Furiosa: A Mad Max Saga - crew, film crew
The entire team, the film crew of the film "Furiosa: A Mad Max Saga"
Furiosa: A Mad Max Saga (2024)
Timing:
2:29 (149 min)
7.452/10
4769
4769
7.142/10
98114
98114
7.5/10
317000
317000
Film crew
Director
Producer
Executive Producer
Dean Hood
Executive Producer
Writer
Casting
Nikki Barrett
Casting
Editor
Eliot Knapman
Editor
Art Direction
Nicholas Dare
Art Direction
Supervising Art Director
Sophie Nash
Supervising Art Director
Costume Design
Stunts
Ben Smith-Petersen
Stunts
Shea Adams
Stunts
Cameron Ambridge
Stunts
Andrea Berchtold
Stunts
Isaac Bernauer
Stunts
Raelene Chapman
Stunts
Production Design
Colin Gibson
Production Design
Stunt Coordinator
Guy Norris
Stunt Coordinator
Mark Tearle
Stunt Coordinator
Tim Wong
Stunt Coordinator
Second Unit Director
Guy Norris
Second Unit Director
Set Decoration
Katie Sharrock
Set Decoration
Key Makeup Artist
Brydie Stone
Key Makeup Artist
Sound Re-Recording Mixer
James Ashton
Sound Re-Recording Mixer
Robert Mackenzie
Sound Re-Recording Mixer
Jessica Meier
Sound Re-Recording Mixer
Original Music Composer
Unit Production Manager
Dean Hood
Unit Production Manager
Nicholas Copping
Unit Production Manager
Merilyn Cook
Unit Production Manager
Associate Producer
Rachael Gill
Associate Producer
Set Dresser
Lucy Wyborn
Set Dresser
Second Assistant Director
Danielle Blake
Second Assistant Director
Stunt Double
Olga Miller
Stunt Double
Chong Wei Zhang
Stunt Double
Jesse Turner
Stunt Double
Fight Choreographer
Director of Photography
Simon Duggan
Director of Photography
Camera Operator
Mark Goellnicht
Camera Operator
Simon Harding
Camera Operator
Jay Torta
Camera Operator
Steadicam Operator
Mark Goellnicht
Steadicam Operator
Simon Harding
Steadicam Operator
Sound Effects Editor
Tom Heuzenroeder
Sound Effects Editor
Tara Webb
Sound Effects Editor
Jessica Meier
Sound Effects Editor
Assistant Art Director
Kate McCowage
Assistant Art Director
Kate Rawlins
Assistant Art Director
Property Master
Joanna Pullen
Property Master
Visual Effects Supervisor
Andrew Jackson
Visual Effects Supervisor
Stephen James
Visual Effects Supervisor
Guido Wolter
Visual Effects Supervisor
Josh Simmonds
Visual Effects Supervisor
Supervising Sound Editor
Robert Mackenzie
Supervising Sound Editor
Script Supervisor
Sophie Fabbri-Jackson
Script Supervisor
Still Photographer
Sound Mixer
Ben Osmo
Sound Mixer
Visual Effects Producer
Jason Bath
Visual Effects Producer
First Assistant Director
P.J. Voeten
First Assistant Director
Boom Operator
Jordan Anastasi
Boom Operator
James Nowiczewski
Boom Operator
Set Designer
Gabrielle Carey
Set Designer
Mackenzie Platt
Set Designer
Foley Artist
Adrian Medhurst
Foley Artist
Sound Designer
Robert Mackenzie
Sound Designer
James Ashton
Sound Designer
Construction Coordinator
Greg Hajdu
Construction Coordinator
Dialogue Editor
Yulia Akerholt
Dialogue Editor
Assistant Editor
Courtney Lee Bowden
Assistant Editor
Annie Zhang
Assistant Editor
First Assistant Sound Editor
Gunay Demirci
First Assistant Sound Editor
Sue Kerr
First Assistant Sound Editor
Lighting Technician
Emerson Adcock
Lighting Technician
Joseph Chebatte
Lighting Technician
Peter Whitby
Lighting Technician
First Assistant "B" Camera
Brett Matthews
First Assistant "B" Camera
Props
Tyler O'B Wallis
Props
First Assistant "A" Camera
David Elmes
First Assistant "A" Camera
Key Grip
Toby Copping
Key Grip
Adam Kuiper
Key Grip
Grip
Kane Grosvenor
Grip
Carpenter
Phillip Telford
Carpenter
Construction Foreman
Darren Fieldhouse
Construction Foreman
Painter
Lachlan Gilmore
Painter
Aaron Jordin
Painter
Hair Designer
Lesley Vanderwalt
Hair Designer
Luca Vannella
Hair Designer
Makeup Designer
Lesley Vanderwalt
Makeup Designer
Foley Mixer
Duncan Campbell
Foley Mixer
Duncan Campbell
Foley Mixer
Third Assistant Director
Jess Bentley
Third Assistant Director
Special Effects Makeup Artist
Adeline-Faye Petz
Special Effects Makeup Artist
Casting Associate
Kelly Graham
Casting Associate
Gaffer
Shaun Conway
Gaffer
Michael Adcock
Gaffer
Music Editor
Jamieson Shaw
Music Editor
Production Sound Mixer
Ben Osmo
Production Sound Mixer
ADR Mixer
Angus Robertson
ADR Mixer
Makeup & Hair
Bronwyn Doughty
Makeup & Hair
Emma George
Makeup & Hair
Samara Gildea
Makeup & Hair
Second Assistant Sound
Sonja Stojkov
Second Assistant Sound
Michal Zoltkowski
Second Assistant Sound
Storyboard Artist
Mark Sexton
Storyboard Artist
Second Assistant "B" Camera
Sid Tinney
Second Assistant "B" Camera
Concept Artist
Dane Hallett
Concept Artist
Matt Hatton
Concept Artist
Annette Mackie
Concept Artist
Kevin Silva
Concept Artist
Colorist
Eric Whipp
Colorist
On Set Dresser
Laura Egan
On Set Dresser
Mark Harman
On Set Dresser
Sound Assistant
Claire Read
Sound Assistant
Visual Effects Coordinator
Samantha Thompson
Visual Effects Coordinator
Visual Effects
Diego O. Gonzalez
Visual Effects
Second Assistant "A" Camera
Naomi Sharp
Second Assistant "A" Camera
Prop Maker
Meg Hamilton
Prop Maker
Conceptual Design
Extras Casting
Jane Dawkins
Extras Casting
First Assistant "C" Camera
Inaki De Ubago
First Assistant "C" Camera
Second Assistant "C" Camera
Ben Allen
Second Assistant "C" Camera
Executive In Charge Of Production
Mark Scoon
Executive In Charge Of Production
Sound Editor
Jessica Meier
Sound Editor
Controller
Robert Threadgold
Controller
Data Wrangler
Chantal Jack
Data Wrangler
Creative Director
Larissa Lowthorp
Creative Director
Assistant Dialogue Editor
Marisa Marsionis
Assistant Dialogue Editor
What's left behind the scenes
- According to director and screenwriter George Miller, the script was ready even before the filming of *Mad Max: Fury Road*.
