The Fabelmans - crew, film crew
The entire team, the film crew of the film "The Fabelmans"
The Fabelmans (2022)
Timing:
2:31 (151 min)
7.573/10
2718
2718
7.534/10
33192
33192
7.5/10
134000
134000
Film crew
Director
Producer
Executive Producer
Josh McLaglen
Executive Producer
Carla Raij
Executive Producer
Writer
Casting
Editor
Sarah Broshar
Editor
Special Effects Supervisor
Mark Hawker
Special Effects Supervisor
Art Direction
Lauren E. Polizzi
Art Direction
Desma Murphy
Art Direction
Supervising Art Director
Andrew Max Cahn
Supervising Art Director
Stunts
Aimey Beer
Stunts
Production Design
Stunt Coordinator
Kurt D. Lott
Stunt Coordinator
Set Decoration
Karen O'Hara
Set Decoration
Stunt Driver
Donny Bailey
Stunt Driver
Adam Jeffrey
Stunt Driver
Makeup Artist
Angela Levin
Makeup Artist
Sound Re-Recording Mixer
Andy Nelson
Sound Re-Recording Mixer
Original Music Composer
Unit Production Manager
Carla Raij
Unit Production Manager
Production Supervisor
Demelza Cronin
Production Supervisor
Associate Producer
Emma Elgort
Associate Producer
Set Dresser
Michael Thurman
Set Dresser
Eric Rood
Set Dresser
Second Assistant Director
Chris Cook
Second Assistant Director
Stunt Double
Mike DeMille
Stunt Double
Elizabeth Swaney
Stunt Double
Omar Zaki
Stunt Double
Pierre Mayer
Stunt Double
Director of Photography
Camera Operator
Mitch Dubin
Camera Operator
Michael Nelson
Camera Operator
Colin Anderson
Camera Operator
Costume Supervisor
Tammy Williamson
Costume Supervisor
Makeup Department Head
Sound Effects Editor
Steve Bissinger
Sound Effects Editor
Malcolm Fife
Sound Effects Editor
Kevin Bolen
Sound Effects Editor
Assistant Art Director
Katelynn Wheelock
Assistant Art Director
Gordon Stotz
Assistant Art Director
Visual Effects Supervisor
Pablo Helman
Visual Effects Supervisor
Jeffrey Kalmus
Visual Effects Supervisor
Supervising Sound Editor
Brian Chumney
Supervising Sound Editor
Hair Department Head
Gloria Pasqua Casny
Hair Department Head
Roxie Hodenfield
Hair Department Head
Set Costumer
Lisa Sass
Set Costumer
Aerial Director of Photography
Phil Pastuhov
Aerial Director of Photography
Hairstylist
Cindy Shute
Hairstylist
Erick Villanueva
Hairstylist
Miki Caporusso
Hairstylist
Special Effects Coordinator
Lou Carlucci
Special Effects Coordinator
Roy K. Cancino
Special Effects Coordinator
Still Photographer
Merie Weismiller Wallace
Still Photographer
Animation Supervisor
Eric Mun Fai Leong
Animation Supervisor
Sound Mixer
Ron Judkins
Sound Mixer
Visual Effects Producer
Jennifer Silver
Visual Effects Producer
Brian Barlettani
Visual Effects Producer
First Assistant Director
Josh McLaglen
First Assistant Director
Chief Lighting Technician
Dustin Gardner
Chief Lighting Technician
Driver
Claudia Abrego
Driver
Costume Designer
Set Designer
Darcy Prevost
Set Designer
Set Decoration Buyer
Karen Riemenschneider
Set Decoration Buyer
Wendy Weaver
Set Decoration Buyer
Sound Designer
Dialogue Editor
Steve Slanec
Dialogue Editor
Best Boy Grip
Michael D. Gonzalez
Best Boy Grip
Lighting Technician
Greg Patterson
Lighting Technician
Ryan Copeland
Lighting Technician
Dana Arnold
Lighting Technician
Zachary Helmer
Lighting Technician
Eric Cortez
Lighting Technician
Pez Zee
Lighting Technician
First Assistant "B" Camera
Jeff Porter
First Assistant "B" Camera
First Assistant "A" Camera
Mark Spath
First Assistant "A" Camera
Andrew Degnan
First Assistant "A" Camera
Rigging Grip
Matt Floyd
Rigging Grip
Lucas Staley
Rigging Grip
Travis Brady
Rigging Grip
Mario Bugarin
Rigging Grip
Key Grip
Ray Garcia
Key Grip
Location Manager
Brittany Petros
Location Manager
Grip
Erik F. Hill
Grip
Dustin Weathers
Grip
Dolly Grip
John Mang
Dolly Grip
Additional First Assistant Camera
Tommy James Lewis
Additional First Assistant Camera
Second Second Assistant Director
David Stickler
Second Second Assistant Director
Visual Effects Production Manager
Laura Kutchen
Visual Effects Production Manager
Special Effects
Phillip Wheatley
Special Effects
Jason Sheriff
Special Effects
Special Effects Technician
Damian Lund
