Notre-Dame on Fire - crew, film crew

The entire team, the film crew of the film "Notre-Dame on Fire"
Notre-Dame brûle (2022)
Timing: 1:50 (110 min)
Notre-Dame on Fire - TMDB rating
6.604/10
240
Notre-Dame on Fire - Kinopoisk rating
6.476/10
448
Notre-Dame on Fire - IMDB rating
6.4/10
3300

Film crew

Director

Producer

Photo Jérôme Seydoux #72310
Jérôme Seydoux
Producer
Photo Ardavan Safaee #73587
Ardavan Safaee
Producer

Executive Producer

Jean-Yves Asselin
Executive Producer

Writer

Casting

Michaël Laguens
Casting

Editor

Reynald Bertrand
Editor

Special Effects Supervisor

Photo Jean-Christophe Magnaud #300940
Jean-Christophe Magnaud
Special Effects Supervisor

Art Direction

Dominique Moisan
Art Direction

Production Design

Photo Jean Rabasse #79782

Jean Rabasse

Jean Rabasse
Production Design

Set Decoration

Jessy Kupperman
Set Decoration

Makeup Artist

Hélène Lefèvre
Makeup Artist

Sound Re-Recording Mixer

Photo Cyril Holtz #70357
Cyril Holtz
Sound Re-Recording Mixer
Photo Damien Lazzerini #7440
Damien Lazzerini
Sound Re-Recording Mixer

Original Music Composer

Photo Simon Franglen #65919Photo Simon Franglen #65920

Simon Franglen

Simon Franglen
Original Music Composer

Director of Photography

Photo Jean-Marie Dreujou #120858
Jean-Marie Dreujou
Director of Photography

Visual Effects Supervisor

Laurens Ehrmann
Visual Effects Supervisor

Supervising Sound Editor

Photo Gurwal Coïc-Gallas #72070
Gurwal Coïc-Gallas
Supervising Sound Editor

First Assistant Director

Matthieu de la Mortière
First Assistant Director

Sound Designer

Photo Gurwal Coïc-Gallas #72070
Gurwal Coïc-Gallas
Sound Designer

Sound

Photo Lucien Balibar #7424
Lucien Balibar
Sound

What's left behind the scenes

  • Director and screenwriter Jean-Jacques Annaud imagined that 5% of the future film would be edited from footage of the fire itself taken on smartphones, television news footage, etc. Therefore, a year before the film's release, he placed an ad requesting recordings of traffic jams caused by the fire, people on the street praying for salvation from the fire, and footage from the scene taken by foreign correspondents. He even created a website where such materials could be sent.
  • The most difficult part was filming the collapse of the spire inside the cathedral. A scaled-down belfry had to be built in a pavilion (maintaining all proportions during construction), and then set on fire there. The scene was filmed with a minimum of personnel on set. Everyone present was wearing protective suits. The scene was shot in one take, using 12 cameras equipped with protective casings.
  • The flames in the film are real – either taken from footage sent to the filmmakers, or filmed during a fire reconstruction in a pavilion. The film still contains approximately 400 visual effects. Their presence is due to the need to remove cables and various pipes and tubes from the image, as well as add plumes of smoke and tongues of flame to scenes with actors (they were not filmed where it was dangerous).
  • Restoration work was underway at Notre-Dame, so filming there was impossible. Filming took place in other cathedrals in France, in particular in Bourges (where they filmed mainly the surroundings of the Saint-Stephen Gothic Cathedral), in Amiens Cathedral (where they filmed some of its elements), and in the Catholic Cathedral in Sens in Burgundy (where they filmed the staircase leading to the top of the bell tower, the nave, and scenes in which fire spreads through the wooden structures of the 13th century).
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