Rock of Ages - crew, film crew
The entire team, the film crew of the film "Rock of Ages"
Rock of Ages (2012)
Timing:
2:3 (123 min)
6.222/10
1227
1227
6.697/10
23338
23338
5.9/10
84000
84000
Film crew
Director
Producer
Jennifer Gibgot
Producer
Garrett Grant
Producer
Scott Prisand
Producer
Matt Weaver
Producer
Carl Levin
Producer
Executive Producer
Richard Brener
Executive Producer
Chris D'Arienzo
Executive Producer
Michael Disco
Executive Producer
Samuel J. Brown
Executive Producer
Hillary Butorac Weaver
Executive Producer
Janet Billig Rich
Executive Producer
Casting
Juel Bestrop
Casting
Seth Yanklewitz
Casting
Editor
Emma E. Hickox
Editor
Special Effects Supervisor
Kevin Harris
Special Effects Supervisor
Art Direction
Paul D. Kelly
Art Direction
Costume Design
Rita Ryack
Costume Design
Production Design
Jon Hutman
Production Design
Stunt Coordinator
Artie Malesci
Stunt Coordinator
Set Decoration
K.C. Fox
Set Decoration
Key Makeup Artist
Desne J. Holland
Key Makeup Artist
Sound Re-Recording Mixer
Dean A. Zupancic
Sound Re-Recording Mixer
Steve Pederson
Sound Re-Recording Mixer
Jon Taylor
Sound Re-Recording Mixer
Original Music Composer
Adam Anders
Original Music Composer
Peer Åström
Original Music Composer
Unit Production Manager
Garrett Grant
Unit Production Manager
Co-Producer
Barry Habib
Co-Producer
Jeff Davis
Co-Producer
Daniel Shafer
Co-Producer
Production Supervisor
Eric Hedayat
Production Supervisor
Associate Producer
Jimmy Badstibner
Associate Producer
Second Assistant Director
David Waters
Second Assistant Director
Rebecca Baughman
Second Assistant Director
Director of Photography
Bojan Bazelli
Director of Photography
Steadicam Operator
Stephen Consentino
Steadicam Operator
Costumer
Nancy Thompson
Costumer
Costume Supervisor
Elaine Ramires
Costume Supervisor
Makeup Department Head
Whitney James
Makeup Department Head
Key Costumer
Emae Villalobos
Key Costumer
Valerie Zielonka
Key Costumer
Sound Effects Editor
David Grimaldi
Sound Effects Editor
Eric A. Norris
Sound Effects Editor
Property Master
Kris Peck
Property Master
Visual Effects Supervisor
Jay Barton
Visual Effects Supervisor
Supervising Sound Editor
Mildred Iatrou
Supervising Sound Editor
John A. Larsen
Supervising Sound Editor
Script Supervisor
Susanna David
Script Supervisor
Hair Department Head
Hairstylist
Beka Wilson
Hairstylist
Michael White
Hairstylist
Kimberly Kimble
Hairstylist
Special Effects Coordinator
Robert Caban
Special Effects Coordinator
Still Photographer
David James
Still Photographer
Sound Mixer
William B. Kaplan
Sound Mixer
First Assistant Director
Chris Carreras
First Assistant Director
Assistant Costume Designer
Paula Elins
Assistant Costume Designer
Chief Lighting Technician
Anthony G. Nakonechnyj
Chief Lighting Technician
Boom Operator
Cary Weitz
Boom Operator
Screenplay
Allan Loeb
Screenplay
Chris D'Arienzo
Screenplay
Set Designer
Dennis Bradford
Set Designer
Richard Fojo
Set Designer
First Assistant Editor
Matt Absher
First Assistant Editor
Foley Artist
Construction Coordinator
Brian Markey
Construction Coordinator
Dialogue Editor
Susan Dawes
Dialogue Editor
Helen Luttrell
Dialogue Editor
Assistant Editor
Erin Hopkins
Assistant Editor
Stuart Sperling
Assistant Editor
First Assistant Sound Editor
Galen Goodpaster
First Assistant Sound Editor
Skip Longfellow
First Assistant Sound Editor
Best Boy Grip
James Selph
Best Boy Grip
Foley Editor
John Murray
Foley Editor
Matthew Harrison
Foley Editor
Mark Pappas
Foley Editor
First Assistant "B" Camera
Eric Laudadio
First Assistant "B" Camera
Michael D. Weldon
First Assistant "B" Camera
First Assistant "A" Camera
John Holmes
First Assistant "A" Camera
Transportation Coordinator
Michael Menapace
Transportation Coordinator
Key Grip
Ross Jones
Key Grip
Location Manager
Sam Tedesco
Location Manager
Key Hair Stylist
Sean Flanigan
Key Hair Stylist
Leadman
Mark Woods
Leadman
Key Rigging Grip
Patrick K. Meng
Key Rigging Grip
Second Second Assistant Director
Terrence B. Zinn
Second Second Assistant Director
Construction Foreman
Ramsey Smith
Construction Foreman
Music Supervisor
Matthew Rush Sullivan
Music Supervisor
Casting Assistant
Jennifer Weinstein
Casting Assistant
Foley Mixer
James Ashwill
Foley Mixer
Richard Duarte
Foley Mixer
Production Accountant
Gail Martin-Sheridan
Production Accountant
Casting Associate
Helen Geier
Casting Associate
"A" Camera Operator
Stephen Consentino
"A" Camera Operator
Music Editor
Lisa Jaime
Music Editor
Sally Boldt
Music Editor
ADR Mixer
Thomas J. O'Connell
ADR Mixer
Makeup & Hair
Nicola Schuller
Makeup & Hair
"B" Camera Operator
Chris Moseley
"B" Camera Operator
Second Assistant "B" Camera
Greg Faysash
Second Assistant "B" Camera
Sean Lunski
Second Assistant "B" Camera
Post Production Supervisor
Jay Vinitsky
Post Production Supervisor
Tailor
Darek Beeman
Tailor
Second Assistant "A" Camera
William McConnell
Second Assistant "A" Camera
Albert Gelabert
Second Assistant "A" Camera
ADR Editor
Laura Graham
ADR Editor
Rigging Gaffer
Joshua Stern
Rigging Gaffer
Camera Loader
Jennifer Galipault
Camera Loader
Choreographer
Mia Michaels
Choreographer
Transportation Captain
William Ballard
Transportation Captain
Color Timer
Mato
Color Timer
Craft Service
Nick Mestrundrea
Craft Service
Assistant Chief Lighting Technician
Marc Wostak
Assistant Chief Lighting Technician
Digital Intermediate Editor
Philip Beckner
Digital Intermediate Editor
Music Director
Adam Anders
Music Director
Compositors
Dhumal Sagar
Compositors
What's left behind the scenes
- “Rock of Ages” is a film adaptation of the stage musical of the same name, based on the book by Chris D’Arienzo.