Special Effects Technician
Casting Associate
Nicholas Petrovich
Casting Associate
Gaffer
Chris Culliton
Gaffer
Drone Pilot
Steve Koster
Drone Pilot
Davis Clark DiLillo
Drone Pilot
Video Assist Operator
Nathan M. Hadden
Video Assist Operator
Second Unit Director of Photography
Magdalena Górka
Second Unit Director of Photography
Second Assistant "B" Camera
Dan Urbain
Second Assistant "B" Camera
First Assistant Camera
Ezra Bassin-Hill
First Assistant Camera
Other
David Presley
Other
Eric Corriea
Other
David H. Neale
Other
Chris Armstrong
Other
Bradford Ralston
Other
Michael S. Beckman
Other
Rafael Gomez
Other
Steve Freebairn
Other
Matthew Waltz
Other
Seth Gallagher
Other
Jonathan Kurt
Other
Colorist
John Vladic
Colorist
Digital Intermediate Colorist
Michael Hatzer
Digital Intermediate Colorist
Lighting Programmer
Brian M. Fisher
Lighting Programmer
Additional Hairstylist
Helena Cepeda
Additional Hairstylist
Jason Chandler Pettus
Additional Hairstylist
Production Assistant
Drone Operator
Chad B. Daring
Drone Operator
Loader
Benny Bailey
Loader
Daniel Rodríguez
Loader
Additional Second Assistant Camera
Jared Jordan
Additional Second Assistant Camera
Visual Effects
Georg Kaltenbrunner
Visual Effects
Victor Manuel Fernandez
Visual Effects
Juan Valenzuela Alcaraz
Visual Effects
Visual Effects Compositor
Sam Bassett
Visual Effects Compositor
Studio Teacher
Daniel Benjamin
Studio Teacher
Second Assistant Camera
David O'Brien
Second Assistant Camera
Digital Intermediate Producer
Julian McDougald
Digital Intermediate Producer
Digital Colorist
Kevin Schneider
Digital Colorist
Data Wrangler
Joseph Oberle
Data Wrangler
Additional Camera
B. J. McDonnell
Additional Camera
Pyrotechnician
John C. Carlucci
Pyrotechnician
Additional Visual Effects
Alex Guri
Additional Visual Effects
Playback Coordinator
Steve Irwin
Playback Coordinator
Administrative Assistant
Corrinne James
Administrative Assistant
What's left behind the scenes
- The plot is based on the childhood and adolescence of director and screenwriter Steven Spielberg.
- According to Steven Spielberg, he and Tony Kushner had been discussing the idea for this film for many years, but they only began writing the screenplay during the coronavirus pandemic in 2020, when Spielberg had some free time. During the lockdown, Spielberg and Kushner worked from home, each in their own location, and finished the screenplay in two months.
- The scenes where Sam films on 8mm were recreations of films Spielberg himself made as a child.
- During filming, the actors were given access to the Spielberg family archives to more accurately portray their real-life counterparts.
- The 8mm and 16mm cameras shown in the film were actually loaded with film. Gabriela LaBelle was genuinely trained to operate the cameras, allowing the footage she shot to be used in the film, as well as to use the editing equipment and projectors from the 1950s and 1960s.
- David Lynch requested to be given John Ford’s (1894-1973) costume a week before filming his role as Ford in it, to get used to it.
- Steven Spielberg wanted to cast Michelle Williams as a character based on his mother ever since he saw her in the melodrama 'Valentine's Day'.
- Some of the jewelry worn by Michelle Williams' character in this film actually belonged to Spielberg's mother. This includes, for example, a bracelet with charms featuring photographs of his four children.
- According to Steven Spielberg, it took three weeks to persuade David Lynch to play John Ford, and Mark Harris, the husband of screenwriter Tony Kushner, suggested that Spielberg film Lynch. Actress Laura Dern repeatedly called Lynch and convinced him to accept Spielberg's offer. Lynch eventually agreed, but stipulated that bags of Cheetos must be constantly present on the set.
- Steven Spielberg wanted to cast Michelle Williams in a role based on his mother from the moment he saw her in the melodrama "Valentine's Day".
Did you like the film?
Auditions in India
Casting calls in USA
Castingi w Polsce
Кастинги в Україні
