The Intouchables - crew, film crew
The entire team, the film crew of the film "The Intouchables"
Intouchables (2011)
Timing:
1:53 (113 min)
8.269/10
18286
18286
8.859/10
2784521
2784521
8.5/10
1000000
1000000
Film crew
Director
Éric Toledano
Director
Olivier Nakache
Director
Producer
Nicolas Duval Adassovsky
Producer
Laurent Zeitoun
Producer
Yann Zenou
Producer
Casting
Gigi Akoka
Casting
Liv Charpentier
Casting
Editor
Dorian Rigal-Ansous
Editor
Art Direction
Costume Design
Isabelle Pannetier
Costume Design
Production Design
François Emmanuelli
Production Design
Stunt Coordinator
Jean-Claude Lagniez
Stunt Coordinator
Patrick Ronchin
Stunt Coordinator
Set Decoration
Olivia Bloch-Lainé
Set Decoration
Stunt Driver
Sébastien Lagniez
Stunt Driver
Alexandre Rambure
Stunt Driver
Julien Piguet
Stunt Driver
Jérémy Lagniez
Stunt Driver
Makeup Artist
Thi Thanh Tu Nguyen
Makeup Artist
Sound Re-Recording Mixer
Jean-Paul Hurier
Sound Re-Recording Mixer
Original Music Composer
Associate Producer
Dominique Boutonnat
Associate Producer
Arnaud Bertrand
Associate Producer
Hubert Caillard
Associate Producer
Stunt Double
Sébastien Seveau
Stunt Double
Director of Photography
Steadicam Operator
Patrick De Ranter
Steadicam Operator
Assistant Art Director
Gabriel Botcherby
Assistant Art Director
Maëlys Deschard
Assistant Art Director
Charles Rempenault
Assistant Art Director
Property Master
Christine Teulier
Property Master
Script Supervisor
Nathalie Vierny
Script Supervisor
Still Photographer
Jean-Claude Lother
Still Photographer
Screenplay
Éric Toledano
Screenplay
Olivier Nakache
Screenplay
Novel
Key Hair Stylist
Catherine Duplan
Key Hair Stylist
Gaffer
Michel Sabourdy
Gaffer
Line Producer
Laurent Sivot
Line Producer
Sound Recordist
Pascal Armant
Sound Recordist
Sound Editor
Jean Goudier
Sound Editor
Dolby Consultant
Michel Monier
Dolby Consultant
Digital Intermediate
Barbara Albucher
Digital Intermediate
Additional Camera
Simon Beaufils
Additional Camera
Océane Lavergne
Additional Camera
What's left behind the scenes
- The directors were inspired to create the film by a documentary they saw in 2004, which told the story of how a young man from the suburbs was hired to care for the paralyzed Philippe Pozzo di Borgo, who became paralyzed after an accident on July 27, 1993.
- Daniel Otay was initially chosen for the role of Philippe Pozzo di Borgo.
- Despite having to play a completely ordinary person, Omar Sy lost almost five kilograms in preparation for filming. The actor believed that a typical suburban resident with such a background should have a more athletic build.
- Before starting work on the project, directors Olivier Nakache and Éric Toledano personally visited Philippe Pozzo di Borgo, who lives in Morocco. Meeting him and the speech he delivered greatly increased their desire to make a film based on his story. Philippe Pozzo di Borgo himself provided them with a large amount of information and advice on practically every scene of the film.
- Philippe Pozzo di Borgo strongly insisted that the film should primarily be a comedy, not a drama. He did not want the film, based on his life, to become a story of pity and compassion.
- Omar Sy was invited to star in the film even before the script was written.
- When Driss and Philippe were in the gallery, the headphone cord was initially on the right side for Driss, and in the next shot, on the left.
- In the scene where the main characters are in an art gallery, Philippe asks for a candy. Driss reaches out with a green candy, and in the next shot, he puts a yellow one in Philippe's mouth.
- When Driss gets a job as a courier, the woman mentions that he got his driver's license a month ago. However, during the chase scene, Philippe complains that Driss should get a license, even though this scene takes place later in time.
- In the scene where Driss shaves Philippe, Philippe's wet hair becomes dry and then wet again between camera angles.
- During Driss's dance, the violinist is initially playing, but in the next shot, he is simply sitting.
- The film features two Maserati cars. In the first scene, it's a Maserati Quattroporte GTS 4.2 (0:01:28), and in the scene with the police escort, it's a Maserati Quattroporte 4.7 ((0:06:21), (0:06:41)). The difference can be seen in the following: the Maserati Quattroporte GTS 4.2 has 4 exhaust pipes and a mesh radiator grille, while the Maserati Quattroporte 4.7 has two large exhaust pipes and a radiator grille with vertical bars.
- At the 15-minute mark of the film, when Driss is sitting at the table, the egg and glass on that table are at different distances from each other in different shots.
- In the scene where Driss's aunt scolds him, the scarf around her neck is positioned differently with each cut. Also, judging by the colored stripes on her scarf, it appears to be tightened and loosened.
- In the scene where Driss visits Philippe, a 'No Parking' sign hangs near the gates to the courtyard. However, it differs from the one hanging in the same spot in the scene where Driss attacks the man parked opposite these gates.
- In one of the scenes showing Driss and Philippe spending time together, it is clearly visible that Philippe, while in his wheelchair, is moving his feet, despite being scripted as paralyzed.
- The film features two Maserati vehicles. In the first scene, a Maserati Quattroporte GTS 4.2 (0:01:28), and in the scene with the police escort, a Maserati Quattroporte 4.7 ((0:06:21), (0:06:41)). This difference can be identified by the Maserati Quattroporte GTS 4.2 having four exhaust pipes and a mesh grille, while the Maserati Quattroporte 4.7 has two large exhaust pipes and a grille with vertical bars.
Did you like the film?
Auditions in India
Casting calls in USA
Castingi w Polsce
Кастинги в Україні
