End of Watch - crew, film crew

The entire team, the film crew of the film "End of Watch"
End of Watch (2012)
Timing: 1:49 (109 min)
End of Watch - TMDB rating
7.35/10
3588
End of Watch - Kinopoisk rating
7.737/10
291253
End of Watch - IMDB rating
7.6/10
291000

Film crew

Director

Producer

Matt Jackson
Producer
John Lesher
Producer

Executive Producer

Photo Jake Gyllenhaal #5453Photo Jake Gyllenhaal #5454Photo Jake Gyllenhaal #5455Photo Jake Gyllenhaal #5456

Jake Gyllenhaal

Jake Gyllenhaal
Executive Producer
Guy East
Executive Producer
Photo Randall Emmett #10647

Randall Emmett

Randall Emmett
Executive Producer
Chrisann Verges
Executive Producer
Tobin Armbrust
Executive Producer
Remington Chase
Executive Producer

Adam Kassan

Adam Kassan
Executive Producer
Stephen Martirosyan
Executive Producer

Casting

Lindsay Graham Ahanonu
Casting

Editor

Photo Dody Dorn #18287
Dody Dorn
Editor

Art Direction

Kevin Constant
Art Direction

Costume Design

Photo Mary Claire Hannan #1677
Mary Claire Hannan
Costume Design

Stunts

Photo Eddie Perez #23612
Eddie Perez
Stunts
Freddy Bouciegues
Stunts
Photo Jose L. Vasquez #35098
Jose L. Vasquez
Stunts

Production Design

Devorah Herbert
Production Design

Stunt Coordinator

Photo Mike Gunther #11270Photo Mike Gunther #11271
Mike Gunther
Stunt Coordinator

Set Decoration

Betty Berberian
Set Decoration

Makeup Artist

Heather Mages
Makeup Artist

Sound Re-Recording Mixer

Photo Joe Barnett #71574
Joe Barnett
Sound Re-Recording Mixer
Christian P. Minkler
Sound Re-Recording Mixer

Original Music Composer

Photo David Sardy #283661

David Sardy

David Sardy
Original Music Composer

Director of Photography

Photo Roman Vasyanov #67525

Roman Vasyanov

Roman Vasyanov
Director of Photography

Musician

Camera Operator

Jake Avignone
Camera Operator
Micky Froehlich
Camera Operator

Costume Supervisor

Robert Iannaccone
Costume Supervisor

Makeup Department Head

Tina Roesler Kerwin
Makeup Department Head

Property Master

Tommy Tomlinson
Property Master
Michael Vines
Property Master

Visual Effects Supervisor

Adam Avitabile
Visual Effects Supervisor

Supervising Sound Editor

Michael D. Wilhoit
Supervising Sound Editor

Set Costumer

Matt Chase
Set Costumer

Hairstylist

Waldo Sanchez
Hairstylist
Arturo Rojas
Hairstylist

Special Effects Coordinator

Kevin Hannigan
Special Effects Coordinator

Still Photographer

Scott Garfield
Still Photographer

Visual Effects Producer

Phillip Hoffman
Visual Effects Producer

Screenplay

First Assistant Editor

Halima K. Gilliam
First Assistant Editor

Sound Designer

Roland N. Thai
Sound Designer

Construction Coordinator

Douglas Womack
Construction Coordinator

Art Department Coordinator

Alex Hunter
Art Department Coordinator

Dialogue Editor

Kimberly Ellis
Dialogue Editor

Location Manager

Earl West
Location Manager

Music Supervisor

Photo Season Kent #66464
Season Kent
Music Supervisor
Photo Gabe Hilfer #3137

Gabe Hilfer

Gabe Hilfer
Music Supervisor

Music Editor

Clint Bennett
Music Editor
Chris Newlin
Music Editor
Steve Duncan
Music Editor

Additional Music

Flakiss

Flakiss
Additional Music

Unit Publicist

Amy Cohn
Unit Publicist

Rigging Gaffer

Louie Ceredez
Rigging Gaffer

Choreographer

Photo JoAnn Fregalette Jansen #17795Photo JoAnn Fregalette Jansen #17796Photo JoAnn Fregalette Jansen #17797
JoAnn Fregalette Jansen
Choreographer

