Déjà Vu - crew, film crew
The entire team, the film crew of the film "Déjà Vu"
Déjà Vu (2006)
Timing:
2:6 (126 min)
6.9/10
5153
5153
7.813/10
180960
180960
7.1/10
344000
344000
Film crew
Director
Producer
Executive Producer
Mike Stenson
Executive Producer
Barry H. Waldman
Executive Producer
Casting
Denise Chamian
Casting
Billy Hopkins
Casting
Kerry Barden
Casting
Tracy Kilpatrick
Casting
Editor
Jason Hellmann
Editor
Special Effects Supervisor
John Frazier
Special Effects Supervisor
Art Direction
Scott Plauche
Art Direction
Supervising Art Director
Drew Boughton
Supervising Art Director
Costume Design
Stunts
Gilbert B. Combs
Stunts
Erik Stabenau
Stunts
Glenn R. Wilder
Stunts
Eric Chambers
Stunts
Ray Abbott
Stunts
Dean Bailey
Stunts
Charlie Brewer
Stunts
Eddie Braun
Stunts
Mark Chadwick
Stunts
Gary Combs
Stunts
Monty Cox
Stunts
Justin De Rosa
Stunts
Cindy Daniels
Stunts
Max Daniels
Stunts
Michael Endoso
Stunts
Starlotte Smith Holguin
Stunts
Tony Lazzara
Stunts
Janine Mitchell
Stunts
Steve Picerni
Stunts
Holly O'Quin
Stunts
Suzanne Reed
Stunts
Han Soto
Stunts
Greg Sproles
Stunts
Boni Yanagisawa
Stunts
Matthew Taylor
Stunts
Mike Washlake
Stunts
Danny Cosmo
Stunts
Production Design
Chris Seagers
Production Design
Stunt Coordinator
Scotty Richards
Stunt Coordinator
Set Decoration
Stunt Driver
Richard Burden
Stunt Driver
Michael Caradonna
Stunt Driver
Trace Cheramie
Stunt Driver
Eddy Donno
Stunt Driver
Jessica Luebe
Stunt Driver
Jalil Jay Lynch
Stunt Driver
Ed McDermott II
Stunt Driver
Makeup Artist
Greg Funk
Makeup Artist
Carl Fullerton
Makeup Artist
Allison Gordin
Makeup Artist
Kellie Robinson
Makeup Artist
Paige Reeves
Makeup Artist
LeDiedra Richard-Baldwin
Makeup Artist
Key Makeup Artist
Greg Funk
Key Makeup Artist
Sound Re-Recording Mixer
Dan Sharp
Sound Re-Recording Mixer
Original Music Composer
Unit Production Manager
Barry H. Waldman
Unit Production Manager
Production Supervisor
Trevor Waterson
Production Supervisor
Associate Producer
Pat Sandston
Associate Producer
Don Ferrarone
Associate Producer
Orchestrator
Ladd McIntosh
Orchestrator
Bruce Fowler
Orchestrator
Set Dresser
Antonio Andraus
Set Dresser
Kai Blomberg
Set Dresser
Carl Denooyer
Set Dresser
Caleb Guillotte
Set Dresser
Sidney J. Lambert
Set Dresser
Jason Perlander
Set Dresser
Graham Robertson
Set Dresser
Doug Sieck
Set Dresser
Richard Blake Wester
Set Dresser
Paul Blanchard
Set Dresser
Kenneth Chauvin
Set Dresser
John Gathright
Set Dresser
Jim C. Johnson
Set Dresser
Canyon Martens
Set Dresser
Eric Pierson
Set Dresser
Craig Serody
Set Dresser
Thomas 'Noe' Welch
Set Dresser
Markus Wittman
Set Dresser
Second Assistant Director
Basil Grillo
Second Assistant Director
Stunt Double
Mark Vanselow
Stunt Double
Utility Stunts
Randy Austin
Utility Stunts
Robert Alonzo
Utility Stunts
Director of Photography
Paul Cameron
Director of Photography
Camera Operator
Dana Gonzales
Camera Operator
Brooks P. Guyer
Camera Operator
Daniel Moder
Camera Operator
Steadicam Operator
Duane Manwiller
Steadicam Operator
Ralph Madison
Steadicam Operator
Costume Supervisor
Dan Moore
Costume Supervisor
Makeup Department Head
Edouard F. Henriques
