Top Gun - crew, film crew

The entire team, the film crew of the film "Top Gun"
Top Gun (1986)
Timing: 1:50 (110 min)
Top Gun - TMDB rating
7.059/10
9439
Top Gun - Kinopoisk rating
7.062/10
104150
Top Gun - IMDB rating
0/10
0

Film crew

Director

Producer

Executive Producer

Bill Badalato
Executive Producer

Writer

Photo Jack Epps Jr. #7564
Jack Epps Jr.
Writer

Casting

Photo Margery Simkin #65887
Margery Simkin
Casting

Editor

Special Effects Supervisor

Gary Gutierrez
Special Effects Supervisor

Stunts

Randy Peters
Stunts
Photo Steve Holladay #68167
Steve Holladay
Stunts

Production Design

John DeCuir Jr.
Production Design

Stunt Coordinator

Photo R. A. Rondell #6182

R. A. Rondell

R. A. Rondell
Stunt Coordinator

Set Decoration

Makeup Artist

Rick Sharp
Makeup Artist

Sound Re-Recording Mixer

Rick Kline
Sound Re-Recording Mixer
Donald O. Mitchell
Sound Re-Recording Mixer

Kevin O’Connell

Kevin O’Connell
Sound Re-Recording Mixer

Original Music Composer

Photo Harold Faltermeyer #7555

Harold Faltermeyer

Harold Faltermeyer
Original Music Composer

Unit Production Manager

Bill Badalato
Unit Production Manager

Associate Producer

Warren Skaaren

Warren Skaaren
Associate Producer

Second Assistant Director

Sharon Mann
Second Assistant Director
Patrick Cosgrove
Second Assistant Director

Director of Photography

Photo Jeffrey L. Kimball #70901

Jeffrey L. Kimball

Jeffrey L. Kimball
Director of Photography
Rick Fichter
Director of Photography

Camera Operator

John J. Connor
Camera Operator

Steadicam Operator

Joseph A. Valentine
Steadicam Operator
Joseph F. Valentine
Steadicam Operator

Costumer

Wingate Jones, Jr.
Costumer
John Napolitano
Costumer

Costume Supervisor

Bobbie Read
Costume Supervisor
James W. Tyson
Costume Supervisor

Property Master

Mark Wade
Property Master

Supervising Sound Editor

Cecelia Hall
Supervising Sound Editor
George Watters II
Supervising Sound Editor

Script Supervisor

June Samson
Script Supervisor

Supervising ADR Editor

Andrew Patterson
Supervising ADR Editor

Hairstylist

KG Ramsey
Hairstylist

Special Effects Coordinator

Allen Hall
Special Effects Coordinator

Still Photographer

Ralph Nelson Jr.
Still Photographer

Animation Supervisor

William Groshelle
Animation Supervisor

Sound Mixer

William B. Kaplan
Sound Mixer

First Assistant Director

Dan Kolsrud
First Assistant Director

Animation

Wes Takahashi
Animation
Samuel Comstock
Animation
Stuart Cudlitz
Animation

Thanks

T.J. Cassidy
Thanks
Lloyd Abel
Thanks
Scott Altman
Thanks
Dennis Broska
Thanks
Rick Moe
Thanks
Chuck Lewis
Thanks
Ben Schneider
Thanks
Tracy Skeels
Thanks
JG Kenneth Smith
Thanks
J.A. Garrow
Thanks
John Henry Semcken
Thanks

Chief Lighting Technician

Ward Russell
Chief Lighting Technician

Production Manager

Whitney Green
Production Manager

Boom Operator

Earl Sampson
Boom Operator

Set Designer

Craig Edgar
Set Designer

Foley Artist

Sarah Monat
Foley Artist
Edward M. Steidele
Foley Artist

Construction Coordinator

Stacey S. McIntosh
Construction Coordinator

Assistant Editor

Claudia Finkle
Assistant Editor
Stacey A. Foiles
Assistant Editor
Mark Elson
Assistant Editor
Richard Childs
Assistant Editor

