assistant Director
Ian Stone
Second Assistant Director

Director of Photography

Photo Robert Elswit #70742Photo Robert Elswit #70743

Robert Elswit

Robert Elswit
Director of Photography

Camera Operator

Colin Anderson
Camera Operator

Costumer

Yvonne Wilburn
Costumer
Michelle Elaine Teague
Costumer

Costume Supervisor

Eden Clark Coblenz
Costume Supervisor

Makeup Department Head

John Blake

John Blake
Makeup Department Head

Key Costumer

Kathy Kiatta
Key Costumer

Sound Effects Editor

Photo Tim Nielsen #10408
Tim Nielsen
Sound Effects Editor
J.R. Grubbs
Sound Effects Editor
Jeff Sawyer
Sound Effects Editor

Visual Effects Supervisor

Paul Graff
Visual Effects Supervisor
Grady Cofer
Visual Effects Supervisor

Supervising Sound Editor

Photo Matthew Wood #8926Photo Matthew Wood #327391Photo Matthew Wood #327392

Matthew Wood

Matthew Wood
Supervising Sound Editor

Script Supervisor

Anna Rane
Script Supervisor

Hair Department Head

Photo Linda Flowers #326741

Linda Flowers

Linda D. Flowers
Hair Department Head

Hairstylist

Sharon Ray Ely
Hairstylist

Special Effects Coordinator

Steve Cremin
Special Effects Coordinator

Still Photographer

Photo François Duhamel #15616
François Duhamel
Still Photographer
Melinda Sue Gordon
Still Photographer

Sound Mixer

John Pritchett
Sound Mixer

Visual Effects Producer

Christina Graff
Visual Effects Producer
Susan Greenhow
Visual Effects Producer

Assistant Costume Designer

Photo Kimberly Adams #13173

Kimberly Adams

Kimberly Adams
Assistant Costume Designer

Thanks

Jose Ludlow
Thanks
Mark Graziano
Thanks

Boom Operator

David M. Roberts
Boom Operator

Screenplay

Novel

Set Designer

Carl J. Stensel
Set Designer

Foley Artist

Robin Harlan
Foley Artist
Sarah Monat
Foley Artist

Sound Designer

Dialogue Editor

Hugo Weng
Dialogue Editor
Vanessa Lapato
Dialogue Editor

First Assistant Sound Editor

Coya Elliott
First Assistant Sound Editor

Lighting Technician

Robby Baumgartner
Lighting Technician

Foley Editor

Bruce Tanis
Foley Editor
David L. Horton Jr.
Foley Editor

Grip

Charles Crivier
Grip

Key Hair Stylist

Yeşim "Shimmy" Osman
Key Hair Stylist

Music Supervisor

Linda Cohen
Music Supervisor

Special Effects Technician

Jay King
Special Effects Technician
Douglas D. Ziegler
Special Effects Technician
Brandon K. McLaughlin
Special Effects Technician
Christian Eubank
Special Effects Technician