Makeup Department Head
Sound Effects Editor
R.J. Palmer
Sound Effects Editor
Gary Wright
Sound Effects Editor
Randle Akerson
Sound Effects Editor
Ken Fischer
Sound Effects Editor
Teresa Eckton
Sound Effects Editor
Jay Wilkinson
Sound Effects Editor
Assistant Art Director
Julian Ashby
Assistant Art Director
Nithya Shrinivasan
Assistant Art Director
Ron Mendell
Assistant Art Director
Visual Effects Supervisor
Nathan McGuinness
Visual Effects Supervisor
Marc Varisco
Visual Effects Supervisor
Nathan McGuinness
Visual Effects Supervisor
Supervising Sound Editor
George Watters II
Supervising Sound Editor
F. Hudson Miller
Supervising Sound Editor
Script Supervisor
Karin Anderson
Script Supervisor
Julie Pitkanen
Script Supervisor
Hair Department Head
Yolanda Toussieng
Hair Department Head
Set Costumer
David Fernandez
Set Costumer
Pamela Waggoner
Set Costumer
Aerial Director of Photography
David B. Nowell
Aerial Director of Photography
Kurt E. Soderling
Aerial Director of Photography
Supervising ADR Editor
Juno J. Ellis
Supervising ADR Editor
Supervising Dialogue Editor
Teri E. Dorman
Supervising Dialogue Editor
Hairstylist
Larry M. Cherry
Hairstylist
Kathe Swanson
Hairstylist
Paul Anthony Morris
Hairstylist
Special Effects Coordinator
Al Di Sarro
Special Effects Coordinator
Joe Pancake
Special Effects Coordinator
Rich E. Cordobes
Special Effects Coordinator
Still Photographer
Ron Phillips
Still Photographer
Robert Zuckerman
Still Photographer
Associate Editor
JC Bond
Associate Editor
Sound Mixer
Greg P. Russell
Sound Mixer
Beau Borders
Sound Mixer
Visual Effects Producer
Kathy Chasen-Hay
Visual Effects Producer
Kimberly Covate
Visual Effects Producer
First Assistant Director
John Wildermuth
First Assistant Director
Assistant Costume Designer
Ann Foley
Assistant Costume Designer
Boom Operator
Timothy P. Salmon
Boom Operator
Graphic Designer
Ted Haigh
Graphic Designer
Screenplay
Bill Marsilii
Screenplay
Set Designer
Nancy Deren
Set Designer
Daniel R. Jennings
Set Designer
Julia K. Levine
Set Designer
Molly Mikula
Set Designer
First Assistant Editor
Christine Kim
First Assistant Editor
Construction Coordinator
Dale DeStefani
Construction Coordinator
Location Scout
Richard Klotz
Location Scout
Marshall Vernet
Location Scout
Dana A. Hanby
Location Scout
Art Department Coordinator
Pearl A. Lucero
Art Department Coordinator
Dialogue Editor
David Butler
Dialogue Editor
James Matheny
Dialogue Editor
Lucy Coldsnow-Smith
Dialogue Editor
Assistant Editor
Jose Marra
Assistant Editor
Best Boy Grip
Michael T. Travers
Best Boy Grip
Art Department Assistant
Amanda Fernald Jones
Art Department Assistant
Lighting Technician
Waide R. Allen
Lighting Technician
Chip Carey
Lighting Technician
Joshua Davis
Lighting Technician
Tarik Naim Alherimi
Lighting Technician
Foley Editor
Victoria Martin
Foley Editor
Matthew Harrison
Foley Editor
Jim Likowski
Foley Editor
First Assistant "B" Camera
Erik L. Brown
First Assistant "B" Camera
Michael Klimchak
First Assistant "B" Camera
First Assistant "A" Camera
Michael S. Endler
First Assistant "A" Camera
Rigging Grip
Carlos DePalma
Rigging Grip