Lighting Technician

Michael W. Blymyer
Lighting Technician
Jeff Stanman
Lighting Technician

Foley Editor

Joseph A. Ippolito
Foley Editor
Pamela Bentkowski
Foley Editor

Transportation Coordinator

Randy Peters
Transportation Coordinator

Key Grip

Peter Thomas
Key Grip

Grip

Jan M. Heyneker
Grip

Dolly Grip

Robert Duggan
Dolly Grip

Leadman

Richard A. Villalobos
Leadman

Special Effects

Robert G. Willard
Special Effects
Steven C. Foster
Special Effects
Peter Cairo
Special Effects

Casting Assistant

Jeff Greenberg
Casting Assistant

Production Accountant

Julianna Arenson
Production Accountant
Diana J. Austin
Production Accountant

Songs

Tom Whitlock
Songs

Casting Associate

Lisa Clarkson
Casting Associate

Music

Tom Whitlock
Music

Music Editor

Bob Badami
Music Editor

First Assistant Camera

Gregory J. Schmidt
First Assistant Camera
Ken Nishino
First Assistant Camera

Special Effects Assistant

Barbara Gerard
Special Effects Assistant

Standby Painter

Jonathan O'Connell
Standby Painter

Other

Catalaine Knell
Other
Clay Lacy
Other
Michael Galpin
Other
Mike Moskowitz
Other
Richard T. Stevens
Other
Thomas R. Harmon
Other
Robert Willard
Other
Dave Baranek
Other
Michael Blue
Other
Peter Caulk
Other
John Cushing
Other
Ricky Hammonds
Other
Terrence McGuire
Other
James Ray
Other
Ray Seckinger
Other
Dennis Dilucente
Other
Gregory Dishart
Other
Thomas Sobieck
Other
William Spence
Other
Michael Straight
Other
James Winnefeld
Other
David Knoll
Other

In Memory Of

Art Scholl

Art Scholl
In Memory Of

Sound Engineer

Robert Winder
Sound Engineer

Unit Publicist

Marsha Robertson
Unit Publicist

Production Coordinator

Christine Whitney
Production Coordinator
Sally Syberg
Production Coordinator

Production Secretary

Sally Syberg
Production Secretary

Visual Effects

Photo Adam Hlavac #357634

Adam Hlavac

Adam Hlavac
Visual Effects

ADR Editor

Juno J. Ellis
ADR Editor

Original Story

Ehud Yonay
Original Story

Assistant Accountant

Ron Stack
Assistant Accountant
Gayle Peabody
Assistant Accountant

Executive Producer's Assistant

Patti Carr
Executive Producer's Assistant

Sound Recordist

Robert Nichols II
Sound Recordist
James Cavarretta
Sound Recordist
Mike Haney
Sound Recordist

Second Assistant Camera

William Coss
Second Assistant Camera
D. Michael Wheeler
Second Assistant Camera

Assistant Sound Editor

Martin Nicholson
Assistant Sound Editor
Stephen Stalheim
Assistant Sound Editor
Daniel F. Finnerty
Assistant Sound Editor

Transportation Captain

Dan Marrow
Transportation Captain
Al Orazi
Transportation Captain

Title Designer

Dan Curry
Title Designer

Sound Editor

Virginia Cook-McGowan
Sound Editor
Julia Evershade
Sound Editor
Marshall Winn
Sound Editor
Teri E. Dorman
Sound Editor
David E. Stone
Sound Editor
Frank Howard
Sound Editor

Aerial Camera

Larry Blanford
Aerial Camera
David B. Nowell
Aerial Camera
Jack Cooperman
Aerial Camera
Nick Alavardo
Aerial Camera
George Howe
Aerial Camera
William E. Kelley Jr.
Aerial Camera
Dan Koblash
Aerial Camera
Don Thompson
Aerial Camera
Gary Tolbert
Aerial Camera
C.J. Heatley
Aerial Camera

Color Timer

Bruce Pearson
Color Timer

Producer's Assistant

Bill Badalato
Producer's Assistant
Scott Metcalfe
Producer's Assistant
Matthew Snyder
Producer's Assistant
Barbara Weintraub
Producer's Assistant
David J. Robertson
Producer's Assistant

