Moonrise Kingdom - crew, film crew

The entire team, the film crew of the film "Moonrise Kingdom"
Moonrise Kingdom (2012)
Timing: 1:34 (94 min)
Moonrise Kingdom - TMDB rating
7.7/10
6283
Moonrise Kingdom - Kinopoisk rating
7.702/10
233492
Moonrise Kingdom - IMDB rating
7.8/10
382000

Film crew

Director

Producer

Executive Producer

Sam Hoffman

Sam Hoffman
Executive Producer

Writer

Casting

Editor

Art Direction

Gerald Sullivan
Art Direction

Costume Design

Photo Kasia Walicka Maimone #70266
Kasia Walicka Maimone
Costume Design

Stunts

Production Design

Set Decoration

Kris Moran
Set Decoration

Makeup Artist

Photo Carla Antonino #75101
Carla Antonino
Makeup Artist

Key Makeup Artist

Björn Rehbein
Key Makeup Artist

Sound Re-Recording Mixer

Craig Henighan
Sound Re-Recording Mixer
Photo Chris Scarabosio #12387Photo Chris Scarabosio #12388

Chris Scarabosio

Chris Scarabosio
Sound Re-Recording Mixer

Original Music Composer

Photo Alexandre Desplat #13910Photo Alexandre Desplat #66001

Alexandre Desplat

Alexandre Desplat
Original Music Composer

Orchestrator

Conrad Pope
Orchestrator

Set Dresser

Jared Hartley
Set Dresser
Brian Fry
Set Dresser
John Ryder
Set Dresser
Shadya H. Ballug
Set Dresser
Brian McKenzie
Set Dresser
C. Kent Lanigan
Set Dresser

Director of Photography

Photo Robert D. Yeoman #66042

Robert D. Yeoman

Robert D. Yeoman
Director of Photography

Musician

Photo Chuck Loeb #108822
Chuck Loeb
Musician

Costumer

Lara Quinlan
Costumer

Costume Supervisor

Mark Peterson
Costume Supervisor

Makeup Department Head

Nuria Sitja
Makeup Department Head

Property Master

Sandy Hamilton
Property Master

Visual Effects Supervisor

Dan Schrecker
Visual Effects Supervisor
Gene Warren Jr.
Visual Effects Supervisor
Danny S. Kim
Visual Effects Supervisor

Hair Department Head

Mandy Lyons
Hair Department Head

Set Costumer

Dianna Reardon
Set Costumer

Still Photographer

Niko Tavernise
Still Photographer

Sound Mixer

Pawel Wdowczak
Sound Mixer

Visual Effects Producer

Colleen Bachman
Visual Effects Producer

Assistant Costume Designer

Keri Langerman
Assistant Costume Designer
Mickey Carleton
Assistant Costume Designer