Chris Duffy
Rigging Grip
Bob Myers
Rigging Grip
Key Grip
Les T. Tomita
Key Grip
Location Manager
Janice Polley
Location Manager
Robin Citrin
Location Manager
Grip
George W. Borthwick
Grip
Daisuke Dice Miyake
Grip
Jimi Ryan
Grip
Chris Ekstrom
Grip
Glen Purdy
Grip
Barry Williamson
Grip
Dolly Grip
Alan Shultz
Dolly Grip
Jerry Bertolami
Dolly Grip
Key Hair Stylist
Kathe Swanson
Key Hair Stylist
Leadman
P. Scott Bailey
Leadman
Michael A. Johnson
Leadman
Assistant Location Manager
Chanel Salzer
Assistant Location Manager
Julie Hannum
Assistant Location Manager
Justin Duncan
Assistant Location Manager
Allison Rustin Dillard
Assistant Location Manager
Mark Ragland
Assistant Location Manager
Location Assistant
Mickey Lambert
Location Assistant
Second Second Assistant Director
Mark Trapenberg
Second Second Assistant Director
Gregg Kawecki
Second Second Assistant Director
Carpenter
Eric Wolfe
Carpenter
Mik Kastner
Carpenter
Assistant Set Decoration
Missy Parker
Assistant Set Decoration
Kristin Bicksler
Assistant Set Decoration
Special Effects
John Frazier
Special Effects
Ken Ebert
Special Effects
Martin Montoya
Special Effects
Music Supervisor
Bob Badami
Music Supervisor
Makeup Supervisor
Michael Deak
Makeup Supervisor
Casting Assistant
Kevin Mockrin
Casting Assistant
Brandi Coleman
Casting Assistant
Special Effects Technician
Nathaniel Acord
Special Effects Technician
Steven Bunyea
Special Effects Technician
Richard L. Hill
Special Effects Technician
Nick Nicolosi
Special Effects Technician
Steven Pancake
Special Effects Technician
Cynthia Braga
Special Effects Technician
Ken Gorrell
Special Effects Technician
David Jackson
Special Effects Technician
Casey D. Noel
Special Effects Technician
Russell Tyrrell
Special Effects Technician
Foley Mixer
James Ashwill
Foley Mixer
Special Effects Makeup Artist
Howard Berger
Special Effects Makeup Artist
Andy Schoneberg
Special Effects Makeup Artist
Production Accountant
Michael Kern
Production Accountant
Casting Associate
Gaffer
Phil Walker
Gaffer
"A" Camera Operator
Music Editor
Mark Jan Wlodarkiewicz
Music Editor
Digital Imaging Technician
Edward Viola
Digital Imaging Technician
Production Sound Mixer
Art Rochester
Production Sound Mixer
ADR Mixer
Thomas J. O'Connell
ADR Mixer
Greg Steele
ADR Mixer
Video Assist Operator
Richard Scarpone
Video Assist Operator
ADR Recordist
Rick Canelli
ADR Recordist
Greg Zimmerman
ADR Recordist
"B" Camera Operator
Duane Manwiller
"B" Camera Operator
Second Assistant "B" Camera
Thomas A. Barrios
Second Assistant "B" Camera
Post Production Coordinator
Yvette Gonzalez
Post Production Coordinator
Additional Music
Toby Chu
Additional Music
Post Production Supervisor
Tami Goldman
Post Production Supervisor
On Set Dresser
Tom Callinicos
On Set Dresser
Xavier Corby
On Set Dresser
Set Decorating Coordinator
Beverly Barritt
Set Decorating Coordinator
Production Coordinator
Elona Tsou
Production Coordinator
Scoring Mixer
Malcolm Luker
Scoring Mixer
Utility Sound
Gail Carroll-Coe
Utility Sound
Visual Effects Editor
Kosta Saric
Visual Effects Editor
JC Bond
Visual Effects Editor
Second Assistant "A" Camera
E.J. Misisco
