The Wolverine - crew, film crew

The entire team, the film crew of the film "The Wolverine"
The Wolverine (2013)
Timing: 2:6 (126 min)
The Wolverine - TMDB rating
6.431/10
10212
The Wolverine - Kinopoisk rating
6.485/10
219196
The Wolverine - IMDB rating
6.7/10
522000

Film crew

Director

Producer

Photo Lauren Shuler Donner #26201
Lauren Shuler Donner
Producer
Photo Hutch Parker #12532
Hutch Parker
Producer

Executive Producer

Joseph M. Caracciolo Jr.
Executive Producer
Photo Stan Lee #5482Photo Stan Lee #5483Photo Stan Lee #5484Photo Stan Lee #5485

Stan Lee

Stan Lee
Executive Producer

Casting

Lisa Beach
Casting
Sarah Katzman
Casting
Jessica Kelly
Casting
Photo Yōko Narahashi #73943
Yōko Narahashi
Casting

Editor

Michael McCusker
Editor

Art Direction

Rika Nakanishi
Art Direction
Michael Turner
Art Direction

Supervising Art Director

Ian Gracie
Supervising Art Director

Costume Design

Isis Mussenden
Costume Design

Stunts

Kôichi Funayama
Stunts
Nobuyuki Obikane
Stunts
Hiroki Takano
Stunts
Photo Jared S. Eddo #68910
Jared S. Eddo
Stunts
Kenji Sato
Stunts

Production Design

François Audouy
Production Design

Second Unit Director

Photo David Leitch #14541Photo David Leitch #14542Photo David Leitch #307370Photo David Leitch #319967

David Leitch

David Leitch
Second Unit Director

Set Decoration

Rebecca Cohen
Set Decoration

Makeup Artist

Wendy De Waal
Makeup Artist

Sound Re-Recording Mixer

Photo Ron Bartlett #11577

Ron Bartlett

Ron Bartlett
Sound Re-Recording Mixer

Original Music Composer

Photo Marco Beltrami #5244

Marco Beltrami

Marco Beltrami
Original Music Composer

Stunt Double

Additional Photography

Eric Schmidt
Additional Photography

Fight Choreographer

Photo Jonathan Eusebio #11264Photo Jonathan Eusebio #65281

Jonathan Eusebio

Jonathan Eusebio
Fight Choreographer
Photo Jon Valera #65286Photo Jon Valera #65287

Jon Valera

Jon Valera
Fight Choreographer

Director of Photography

Ross Emery

Ross Emery
Director of Photography

Camera Operator

Calum McFarlane
Camera Operator
Leigh Mackenzie
Camera Operator
Photo Marc Spicer #69662
Marc Spicer
Camera Operator
Richard Bradshaw
Camera Operator
Peter Gulla
Camera Operator

Steadicam Operator

Matthew Temple
Steadicam Operator

Costume Supervisor

Elly Kamal
Costume Supervisor
Art Reasonover
Costume Supervisor

Sound Effects Editor

Doug Jackson
Sound Effects Editor

Property Master

Richie Dehne
Property Master

Visual Effects Supervisor

Martin Hill
Visual Effects Supervisor

Supervising Sound Editor

John A. Larsen
Supervising Sound Editor
Donald Sylvester
Supervising Sound Editor

Script Supervisor

Sheila Waldron
Script Supervisor

Electrician

John McGonegle
Electrician

Set Costumer

Roberta Shaw
Set Costumer
Lisa Javelin
Set Costumer

Special Effects Coordinator

Leanne Brooks
Special Effects Coordinator

Still Photographer

Ben Rothstein
Still Photographer

Animation Supervisor

Nicholas Tripodi
Animation Supervisor

Assistant Costume Designer

Gypsy Taylor
Assistant Costume Designer

Animation

Matt Weaver
Animation

Driver

Peter Giuliani
Driver

Screenplay

Sound Designer

Chuck Michael
Sound Designer
Dror Mohar
Sound Designer

Art Department Coordinator

Colette Birrell
Art Department Coordinator

Dialogue Editor

Susan Dawes
Dialogue Editor
Jim Brookshire
Dialogue Editor

Key Hair Stylist

Anna Gray
Key Hair Stylist

Visual Effects Production Manager

Lilian Bravo
Visual Effects Production Manager

Carpenter

Olli Sillankorva
Carpenter
Joshua Zeigler
Carpenter

Painter

Claire Louise Hoey
Painter

Casting Associate

Jeremy Gordon
Casting Associate
Beth Lipari
Casting Associate
Karen Maxwell
Casting Associate