- Will Ferrell and Steve Carell were considered for the role of Dennis Dupree.
- Taylor Swift could have played Sherry, but the role went to Julianna Huff.
- Anne Hathaway and Amy Adams were offered the role of Constance, but both declined due to scheduling conflicts. Hathaway was busy filming 'The Dark Knight Rises' (2012), and Adams with 'Man of Steel' (2013). Malin Akerman, who starred in 'Watchmen' (2009), ultimately took on the role.
- Before Malin Akerman was cast, Gwyneth Paltrow and Olivia Wilde were considered for the role.
- Konstantin Marulya, who played the musical representative in this film, embodied the role of Drew Boley in the Broadway production and was nominated for 'Best Leading Actor in a Musical' at the 2009 Tony Awards for his performance.
- The scene made to look like the 'Hollywood' sign was actually filmed at a landfill in Pompano Beach, Florida.
- During a “song duel” at the club, protesters against rock – seemingly modeled after the Parents' Music Resource Center (an American public organization that introduced special stickers (Parental Advisory) on music CDs warning about content they deemed undesirable) – sing Twisted Sister’s “We’re Not Gonna Take It.” In real life, Dee Snider, the vocalist of Twisted Sister, was one of the most outspoken critics of the PMRC and testified against the organization’s proposals at Senate hearings in September 1985.
- A Wilhelm scream can be heard when one of the “Z-guyeezz” members is thrown off the stage of “The Bourbon Room” and falls to the floor.
- When Sherry and Drew are in the music store, a copy of the original soundtrack to the film “Footloose” (1984) can be seen. Julianna Hough also starred in the remake of this film – “Footloose” (2011).
- Tom Cruise took vocal lessons for four and a half months to prepare for his role. His preparation also included push-ups and abdominal exercises.
- Gloria Estefan was considered for the role of Patricia Whitmore. She was so enthusiastic about the role that she even occasionally stood in for Catherine Zeta-Jones during script readings when she was unable to attend.
- Midway through the film, a 1990s 'Lincoln Town Car' can be spotted on busy streets, a model that did not exist in 1987.
- Drew carries a hard plastic guitar case. However, cases of this type only appeared in the 21st century.
- At one point near the 'Bourbon' club, a 1995 Chrysler LeBaron convertible can be seen (a more refined model without hidden headlights).
- In the music store, the Iron Maiden album 'Somewhere in Time' from 1986 is prominently displayed on one of the walls. However, it's the cover from the 1998 reissue, where the band and album title were much smaller and located in the upper left corner, compared to the original cover.
- When Patricia tells her husband about her 'neighbor' in the car, she is holding papers. They are held together by a clip with metal, hinged fasteners that alternate between pointing up and down.
- When Sherry goes outside after breaking up with Drew, her elaborately styled hair is already limp and wet, even though she hasn't had time to get caught in the rain.
- When Stacey and Constance sing “I Want to Know What Love Is” facing a mirror, part of Constance’s hairstyle is visible in the reflection, and it looks as though the reflection doesn't show her hair – there are a lot of brownish and reddish streaks there, while Constance is blonde with no hint of red.
- During the performance of Sherry’s rendition of “More Than Words,” there’s a scene where Drew adjusts the microphone to which a scarf is already tied, and this is before Lonnie has done the “sound check.”
- At the end of the scene where Drew’s band plays for Stacey, it is clearly visible that Drew is using a wired microphone to which no cable is connected.
- The fictional club “Bourbon” is supposedly located on the Sunset Strip in West Hollywood, California. West Hollywood wasn’t previously registered as a separate city; this only happened in 1984 (before the events of the film). In any case, the mayor of Los Angeles would have no jurisdiction over the establishments located there.
- The film's events take place in 1987, but many of the songs were written later: Warrant – «Heaven» (1988), Extreme – «More Than Words» (1990), Poison – «Every Rose Has Its Thorn» (1988), Skid Row – «I Remember You» (1989). It should be noted, however, that these songs reflect the second half of the 1980s overall, and the film is more of a musical fantasy than a historically accurate depiction of a specific period.
- During Drew's first performance on stage, the mirror effect creates the impression that he is holding the guitar differently, but this is not the case, as the inscription on his t-shirt is also mirrored.
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