Second Assistant "A" Camera
ADR Editor
Joe Dorn
ADR Editor
Linda Folk
ADR Editor
ADR Voice Casting
Extras Casting
Chris Bustard
Extras Casting
Rigging Gaffer
William Cueto
Rigging Gaffer
Best Boy Electric
Steve Hughes
Best Boy Electric
Camera Loader
Kirsten Laube
Camera Loader
Michael Paul Jones
Camera Loader
Location Coordinator
Lisa Maria Daliet
Location Coordinator
Assistant Production Coordinator
Sarah McKaig
Assistant Production Coordinator
Olivier Arnesen
Assistant Production Coordinator
Sarah Spearing
Assistant Production Coordinator
Second Assistant Accountant
Joe Beckwith
Second Assistant Accountant
First Assistant "C" Camera
Second Assistant "C" Camera
Ian Clampett
Second Assistant "C" Camera
Second Assistant Camera
Jimmy Ferguson
Second Assistant Camera
Matthew Gaumer
Second Assistant Camera
Assistant Sound Editor
Douglas Parker
Assistant Sound Editor
Melissa Lytle
Assistant Sound Editor
Rupert Nadeau
Assistant Sound Editor
"C" Camera Operator
First Assistant Accountant
Tom Dames
First Assistant Accountant
Foley
Additional Camera
Brian Bernstein
Additional Camera
Michael Applebaum
Additional Camera
Helicopter Camera
Michael Kelem
Helicopter Camera
Kurt E. Soderling
Helicopter Camera
David B. Nowell
Helicopter Camera
Background Casting Director
Judith Bouley
Background Casting Director
CGI Supervisor
Dottie Starling
CGI Supervisor
Underwater Camera
Mike Thomas
Underwater Camera
Nino Neuboeck
Underwater Camera
First Assistant "D" Camera
Tony Villalobos
First Assistant "D" Camera
Glenn Brown
First Assistant "D" Camera
Underwater Director of Photography
Sound Effects Designer
"D" Camera Operator
Dana Gonzales
"D" Camera Operator
What's left behind the scenes
- To emphasize the realism of the action, Jerry Bruckheimer and Tony Scott invited several consultants from the Bureau of Alcohol, Tobacco, Firearms and Explosives – an agency that in real life investigates all major terrorist attacks involving explosives – to the set. It investigated such tragic events as the bombing of the Alfred P. Murrah Federal Building in Oklahoma City and the 1993 bombing of the World Trade Center. Among the consultants was retired agency employee Jerry Radden, who spent 20 years investigating similar large-scale incidents.
- Caviezel had to fire MP-5 submachine guns, which requires special physical training. Before filming, he trained with Agency personnel who allowed him to fully experience the power of the weapon by providing him with live ammunition.
- Most of the chase scenes were filmed on the bridge across the Mississippi River, which connects the west and east banks of New Orleans. The bridge is about 100 meters high, so no mistakes could be made, especially during car collisions. Stunt coordinator Chuck Picerni from Stunts Unlimited comments: “Everything had to be done precisely. We had to make the chase on the bridge exciting, but at the same time not forget about safety and the fact that we were blocking such an important city artery. I think the number of people working on the stunt setup, including local drivers and professional stunt performers, sometimes reached 50.”
