Krull - crew, film crew
The entire team, the film crew of the film "Krull"
Krull (1983)
Timing:
2:1 (121 min)
6.046/10
609
609
Film crew
Director
Producer
Geoffrey Helman
Producer
Ron Silverman
Producer
Executive Producer
Casting
Patsy Pollock
Casting
Editor
Art Direction
Tony Reading
Art Direction
Colin Grimes
Art Direction
Norman Dorme
Art Direction
Tony Curtis
Art Direction
Costume Design
Anthony Mendleson
Costume Design
Stunts
Eddie Powell
Stunts
Production Design
Stephen B. Grimes
Production Design
Stunt Coordinator
Set Decoration
Herbert Westbrook
Set Decoration
Makeup Artist
Alan Boyle
Makeup Artist
Original Music Composer
Stunt Double
Director of Photography
Peter Suschitzky
Director of Photography
Camera Operator
Kelvin Pike
Camera Operator
Hairstylist
Barbara Ritchie
Hairstylist
Sound Mixer
Ivan Sharrock
Sound Mixer
Screenplay
Stanford Sherman
Screenplay
Special Effects Technician
Chris Corbould
Special Effects Technician
Focus Puller
Mike Rutter
Focus Puller
Scoring Mixer
John Richards
Scoring Mixer
Second Unit First Assistant Director
Supervising Sound Effects Editor
Winston Ryder
Supervising Sound Effects Editor
Wardrobe Designer
Renee Heimer
Wardrobe Designer
What's left behind the scenes
- The film was one of the most expensive films of its time.
- The Cyclops states that the fiery mares can run a thousand leagues a day. A league was defined as the distance a heavily armed man could walk in an hour, typically 3-4 miles (4-7 kilometers). This means that the fiery mares could cover around 3500 miles (5000 km) a day at an average speed of about 145 miles per hour (250 km/h).
- The film was inspired by «Krull» (1983).
- Twenty-three sets were built for filming.
- To prepare for his role as Prince Colwyn, Ken Marshall practiced sports such as horseback riding, fencing, and boxing constantly even before filming began.
- Sixteen Clydesdale horses were trained for several months for the role of the fire mares.
- The dubbing for the death screams of the «Slayers» was taken from «Journey to the Center of the Earth» (1976).
- The makeup for "Widow's Web" consisted of 23 elements.
- Filming took place over four weeks in Pinewood Studios' largest soundstage. It took over five months to transform it into a terrifying swampy landscape with jagged trees and bubbling pools. The special effects department created extremely realistic quicksand, in which up to twenty unfortunate technicians found themselves at one time or another. Director Peter Yates had to balance on a raft floating in one of the pools to see the entire set. To film particularly difficult shots, the cameraman in a wetsuit submerged himself in the "quicksand" or the pool.
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