Gaffer

Yuji Wada
Gaffer
Paul Johnstone
Gaffer

Second Unit Director of Photography

Brad Shield
Second Unit Director of Photography

Storyboard Artist

Todd Harris
Storyboard Artist

First Assistant Camera

Matt Toll
First Assistant Camera

Digital Compositor

Angela Stanley
Digital Compositor

VFX Artist

Erik Classen
VFX Artist

Production Coordinator

Angela Heald
Production Coordinator

Animation Director

Tom Meade
Animation Director
Shaun Friedberg
Animation Director

CG Supervisor

Phillip Leonhardt
CG Supervisor

ADR & Dubbing

David Betancourt
ADR & Dubbing
Beauxregard Neylon
ADR & Dubbing

ADR Editor

R.J. Kizer
ADR Editor

Rigging Gaffer

Mark Jefferies
Rigging Gaffer

Sound Recordist

Tim Gomillion
Sound Recordist
Dennis Rogers
Sound Recordist
Guntis Sics
Sound Recordist

Second Assistant Camera

Edgar Gonzalez
Second Assistant Camera

Foley

Data Wrangler

Stephen Smart
Data Wrangler

Additional Camera

Photo Toby Oliver #69414
Toby Oliver
Additional Camera

Helicopter Camera

Hans Bjerno
Helicopter Camera

Compositors

Chris O'Connell
Compositors
Brian N. Bentley
Compositors

Graphic Novel Illustrator

Photo Frank Miller #5730

Frank Miller

Frank Miller
Graphic Novel Illustrator

Junior Story Editor

Angelo White
Junior Story Editor

What's left behind the scenes

  • Hugh Jackman has already portrayed Logan on screen six times. This is a record for one actor playing a comic book hero.
  • During preparation for his role, Hugh Jackman worked closely with the well-known stunt team 87Eleven, honing various ninjutsu and other Japanese martial arts techniques.
  • Filming lasted only 80 days and took place in Japan and at the Fox studio in Sydney, Australia.
  • Cinematographer Ross Emery used an Arri Alexa digital camera with an anamorphic lens to create the film, allowing for maximum flexibility and cinematic sharpness.
  • One of the most challenging sets for the film was the Ice Village, which the set designer meticulously recreated in the suburbs of Sydney, based on their impressions from visiting three mountain villages in the Japanese prefecture of Nagano.
  • Although Logan has only about five costumes, nearly a hundred separate pieces of clothing had to be made for Jackman, considering his numerous and difficult adventures that his clothes experienced along with him.
  • Producer Lauren Shuler Donner offered to have Simon Bofoy write the screenplay, but he lacked the confidence to agree to participate in the project.
  • Hugh Jackman is a fan of Chris Claremont and Frank Miller's comic book “Wolverine” (1982), especially the Japanese saga. “I like the idea of such an anarchic character, an outcast who is in a world full of honor, traditions and customs. He is the one who is really against all of this and tries to do everything his own way. The idea of samurai and tradition there is just magnificent. In the comic, my character gets a good beating from a couple of samurai who aren't even mutants.”
  • Darren Aronofsky was initially slated to direct the film, and he even worked on the project for about six months, but then he turned it down, citing that lengthy overseas shoots prevented him from seeing his family (at that time he had recently separated from Rachel Weisz, the mother of his child). During his involvement in the project, he rewrote Christopher McQuarrie's screenplay, and the real reason for his departure from the project may have been the studio's unwillingness to approve his version of the script, which would have received an R rating due to scenes of sexual content and brutal violence.
  • This is the first time Wolverine appears in a film whose title does not include X-Men.
  • Jessica Biel was offered the role that eventually went to Svetlana Khodchenkova.
  • Togo Igawa was considered for the role of Shingen.
  • Guillermo del Toro, being a fan of the Japanese saga from the Wolverine comics, expressed his interest in the director's position for this film. He met with James Gianopulos and Hugh Jackman to discuss directing the film, but ultimately decided he didn't want to spend two or three years of his life working on it.
  • In May 2011, Fox studio had a list of eight candidates for the director's position: José Padilha, Doug Liman, Antoine Fuqua, Mark Romanek, Justin Lin, Gavin O'Connor, Gary Shore, and James Mangold. Mangold was ultimately chosen as the director.