Publicist

Alex L. Worman
Publicist

Prosthetic Designer

Clinton Wayne
Prosthetic Designer

Dolby Consultant

Andy Potvin
Dolby Consultant

Digital Intermediate

Amy Pawlowski
Digital Intermediate
Robert E. Phillips
Digital Intermediate
Rosalie A. Staley
Digital Intermediate

Foley

James Moriana
Foley
Jeffrey Wilhoit
Foley

Makeup Effects

Photo Matthew W. Mungle #11071Photo Matthew W. Mungle #11072
Matthew W. Mungle
Makeup Effects
Clinton Wayne
Makeup Effects

Studio Teachers

David Quierolo
Studio Teachers

Technical Advisor

Photo Jaime FitzSimons #37404
Jaime FitzSimons
Technical Advisor

What's left behind the scenes

  • To prepare for their roles, Jake Gyllenhaal and Michael Peña spent five months on 12-hour rides with on-duty police officers from the Los Angeles Police Department. During the first ride, Gyllenhaal witnessed a murder.
  • Throughout the film, the characters say the word 'fuck' 326 times.
  • The two main characters are based on real police officers Charles Vander and Jamie McBride, who served in the Newton division in the mid-1990s.
  • For shots with a "lapel view," special portable cameras were used, which were partially disassembled and then hung on special vests worn by Jake Gyllenhaal and Michael Peña.
  • Throughout the entire film, Brian and Mike never fasten their seatbelts.
  • The Bloods street gang alliance is real and has been operating in the suburbs of Los Angeles since 1972.
  • When Taylor and Zavala detain the man in the pickup truck who tried to kill Mike, Officer Orozco asks Taylor, "Are you okay?", to which he shows four fingers – a special police symbol, "Code Four," meaning "I'm okay, no assistance needed."
  • The scene where the partners crash into a silver van after chasing it wasn't in the script. Michael Peña actually crashed into a minivan because the director had previously asked to have the anti-lock braking system removed from the patrol car, which caused the camera to shake.
  • The scene where Janet and Brian sing together during the drive was filmed secretly by director David Ayer when the three of them were simply driving around the area and gathering material for the film.
  • When Zavala mentions 'badge bunnies' in a conversation with Taylor, he means girls who are attracted to uniforms.
  • In the house full of kidnapped people, a statue of Santa Muerte can be noticed—a modern deity worshipped by some criminals in the US and Mexico.
  • In the trailer scene, one of the characters says in Spanish, “Arriba, abajo, al centro, y padentro,” before drinking, which can be translated as “Up, down, to the center, and inside.”
  • During Brian and Janet's wedding, Zavala asks Taylor, “Why are you getting married in a police uniform?” although Taylor is getting married in a suit. There was a version where Taylor got married in a police uniform, but that scene was removed.
  • In the locker room, Taylor shows a Spyderco tactical knife, but they actually show a Smith and Wesson First Responder knife.
  • At the beginning of the film, in the scene where the characters are talking in the locker room, Brian Taylor's head is completely shaved, but on the same day, when they show the meeting, his hair has already grown out a bit.
  • During the party, La-La starts kissing a girl in a pink t-shirt who is holding a glass of alcohol in her right hand. But when the camera angle changes, the glass is in her left hand.
  • The overturned pot lies on the asphalt in different ways. Sometimes flat in relation to the curb, sometimes diagonally.
  • In the scene where Brian Taylor is wounded and lying on the asphalt, the streaks of blood from his mouth are constantly different.
  • Special portable cameras were used for the “lapel view” shots, which were partially disassembled and then hung on special vests worn by Jake Gyllenhaal and Michael Peña.
  • When Taylor and Zavala detain the man in the pickup truck who tried to kill Mike, Officer Orozco asks Taylor, “You alright?”, to which he shows four fingers – a special police symbol, “Code Four,” meaning “I’m okay, no assistance needed”.
  • During Brian and Janet's wedding, Zavala asks Taylor: "Why are you getting married in a police uniform?", even though Taylor is getting married in a suit. There was a version where Taylor was getting married in a police uniform, but that scene was removed.
Did you like the film?

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