Thanks

Jill Bogdanowicz
Thanks

Boom Operator

James Baker
Boom Operator

Graphic Designer

Mark Pollard
Graphic Designer

Set Designer

Jeremy Woodward
Set Designer

First Assistant Editor

Daniel Triller
First Assistant Editor

Foley Artist

Steve Baine
Foley Artist

Construction Coordinator

David Rotondo
Construction Coordinator

Art Department Coordinator

J.M. Hunter
Art Department Coordinator

Dialogue Editor

Lewis Goldstein
Dialogue Editor

Key Hair Stylist

Frank Barbosa
Key Hair Stylist

Leadman

Robert Schleinig
Leadman

Special Effects

Brian Ricci
Special Effects

ADR Recordist

Tom Ryan
ADR Recordist

VFX Artist

Matt Kushner
VFX Artist

Utility Sound

David C. Manahan
Utility Sound

Visual Effects Editor

Mark Edward Wright
Visual Effects Editor

ADR Editor

Cate Montana
ADR Editor

Costume Coordinator

Brittany Loar
Costume Coordinator

Wardrobe Supervisor

Joseph T. Mastrolia
Wardrobe Supervisor
Joanna Murphy
Wardrobe Supervisor

Title Designer

Digital Intermediate

Barbara Jean Kearney
Digital Intermediate

What's left behind the scenes

  • The map of New Penzance Island was created based on Fisher Island, New York.
  • The film was a discovery at the 65th Cannes Film Festival in 2012.
  • While Ben is talking to Sam and Suzy as they walk around the camp, a Boy Scout marching in the background can be seen waving at the camera.
  • This is Wes Anderson's first film shot in the 1.85:1 aspect ratio since 'Bottle Rocket' (1995), and also the first he has shot on 16mm film.
  • Before filming, neither Kara Hayward nor Jared Gilman had ever seen a typewriter in person. Hayward later said: "Fran (Frances McDormand) was very amused by this machine. She couldn't believe it. She showed me that the keys are arranged the same way as they are now (on a computer)."
  • The film premiered in only 4 cinemas, two in New York and two in Los Angeles, but still grossed $167,250 per screening, setting a record for box office revenue per theater for a feature film.
  • According to Wes Anderson, the fact that Suzy found a pamphlet titled “Dealing with a Difficult Child” was based on a similar example from his childhood: “There was nothing terrible about it. The only thing was, when I found it, I was very surprised. And I immediately understood who that difficult child was, although hypothetically it could have been someone else.”
  • In the film, Laura Bishop (Frances McDormand) shouts at various family members through a megaphone. The idea came from the childhood of screenwriter Roman Coppola. His mother, Eleanor, used a megaphone in a similar way.
  • During filming, Wes Anderson rented an old mansion in Newport, Rhode Island, for himself, editor Andrew Weisblum, and cinematographer Robert D. Yeoman, in which they had a room equipped for editing the film. The actors were housed in a nearby hotel, but eventually some of them decided to move into the mansion, including Edward Norton, Bill Murray, and Jason Schwartzman. Murray later joked that the idea was to have everyone on hand so they could all work from early in the morning.
  • An abandoned Linens 'n Things store outside of Newport, Rhode Island, was used as a sound recording pavilion for the film.
  • The earrings Sam gives to Suzy are made from iridescent greenish-blue beetles called Jewel Beetles. They are found throughout North America and inhabit humid, wooded areas.
  • Most of Wes Anderson’s classmates who were scouts were in ‘Troop 55’.
  • To find a filming location, the film's director used Google Earth due to a crisis of ideas.
  • The interior of Suzy’s house, as well as many of the buildings in the film, were taken from the natural landmark ‘Thousand Islands’.
  • The wrecked Volkswagen Beetle from 1971 or 1972 shown near the end of the film, despite the movie being set in 1965.
  • When Sam and Suzy play Françoise Hardy's record on the beach, a Capitol Records building is visible. However, Françoise's recordings from the time of “Le temps de l`amour” were released by Vogue.
  • When Sam and Suzy listen to Françoise Hardy's record on the beach, the record she shows Sam – “The «Yeh-Yeh» Girl From Paris!” – was released in 1966 by Four Corners Records. This was the American version of Françoise Hardy’s first album, released in France in 1962 on the Vogue label. The film’s events take place in 1965, so the Vogue version should have been shown.
  • 1960s camping equipment does not include fluorescent lanterns or nylon tents, especially self-supporting models on flexible poles.
  • A 1968 Dodge sometimes appears as the island police car, and sometimes a 1969 Dodge. The film is set in 1965.
  • A Quantum Sails logo is visible on the sail of the sailboat. Quantum was founded only in 1996.
  • When the 'Command Tent' is flooded at the Lebanon camp, and lightning strikes a nearby pole, the equipment used to tilt it is clearly visible at the base of the pole.
  • This is the first Wes Anderson film shot in a 1.85:1 aspect ratio since 'Bottle Rocket' (1995), and also the first he has shot on 16mm film.
  • Prior to filming, neither Kara Hayward nor Jared Gilman had ever seen a typewriter in person. Hayward later said: "Fran (Frances McDormand) was very amused by this machine. She couldn't believe it. She pointed out to me that the keys are arranged the same way as they are now (on a computer)."
  • According to Wes Anderson, the fact that Suzy found a pamphlet titled 'Dealing with a Difficult Child' was based on a similar instance from his childhood: "There was nothing frightening about it. The only thing was, I was very surprised when I found it. And I immediately knew who that difficult child was, although hypothetically it could have been someone else."
  • Most of Wes Anderson's classmates who were scouts were in 'Troop 55'.
Did you like the film?

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