  • To prepare for his role, Hugh Jackman contacted Dwayne Johnson to get advice on how to gain muscle mass. Johnson told Jackman that he could gain a pound a week for six months by consuming 6,000 calories a day (a lot of chicken, steaks, and brown rice).
  • Hugh Jackman confirmed that he discussed with director James Mangold a screening test of both a 'PG-13' and an 'R' rated version, but declined to comment on filming different scenes for these versions. And although it was announced that a 'PG-13' version would be released, James Mangold wrote on Twitter: “It’s ‘PG-13’. But don’t worry, it’s not ‘Bambi.’”
  • Cinematographer Amir M. Mokri was replaced during filming by second unit cinematographer Ross Emery.
  • James Mangold said that Japanese samurai films such as '13 Assassins' (2010) and Hiroshi Inagaki's samurai trilogy had a strong influence on him while creating the film. He was also influenced by Westerns 'Shane' (1953) and 'The Outlaw Josey Wales' (1976), crime films 'The French Connection' (1971) and 'Chinatown' (1974), and dramas 'Black Narcissus' (1947), 'Floating Weeds' (1959), 'Chungking Express' (1994), and 'Happy Together' (1997).
  • Hugh Jackman said that in this film he finally achieved the physique he believed Wolverine should have. He said that for various reasons, in all five previous times he played the character, he didn't have enough time to get into the necessary shape, but in this film he managed to do so. Actor Will Yun Lee also noted that in this film, Jackman was in the best physical shape of all the Wolverine films.
  • According to Hugh Jackman, the main theme of the film is Wolverine surrounded by death, while being unable to die due to his healing ability: "He realizes that everyone he loves dies, that his whole life is full of pain. So, for him, it's better to just run away. He can't die and just wants to escape everything."
  • The first film in the 'X-Men' series released in 3D and IMAX.
  • Hugh Jackman said that for the topless scenes he wanted to look as sculpted as possible. To achieve this, he followed a dehydrating diet (commonly used in bodybuilding), according to which he did not drink any liquids for 36 hours before filming. Because of this, he experienced headaches and weakness, but was pleased with the results. Dehydration strongly emphasized the relief of his muscles and blood vessels, which is what he wanted to achieve.
  • The film has the subtitle "Immortal" in Russia, Argentina, Brazil, Chile, Spain, and Italy. In France, the film's subtitle is "The Battle of the Immortal", in Japan – "Samurai", and in Germany – "The Way of the Warrior."
  • The extended version of the film (rated R) runs for 138 minutes.
  • The Silver Samurai's mechanical suit was developed from scratch. A team of specialists created it in Sydney over five months. This suit includes over 600 parts, each of which was individually designed and modeled on a computer.
  • According to James Mangold, this film is a sequel to 'X-Men: The Last Stand' ('Jean Grey is gone, and most of the X-Men are disbanded, so there's a sense of Wolverine's isolation'), but with a lot more different memories.
  • According to James Mangold, he initially wanted to shoot a prequel to 'X-Men' (2000), but later decided to make a sequel to 'X-Men: The Last Stand' (2006): 'I wanted to tell a story that didn't need to lead into an existing movie and be tailored to it. The idea of immortality is very important in this story, and it's a heavy burden for Logan. For me, this is a very interesting part of Logan's character that is almost impossible to reveal in a prequel.'
  • All scenes of Famke Janssen's cameo role (the character of Jean Grey) were filmed in three days.
  • The Silver Samurai in this film is a combination of Kenutio Harada (an experienced samurai with a tachyon blade) and Shin Harada (who possessed technologically advanced armor).
  • Hugh Jackman confirmed that he discussed with director James Mangold screening tests of versions rated 'PG-13' and 'R', but declined to comment on filming different scenes for those versions. And although a 'PG-13' version was announced for release, James Mangold wrote on Twitter: “It’s ‘PG-13.’ But don’t worry, it’s not ‘Bambi.’”
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