The Holdovers - crew, film crew
The entire team, the film crew of the film "The Holdovers"
The Holdovers (2023)
Timing:
2:13 (133 min)
7.651/10
2450
2450
7.705/10
52673
52673
7.9/10
245000
245000
Film crew
Director
Producer
Mark Johnson
Producer
David Hemingson
Producer
Executive Producer
Andrew Golov
Executive Producer
Tom Williams
Executive Producer
Thomas Zadra
Executive Producer
Thom Zadra
Executive Producer
Writer
David Hemingson
Writer
Casting
Lisa Lobel
Casting
Susan Shopmaker
Casting
Editor
Kevin Tent
Editor
Special Effects Supervisor
Adam Bellao
Special Effects Supervisor
Art Direction
Jeremy Woolsey
Art Direction
Costume Design
Wendy Chuck
Costume Design
Stunts
John Vincent Mason
Stunts
A.J. Paratore
Stunts
Justice Hedenberg
Stunts
Alan Francis Sullivan
Stunts
Corey Hibbert
Stunts
Production Design
Ryan Warren Smith
Production Design
Stunt Coordinator
Amy Greene
Stunt Coordinator
Set Decoration
Markus Wittman
Set Decoration
Makeup Artist
Sarah Rubano
Makeup Artist
Scott Hersh
Makeup Artist
Donyale McRae
Makeup Artist
Key Makeup Artist
Scott Hersh
Key Makeup Artist
Sound Re-Recording Mixer
Patrick Cyccone Jr.
Sound Re-Recording Mixer
Original Music Composer
Unit Production Manager
Chris Stinson
Unit Production Manager
Production Supervisor
Joshua Gonzales
Production Supervisor
Set Dresser
Catriona Crosby
Set Dresser
Brandon Warner
Set Dresser
Sean Doyle
Set Dresser
Setha Phongsavan
Set Dresser
Second Assistant Director
John Nasraway
Second Assistant Director
Director of Photography
Eigil Bryld
Director of Photography
Costume Supervisor
Lori DeLapp
Costume Supervisor
Makeup Department Head
Sarah Rubano
Makeup Department Head
Property Master
Pete Dancy
Property Master
Script Supervisor
Rebecca Robertson
Script Supervisor
Hair Department Head
Michael White
Hair Department Head
Set Costumer
Anastasia Tsikhanava
Set Costumer
Hairstylist
Lori Gomes
Hairstylist
Still Photographer
Seacia Pavao
Still Photographer
Associate Editor
Sound Mixer
David J. Schwartz
Sound Mixer
Visual Effects Producer
Matt Akey
Visual Effects Producer
Eun-Duk Cho
Visual Effects Producer
First Assistant Director
Rod Smith
First Assistant Director
Assistant Costume Designer
Chandra Dyani Chavez
Assistant Costume Designer
Boom Operator
James B. Appleton
Boom Operator
Graphic Designer
Nathan Carlson
Graphic Designer
Set Designer
Anthony Raymond
Set Designer
Set Decoration Buyer
Ashley L. Sykes
Set Decoration Buyer
Alix Metros
Set Decoration Buyer
Foley Artist
Biko Gogaladze
Foley Artist
Sound Designer
Frank Gaeta
Sound Designer
Ager/Dyer
Dianna Reardon
Ager/Dyer
Grip
Tomek Doroz
Grip
Justin Sulham
Grip
Michael Spurling
Grip
Dolly Grip
Todd England Nicodemus
Dolly Grip
Key Hair Stylist
Jennifer Douglas
Key Hair Stylist
Music Supervisor
Matt Aberle
Music Supervisor
Special Effects Technician
Tommy Carroll
Special Effects Technician
Preston Treadwell
Special Effects Technician
Harrison Wayne
Special Effects Technician
Hair Designer
Michael White
Hair Designer
Jennifer Douglas
Hair Designer
Casting Associate
Randi Glass
Casting Associate
Melissa Morris
Casting Associate
Gaffer
Frans Wetterings III
Gaffer
Music Editor
Richard Ford
Music Editor
Focus Puller
Glenn Kaplan
Focus Puller
"B" Camera Operator
Terrence Hayes
"B" Camera Operator
VFX Editor
Brian Bautista
VFX Editor
Post Production Coordinator
Christopher Guzman
Post Production Coordinator
Colorist
Joe Gawler
Colorist
Sound Assistant
Diego Gaeta
Sound Assistant
Cody Skully
Sound Assistant
VFX Artist
Elias Saliba
VFX Artist
Production Coordinator
Josh Cronin
Production Coordinator
Kelly Kreiser
Production Coordinator
Utility Sound
Aaron Bouchard
Utility Sound
Dia Donnelly
Utility Sound
Line Producer
Chris Stinson
Line Producer
Local Casting
Angela Peri
Local Casting
Lisa Lobel
Local Casting
VFX Supervisor
Andy Chih-Jen Chang
VFX Supervisor
Extras Casting
Caroline Blanco
Extras Casting
Owen Guinessey
Extras Casting
Gracie Kennedy
Extras Casting
Title Designer
Nathan Carlson
Title Designer
Executive Music Producer
Richard Ford
Executive Music Producer
Post Production Producer
Pamela Winn-Barnett
Post Production Producer
Music Supervision Assistant
John Hancock
Music Supervision Assistant
What's left behind the scenes
- The opening credits contain a humorous copyright notice stating that the film was supposedly shot in 1971.
- The entire film was shot on location – without sets or sound stages.
- Despite the visuals resembling films from the 1970s, the film was shot on a digital "ARRI Alexa Mini" camera, and all the characteristic features of shooting on film (image grain, halos, mechanical vibrations of the film as it passes through the camera gate, etc.) were added during post-production.
- Focus Features acquired the rights to the film for $30 million after a showing to potential buyers at the 2022 Toronto International Film Festival. The film wasn't even on the list of films intended for screening, but the deal still became the largest at the festival.
- Many scenes were filmed at the Fairhaven, Massachusetts high school during spring break. Fortunately, a snowstorm hit the town during those days, which pleased the film crew, as the plot involves some events taking place during a snowstorm. Therefore, the snow shown in the film is not artificial, but natural.
- According to Dominic Sessa, the hardest scene to film was the ice skating scene. Sessa used to play hockey, and falling on cue – and in a way that looked natural – turned out to be not easy.
- While filming the scene where his character calls home, Dominic Sessa "messed up" the take because he didn't know how to use a rotary dial phone and had to be shown. Somehow, it didn't occur to anyone on the film's creative team that he had never used such phones before.
Did you like the film?
Auditions in India
Casting calls in USA
Castingi w Polsce
Кастинги в Україні