Foley Mixer

Randy Singer
Foley Mixer

Assistant Director

Adam Somner
Assistant Director
Eric Richard Lasko
Assistant Director

Music Editor

Paul Rabjohns
Music Editor

ADR Mixer

Thomas J. O'Connell
ADR Mixer

ADR Recordist

Rick Canelli
ADR Recordist

Post Production Supervisor

Erica Frauman
Post Production Supervisor
Jamey Pryde
Post Production Supervisor

Production Assistant

Photo Ruth de Jong #3058
Ruth de Jong
Production Assistant

Sound Assistant

Andrew Bock
Sound Assistant

CG Supervisor

Adam Watkins
CG Supervisor

Rigging Gaffer

Mark Manthey
Rigging Gaffer

Title Designer

Photo Dan Perri #66569

Dan Perri

Dan Perri
Title Designer

Color Timer

Kenny Becker
Color Timer

Sound Re-Recording Assistant

Photo Juan Peralta #2056
Juan Peralta
Sound Re-Recording Assistant

Main Title Designer

Photo Dan Perri #66569

Dan Perri

Dan Perri
Main Title Designer

Intern

Additional Soundtrack

Photo Arvo Pärt #15510Photo Arvo Pärt #15511

Arvo Pärt

Arvo Pärt
Additional Soundtrack

What's left behind the scenes

  • The film is based on Upton Sinclair's novel 'Oil' (1927).
  • Paul Thomas Anderson stated that he watched the film 'The Treasure of the Sierra Madre' (1948) every night before filming 'There Will Be Blood'.
  • The film was shot from June 5 to August 25, 2006, in California, Texas, and New Mexico.
  • In one interview, Paul Dano admitted that he was initially chosen for only a small role, that of Eli's brother, Sandy Paul. Another actor was playing the role of Eli. After filming began, and Dano filmed the only scene of Paul Sandy, Paul Thomas Anderson decided to replace the actor playing the role of Eli with Paul Dano. Thus, the director had to make the brothers twins. Paul Dano had only four days to prepare for filming in the role of Eli. In comparison, Daniel Day-Lewis had a whole year to prepare for the role of Daniel Plainview.
  • To create the necessary intonation in Daniel Plainview's voice, Daniel Day-Lewis listened to old audio recordings of director, screenwriter, and actor John Huston. Paul Thomas Anderson even sent old documentaries about Huston to Day-Lewis while he was preparing for the role.
  • The son of Daniel Plainview was played by an ordinary Texan schoolboy, Dillon Freasier. After Paul Thomas Anderson's team asked Dillon's mother to allow her son to participate in the filming, the woman decided to watch "Gangs of New York," where Daniel Day-Lewis played one of the roles, the future screen father of her child. But after watching it, she panicked at the thought of her child being near a man who had played such a treacherous killer and gang leader nicknamed "The Butcher." The film crew had to urgently send the caring mother a disc with "The Age of Innocence," where Day-Lewis plays a decent man.
  • Daniel Day-Lewis agreed to the role of Daniel Plainview because he very much loves Paul Thomas Anderson's previous film, "Punch-Drunk Love." According to producer JoAnne Sellar, "There Will Be Blood" might not have happened if the actor had refused the role.
  • The town of Marfa, located near the border with Mexico, was used as a stand-in for Bakersfield (California). The main reason was the presence of a large number of abandoned mines from the early 20th century. According to consultants, it was much cheaper to use early 20th-century sets than to build everything "from scratch".
  • Initially, Paul Thomas Anderson wanted to film the final scene in a bowling alley located in Graystone Mansion, and to paint the entire bowling hall white. He wanted to add a threatening atmosphere in the style of Kubrick (a nod to "A Clockwork Orange" (1971)). However, the bowling alley had to be restored to its historical colors, as it was reverting to the ownership of its owners after filming.
  • Daniel Day-Lewis's emotional speech about building schools and providing the town with bread, which he delivered to the residents of Little Boston, was his personal improvisation.
  • During filming in the summer of 2006, one enterprising reporter took an unexpected photo of what he then suspected was Daniel Day-Lewis, who had drastically changed his appearance for his role. This photo appeared on numerous film websites and in magazines, demonstrating the great sacrifices Day-Lewis was willing to make for his role. When everyone saw the picture, common sense prevailed, and it became clear that the photo was not of Day-Lewis at all, but of actor Vince Froehlich, who played the role of one of Plainview's assistants.
  • According to Paul Thomas Anderson, he and his team were free to choose the location for any given scene. In practice, this meant that many scenes were filmed 3-4 times in different locations, and then the best option was chosen.
  • Paul Thomas Anderson dedicated his work to the memory of director Robert Altman, who died a year before the premiere of "There Will Be Blood".
  • The film's music was composed by Jonny Greenwood of the band "Radiohead." This is his first experience with a feature film.
  • The length of the soundtrack composed by Jonny Greenwood is only 37 minutes.
  • During filming in Texas, the Coen brothers were shooting their new film "No Country for Old Men" (2007) nearby. On the day of the oil rig fire filming, Paul Thomas Anderson and his crew became so engrossed in the process that a giant cloud of smoke reached the territory of Joel and Ethan. This forced the brothers to interrupt filming until the next day, until all the smoke cleared. Shortly thereafter, "There Will Be Blood" and "No Country for Old Men" became favorites in the Oscar race.
  • The scene in which Paul Dano's character slaps Daniel Day-Lewis's character was filmed the day after the scene in which Daniel Day-Lewis's character slaps Paul Dano's character.
  • Dillon Freasier received the role of Daniel Plainview's young son without an audition or reading lines, only after a simple conversation. The filmmakers initially searched for a young actor in Los Angeles and New York, but decided to find someone familiar with life in the American South. A local school principal recommended Dillon.
  • The film is based on Upton Sinclair's novel 'Oil' (1927).
  • The film's music was composed by Johnny Greenwood of Radiohead. This is his first experience with feature films.
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