Music Consultant

Michael Dilbeck
Music Consultant
Rob Berman
Music Consultant

Assistant Camera

John Gazdik
Assistant Camera

Aerial Coordinator

Lloyd Abel
Aerial Coordinator
Robert Willard
Aerial Coordinator

Assistant Chief Lighting Technician

Dan Delgado
Assistant Chief Lighting Technician

Pyrotechnician

Ted Moehnke
Pyrotechnician
Peter Stolz
Pyrotechnician

Technical Advisor

Pete Pettigrew
Technical Advisor

First Company Grip

Thomas Prophet Jr.
First Company Grip

Second Company Grip

Jim Duggan
Second Company Grip

Cableman

David Kelson
Cableman

Underwater Camera

Jack Cooperman
Underwater Camera

Assistant Grip

James Campana
Assistant Grip

Special Sound Effects

John P. Fasal
Special Sound Effects

What's left behind the scenes

  • The expression 'dogfight' is a term that originated in the era of biplanes. It means an aerial battle.
  • During the filming of the movie, pilot and flight instructor, aerial photo operator Art Scholl (1931-1985) died. This happened when he was unable to recover from a spin in the 'Pitts S-2' aircraft used for filming, which subsequently crashed into the Pacific Ocean. His last words, transmitted over the radio, were, "I have a problem. A serious one." The cause of the plane crash remained unclear, and neither the aircraft nor the pilot's body were ever found. The film is dedicated to the memory of Scholl.
  • In the officers' club, the heroine, Kelly McGillis, meets Pete Pettigrew. He is a retired American pilot, one of the instructors in the 'Top Gun' program. During the Vietnam War, Pettigrew shot down a Soviet MiG. On the film's set, he served as a technical consultant.
  • Val Kilmer did not want to appear in this film and only agreed to participate because he was bound by contractual obligations. Director Tony Scott (1944-2012) personally persuaded him to take the role. Ultimately, the actor changed his mind and even came to enjoy the film (and his work in it).
  • For the use of aircraft and aircraft carriers in the film, the film company 'Paramount Pictures' paid the Pentagon $1.8 million.
  • Anthony Edwards was the only one who didn't get airsick during filming in the aircraft's cockpit.
  • Tom Cruise was initially reluctant to star in this film. He was persuaded by producer Jerry Bruckheimer. The actor agreed after taking a flight with the Blue Angels (the U.S. Navy's flight demonstration squadron).
  • The pilot of the 'F-14' who gave the 'MiG' pilot the middle finger was Scott D. Altman from the U.S. Navy's aviation unit 'VF-51', known as the 'Screaming Eagles'. He later became a NASA astronaut and participated in two space missions as a shuttle pilot, and then in two more as the crew commander.
  • The prototype for Kelly McGillis's character was Christina Fox, whom the producers met during pre-production. Fox started as a civilian, a flight instructor, but steadily climbed the career ladder at the Pentagon, and retired in May 2014 as Deputy Secretary of Defense, becoming the first woman to reach such career heights.
  • The U.S. Navy authorized only two missile launches during filming. They were filmed from different angles and distances, and then shown in various scenes of the film as required by the script. In all other cases, footage of miniature models was used. The company responsible for this managed to depict the launches so realistically that military officials became seriously concerned that actual missile launches had been filmed, and launched a special investigation.
  • At the beginning of the film, Tony Scott wanted to show the takeoff and landing of aircraft on the aircraft carrier, filming against the sun. At one point, the aircraft carrier captain changed course, and when Scott asked him if he could return to the previous course, he replied that each course change cost $25,000. Scott immediately wrote the captain a check for exactly that amount (although it later turned out that the captain's check was not accepted).
  • Tension in the relationship between the characters played by Tom Cruise and Val Kilmer existed not only during filming. Even off-camera, the actors kept their distance from each other and did not communicate informally.
  • At the request of Paramount Pictures, Grumman aircraft company installed special cameras on the F-14, allowing the filmmakers to obtain authentic footage of the jet carrier-based interceptor in combat, shot directly from the aircraft itself.