- The Time Track camera, produced by Digital Air, which is often used in film to create the effect of “frozen motion,” was used during filming. When filming interiors in Claire's house, every movement made by Paula Patton leaves a trail, creating a stunning ghostly effect, as if the scene had been filmed with 160 cameras lined up in a row. A Lydar camera, developed for military purposes, was used to scan rooms – such as Claire's house – and construct diagrams displayed on screens in the laboratory. Lydar technology cannot scan people, so Tony Scott asked Asylum, the company that created the film’s special effects, to create a computer projection of a person. Asylum created 100 additional shots with visual effects for the film.
- In addition, a number of military technologies – such as Infrared, Thermal Imaging, and Heat Impulse – were used during filming, making the action even more realistic.
- Filming was originally scheduled to begin in October 2005; after the city was devastated by Hurricane Katrina, the project was on the verge of cancellation. After the project was revived, 'Déjà Vu' became the first film to be shot in the ruined city.
- The idea for the film was partly borrowed from Orson Scott Card's novel 'The Redemption of Christopher Columbus,' which describes two different histories of mankind, both of which feature organizations dedicated to observing historical events. Some members of these organizations decide to personally change the past and make a jump.
- Bill Marsili began writing the screenplay for the film as early as 1997.
- James Caviezel, who played the main suspect in the bombing, Urtadt, had a particularly difficult time. In one thrilling scene, Urtadt is hit by a car; on set, this situation was simulated with astonishing realism: before this, Caviezel was placed in a steel cage for his own safety. The actor recalls: 'They put me in a cage, then two cars raced towards me. I had to muster all my willpower not to back out. I was only thinking about one thing: if the cage doesn't hold – goodbye, legs.'
- Meanwhile, newcomer Paula Patton had to not only be bound and gagged, beaten, and stuffed into a black zippered bag, but also film in the treacherous waters of the Mississippi River with a 5-pound car steering wheel tied to her hands.
- In the scene where the protagonist goes to the terrorist's "riverside cottage," the helmet and pistol repeatedly jump from one hand to the other.
- During the interrogation scene with Doug Carlin questioning Carroll Orsted, a pack of red cigarettes on the table constantly changes its position with each frame change: sometimes it stands on its side, sometimes it lies flat.
- To emphasize the realism of the action, Jerry Bruckheimer and Tony Scott invited several consultants from the Bureau of Alcohol, Tobacco, Firearms and Explosives – the agency that in real life investigates all major terrorist attacks involving explosives. It, in particular, investigated such tragic events as the bombing of the Alfred P. Murrah Federal Building in Oklahoma City and the 1993 World Trade Center bombing. Among the consultants was retired agency employee Jerry Raden, who had spent 20 years investigating similar large-scale incidents.
- The Time Track camera, manufactured by Digital Air, was used during filming, often employed in cinema to create the effect of "frozen motion." When filming interiors in Claire’s house, every movement by Paula Patton leaves a trail behind, creating an amazing ghostly effect, as if the scene were filmed with 160 cameras lined up in a row. A Lydar camera, developed for military purposes, was used to scan rooms – such as Claire’s house – and create diagrams displayed on screens in the laboratory. Lydar technology cannot scan people, so Tony Scott asked Asylum, the company that did the film's special effects, to create a computer projection of a person. Asylum created 100 additional shots with visual effects for the film.
- The idea for the film was partially borrowed from Orson Scott Card’s novel "The Columbus Affair," which describes two different histories of mankind, both of which feature organizations dedicated to observing historical events. Some members of these organizations decide to personally change the past and make a jump.
- James Caviezel, who played Urstadt, the main suspect in the bombing, had a particularly difficult time. In one gripping scene, Urstadt is hit by a car; during filming, this situation was recreated with stunning realism: before that, Caviezel was placed in a steel cage for his own safety. The actor recalls: “They put me in a cage, then two cars raced towards me. I had to muster all my willpower not to back down. I was thinking of only one thing: if the cage doesn’t hold – goodbye, legs.”
- In the scene where the protagonist walks towards the terrorist’s “riverside cottage,” the helmet and gun repeatedly jump from one hand to the other.
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