The Conformist - crew, film crew
The entire team, the film crew of the film "The Conformist"
Il conformista (1971)
Timing:
1:48 (108 min)
7.641/10
754
754
Film crew
Director
Producer
Maurizio Lodi-Fè
Producer
Executive Producer
Editor
Art Direction
Ferdinando Scarfiotti
Art Direction
Costume Design
Gitt Magrini
Costume Design
Production Design
Ferdinando Scarfiotti
Production Design
Set Decoration
Maria Paola Maino
Set Decoration
Makeup Artist
Franco Corridoni
Makeup Artist
Original Music Composer
Co-Producer
Henri Michaud
Co-Producer
Production Supervisor
Aldo U. Passalacqua
Production Supervisor
Director of Photography
Camera Operator
Enrico Umetelli
Camera Operator
Assistant Art Director
Nedo Azzini
Assistant Art Director
Script Supervisor
Flavia Sante Vanin
Script Supervisor
Electrician
Alberico Novelli
Electrician
Hairstylist
Rosa Luciani
Hairstylist
Still Photographer
Sound Mixer
Franco Bassi
Sound Mixer
First Assistant Director
Aldo Lado
First Assistant Director
Assistant Costume Designer
Piero Cicoletti
Assistant Costume Designer
Production Manager
Serge Lebeau
Production Manager
Screenplay
Novel
First Assistant Editor
Giancarlo Venarucci
First Assistant Editor
Giancarlo Venarucci
First Assistant Editor
Foley Artist
Sergio Basili
Foley Artist
Assistant Editor
Carlo Broglio
Assistant Editor
Vincenzo Di Santo
Assistant Editor
Assistant Set Decoration
Philippe Turlure
Assistant Set Decoration
Osvaldo Desideri
Assistant Set Decoration
Assistant Director
Alain Bonnot
Assistant Director
Paolo Finocchi
Assistant Director
Conductor
Post Production Supervisor
Giuliana Bettoja
Post Production Supervisor
Sound
Mario Dallimonti
Sound
Guido Giorgucci
Sound
Production Secretary
Attilio Viti
Production Secretary
Loredana Pagliaro
Production Secretary
Unit Manager
Mario Cotone
Unit Manager
Nicola Venditti
Unit Manager
Administration
Pietro Sassaroli
Administration
Assistant Camera
Giuseppe Alberti
Assistant Camera
Mauro Marchetti
Assistant Camera
Presenter
Maurizio Lodi-Fè
Presenter
What's left behind the scenes
- The hospital where the protagonist’s father is staying is Teatro Libera, or “Free Theatre,” on the outskirts of Rome. This massive Art Nouveau building of white marble has also been featured in other films and television programs.
- When the protagonist asks the operator to connect him with Professor Quadri, he gives a phone number that once belonged to Bernardo Bertolucci’s (1941-2018) idol, Jean-Luc Godard. When Quadri answers, the protagonist recalls one of the lectures in which Quadri said: “The time for reflection is over. The time for action has come.” These words open Godard’s 1960 film, *Le Petit Soldat* (The Little Soldier).
- Bernardo Bertolucci was introduced to the novel of the same name (1947) by Alberto Moravia (1907-1990), which later served as the literary basis for the film, by his then-girlfriend, Maria Paola Maino. He liked how she described the book, but he himself was busy working on *The Spider’s Strategy* (1970) and hadn’t read the novel at the time he pitched the idea of an adaptation to Luigi Luraschi (1905-2002) of Paramount Pictures. Bertolucci was so convincing that Luraschi agreed to sponsor the filming and then handle the film’s distribution. Just a month later, Bertolucci was busy reading the novel and simultaneously writing the screenplay for the future film.
- Initially, the film's editing was handled, as usual, by Roberto Perpignani, and he edited the film linearly, i.e., chronologically in order. Soon, however, some of the film's storylines were edited by Franco Arcalli (1929-1978), and he did so by alternating the past with the present, thereby changing the film's structure. The result made such an impression on Bertolucci that he entrusted the editing of the entire film to Arcalli, and subsequently worked only with him.
- Before casting Dominique Sanda as Anna Quadri, Bernardo Bertolucci offered the role to Brigitte Bardot.
- On his way to Quadri, the protagonist utters the phrase in Latin “Animula, vagula, blandula, hospes comesque corporis,” or “Little soul, wandering and tender, guest and companion of the body.” This is the first line of an epitaph attributed to the ancient Roman emperor Hadrian (76-138).
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