Inside Llewyn Davis - crew, film crew

The entire team, the film crew of the film "Inside Llewyn Davis"
Inside Llewyn Davis (2013)
Timing: 1:44 (104 min)
Inside Llewyn Davis - TMDB rating
7.198/10
2609
Inside Llewyn Davis - Kinopoisk rating
6.956/10
43670
Inside Llewyn Davis - IMDB rating
7.4/10
161004

Film crew

Director

Producer

Executive Producer

Robert Graf
Executive Producer
Olivier Courson
Executive Producer
Photo Ron Halpern #744

Ron Halpern

Ron Halpern
Executive Producer

Writer

Casting

Photo Ellen Chenoweth #4033
Ellen Chenoweth
Casting

Editor

Special Effects Supervisor

Steven Kirshoff
Special Effects Supervisor

Art Direction

Deborah Jensen
Art Direction

Costume Design

Photo Mary Zophres #8630

Mary Zophres

Mary Zophres
Costume Design

Production Design

Photo Jess Gonchor #70431
Jess Gonchor
Production Design

Stunt Coordinator

Photo Jery Hewitt #26562
Jery Hewitt
Stunt Coordinator

Set Decoration

Susan Bode Tyson
Set Decoration

Stunt Driver

Photo Jennifer Lamb #18530
Jennifer Lamb
Stunt Driver

Sound Re-Recording Mixer

Photo Skip Lievsay #10790
Skip Lievsay
Sound Re-Recording Mixer
Greg Orloff
Sound Re-Recording Mixer

Set Dresser

Dimitra Bixby
Set Dresser
Zach Selter
Set Dresser

Second Assistant Director

John Silvestri
Second Assistant Director

Stunt Double

Edward Gabree
Stunt Double

Director of Photography

Photo Bruno Delbonnel #14270Photo Bruno Delbonnel #66222Photo Bruno Delbonnel #327527

Bruno Delbonnel

Bruno Delbonnel
Director of Photography

Steadicam Operator

Photo Maceo Bishop #68169
Maceo Bishop
Steadicam Operator

Costume Supervisor

Nancy Au
Costume Supervisor

Makeup Department Head

Nicki Ledermann
Makeup Department Head

Sound Effects Editor

Paul Urmson
Sound Effects Editor

Visual Effects Supervisor

Alex Lemke
Visual Effects Supervisor

Supervising Sound Editor

Photo Skip Lievsay #10790
Skip Lievsay
Supervising Sound Editor

Script Supervisor

Thomas Johnston
Script Supervisor

Hair Department Head

Michael Kriston
Hair Department Head

Set Costumer

Megan Asbee
Set Costumer
Kat St. John
Set Costumer
Fionnuala Lynch
Set Costumer

Special Effects Coordinator

Mark Bero
Special Effects Coordinator

Still Photographer

Visual Effects Producer

Sarah Dowland
Visual Effects Producer

First Assistant Director

Betsy Magruder
First Assistant Director

Foley Artist

Marko Costanzo
Foley Artist

Construction Coordinator

Key Hair Stylist

Nathan J. Busch II
Key Hair Stylist

Second Second Assistant Director

Matt Lake
Second Second Assistant Director

Foley Mixer

George A. Lara
Foley Mixer

Casting Associate

Amelia Rasche McCarthy
Casting Associate

Music Editor

Todd Kasow
Music Editor
Jen Monnar
Music Editor

Production Sound Mixer

Peter F. Kurland
Production Sound Mixer

Other

Production Coordinator

Mark Hagerman
Production Coordinator

Extras Casting

Debbie DeLisi
Extras Casting

Music Producer

Executive Music Producer

Photo T Bone Burnett #7560

T Bone Burnett

T Bone Burnett
Executive Music Producer

Compositors

Michael Queen
Compositors

What's left behind the scenes

  • The film is dedicated to the American folk performer Dave Van Ronk.
  • Cinematographer Roger Deakins was unable to work with Ethan and Joel Coen again due to being occupied with another project ("Skyfall", 2012).
  • Lewin Davis is a fictional character not based on the life of Dave Van Ronk. However, the idea for his creation came from Van Ronk's memoirs. The film also depicts the Greenwich Village music scene and the real clubs Gaslight Cafe and Gerde's Folk City.
  • Folk singer Dave Van Ronk, who was the inspiration for this film, released the album Inside Dave Van Ronk in 1963. The album cover featured a photograph of Van Ronk with a cat. In an interview, Ethan and Joel Coen were asked if there was a connection between this cover and the presence of a cat with the character in the film. They replied that it was not related in any way. Moreover, they only noticed the cat on the cover after filming had finished. During post-production, the art director pointed out this coincidence.
  • The cover of the album Inside Llewyn Davis, which is shown in the film, was made in analogy with the cover of Inside Dave Van Ronk.
  • After Oscar Isaac's first meeting with T-Bone Burnett, the latter put on a Tom Waits record and simply left the room for an hour.
  • Oscar Isaac actually really dislikes cats. This dislike developed in him when he contracted an infection from a cat bite.
  • Scott Avett from The Avett Brothers auditioned for the role of Lewin Davis.
  • The film's directors told an interviewer that working with multiple cats on set was difficult, and they ended up completely falling out of love with the animals. Mainly due to the difficulties associated with making this film. They said that even working with a trained vulture, which they used on the set of 'True Grit' (2010), was easier than working with cats. And that was considering the vulture was rather unintelligent for a bird.
  • Jim and Jean were a real American folk duo, Jim Glover and Jean Ray, who performed in the 1960s in Greenwich Village. Jim Glover was the person who first introduced the legendary performer Phil Ochs to folk music. And Jean Ray was known for inspiring Neil Young to write the song 'Cinnamon Girl'.
  • In the scene where Lewin makes a phone call using a public payphone at a subway station, a modern train can be seen arriving at the station from the opposite direction.
  • Lewin walks past a poster for the film "The Incredible Journey" (1963), which was released two years after the events of the film.
  • A lava lamp can be seen in one of the scenes. Such lamps were invented in 1963, but did not go on sale until 1965.
  • All of the Checker Taxi cars are models produced after 1973. This can be determined by their large bumpers.
  • At the beginning of the film, Jean asks Lewin if he has ever won the lottery. New Hampshire was the first state in America to begin selling lottery tickets, in 1964.
  • The police car that stops the protagonist during his trip to Chicago is a 1963 Plymouth.
  • A 1962 Cadillac can be spotted in one of the street scenes in Greenwich Village, even though the film’s events take place in early 1961.
  • The drum kit visible in the background of the recording studio is from a much later period.
  • When Lewyn and Jean are talking on the couch in Jean’s apartment, her hair noticeably changes position between shots.
  • US Highway 80 does not go through Akron. It was likely meant to be Interstate 80, which had not yet been built in 1961. US 80 runs from Savannah to Dallas.
Did you like the film?

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