- Filming a 15-minute chase scene, which the creators called "Stowaway to Nowhere," took 78 days with the participation of about 200 people.
- Anya Taylor-Joy wanted to shave her head, like Charlize Theron did for the role of Furiosa in "Mad Max: Fury Road", but this was prohibited by other contracts. Miller himself was also against this idea.
- Chris Hemsworth said that the voice of his character, Dementus (the biker gang leader), contains echoes of a carnival barker and his grandfather (who, the actor hastily added, was a wonderful man), as well as the cries of seagulls.
- The facial features of Eilay Brown and Anya Taylor-Joy (both of whom played Furiosa, the first as a very young girl, and the second as an adult) are not identical, so director and screenwriter George Miller and Andrew Jackson (who was responsible for special effects) used artificial intelligence to switch one actress's face for the other's. According to Taylor-Joy, Miller wanted the transition to be smooth. She spent two days with special effects specialists who constantly filmed her facial expressions. In her own opinion, at the beginning of filming, about 35% of Brown's face was altered to resemble her own, and by the end, this figure reached 80%. Incidentally, the actors' union went on strike, demanding better legal regulation of the use of artificial intelligence tools. Miller used artificial intelligence with the consent of the actors.
- The scar on the right side of Tom Burke's character's face is partially prosthetic, and partially the result of surgical correction of a cleft lip.
- George Miller said that he already has a script for another project in the franchise (its working title is "The Wasteland"), but everything depends on the box office results of this film.
- George Miller met Anya Taylor-Joy after seeing her in Edgar Wright's thriller "Last Night in Soho" (2021).
- Screenwriter and director George Miller initially intended to cast Charlize Theron in the role of Furiosa and use so-called visual rejuvenation technology.
- It took George Miller 9 years to complete this project. The project stalled for several years due to legal disputes between Miller and Warner Bros. regarding the 2015 science fiction action film "Mad Max: Fury Road".
- Anya Taylor-Joy was cast in this film before she became famous for her role in Scott Frank's miniseries "The Queen's Gambit" (2020). The actress immediately hired a personal trainer and began training to get in shape. Filming did not begin until a year later.
- Anya Taylor-Joy performed many of the stunts herself, and did so well that director George Miller repeatedly confused her with her stunt doubles.
- Initially, it was planned that Goran D'Kluje's character would appear on a flying motorcycle, but director George Miller forbade performing this stunt for safety reasons.
- At one point, screenwriters George Miller and Nick Lathouris considered having director Mahiro Maeda film an anime film about Furiosa based on their script. All that remained of the original concept of the anime film in Miller's picture was a toy bear that Chris Hemsworth's character carries as a talisman.
- George Miller wanted to more explicitly show the mutual romantic feelings that the characters played by Anya Taylor-Joy and Tom Burke had for each other, but the latter convinced him that it would be better and more believable to delay the expression of feelings until the characters felt safer according to the script.
- Throughout the entire film, Anya Taylor-Joy's character has approximately 30 lines of dialogue. The actress later said that for weeks and months she played her role without a single line spoken by her character. According to Taylor-Joy, George Miller demanded that she act only with her eyes. Miller himself explained the lack of lines and dialogue in the film by his belief that the action in such films should unfold quickly, while dialogue only slows it down.
- After filming ended, Anya Taylor-Joy took one of the prosthetic arms that she used in the second half of the film with her. According to her, there were several of these prosthetics – both soft and rigid, depending on what was required by the script.
- According to director and screenwriter George Miller, the script was ready even before the filming of “Mad Max: Fury Road.”
- Filming the 15-minute chase scene, which the filmmakers titled "Stowaway to Nowhere", took 78 days with the participation of around 200 people.
- Anya Taylor-Joy wanted to shave her head, like Charlize Theron did for the role of Furiosa in "Mad Max: Fury Road", but this was prohibited by other contracts. Miller himself was also against this idea.
- The scar on the right side of Tom Burke's character's face is partially prosthetic and partially the result of surgical correction of a cleft lip.
Did you like the film?
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