  • Riding the wave of the film's incredible popularity, the US Navy began recruiting personnel and flight crews directly in movie theaters, approaching excited viewers as they left screenings. As a result, there were no problems with attracting recruits to the US Navy for several years.
  • When Kelly McGillis's character confesses to the character played by Tom Cruise that she would prefer to keep her feelings for him private, Tom Cruise was supposed to respond with a line, but he forgot it and simply kissed McGillis. Tony Scott liked this unexpected turn so much that he decided to leave it in the film.
  • After filming concluded, some of the F-5s used in the film as 'MiG-28s' retained their black paint scheme and continued to be used as enemy aircraft in simulations within the 'Top Gun' program for some time.
  • Even before the film's wide release, it was shown to a focus group, but the audience disliked the lack of romantic scenes. The producers decided to cater to the public, and five months after completing work on the film, they brought Tom Cruise and Kelly McGillis to Chicago to shoot a scene in an elevator and a scene depicting these characters making love. During this time, the actress lost over 7 kilograms, while Cruise had already begun filming with Martin Scorsese on the drama 'The Color of Money' (1986), and his hair was noticeably longer than during the filming of 'Top Gun'. McGillis' hair color was darker than it had been during the filming of 'Top Gun', so it was decided to conceal it in the elevator scene in Chicago.
  • The Pentagon demanded the right to approve (or disapprove) the plot to ensure that the US Navy would be portrayed in the best possible light. At the Pentagon's insistence, the cause of the pilot's death, played by Anthony Edwards, was changed from a mid-air collision with another aircraft to a malfunction in the built-in ejection system. There were concerns that viewers would think that too many planes were crashing.
  • Shortly after the film's release, a script for a sequel, 'Top Gun 2', was written, but the idea of filming a continuation was abandoned during pre-production for the following reasons: 1) military technology had become more advanced than before, and officials at the Ministry of Defense did not want to 'show off' new aircraft to filmmakers; 2) Tom Cruise was categorically opposed to a sequel and would only agree to film it for a huge fee that the filmmakers simply could not afford. The sequel's script had Tom Cruise's character continuing his service as an instructor at a 'Top Gun' program training facility, with a feisty girl among his students, possessing a character similar to his own.
  • In the final scene, when Tom Cruise's character is sitting at the bar, someone puts on the 1964 song 'You've Lost That Loving Feeling', and Tom Cruise and Kelly McGillis begin to walk towards each other, with the actress walking along a trench dug by the film crew to make the main characters appear to be the same height in the scene.
  • The enemy in the film flies MiG-28 aircraft, which do not exist. The Northrop F-5E 'Tiger' II light multirole fighter was used as a substitute for the MiG.
  • In the officers’ club, the heroine, played by Kelly McGillis, meets Pete Pettigrew. He is a retired American pilot, one of the instructors of the “Top Gun” program. During the Vietnam War, Pettigrew shot down a Soviet MiG. He served as a technical consultant on the film's crew.
  • The prototype for Kelly McGillis’s character was Christina Fox, whom the producers met during pre-production. Fox started as a civilian, a flight instructor, but steadily climbed the career ladder at the Pentagon, and retired in May 2014 as Deputy Secretary of Defense, becoming the first woman to reach such heights.
  • When Kelly McGillis’s character confesses to the character played by Tom Cruise that she wouldn’t want to advertise to outsiders the fact that she likes him, Tom Cruise was supposed to react to this line, but he forgot the line, so he simply kissed McGillis. Tony Scott liked this unexpected turn so much that he decided to leave it in the film.
  • In the officers' club, the heroine, Kelly McGillis, meets Pete Pettigrew. He is a retired American pilot and one of the instructors of the 'Top Gun' program. During the Vietnam War, Pettigrew shot down a Soviet MiG. He served as a technical consultant on the film's set.
  • The enemy in the film flies MiG-28 aircraft, which do not exist. The Northrop F-5E 'Tiger' II light multirole fighter was used as a MiG.
Did you like the film?

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