Terminator Genisys - crew, film crew
The entire team, the film crew of the film "Terminator Genisys"
Terminator Genisys (2015)
Timing:
2:6 (126 min)
5.951/10
8906
8906
6.412/10
185214
185214
6.3/10
306000
306000
Film crew
Director
Producer
Executive Producer
Bill Carraro
Executive Producer
Paul Schwake
Executive Producer
Casting
Elizabeth Coulon
Casting
Editor
Art Direction
Greg Papalia
Art Direction
Dawn Swiderski
Art Direction
Jeff Mossa
Art Direction
Mara LePere-Schloop
Art Direction
David E. Scott
Art Direction
Mark Robert Taylor
Art Direction
Andres Cubillan
Art Direction
Supervising Art Director
Aaron Haye
Supervising Art Director
Costume Design
Susan Matheson
Costume Design
Stunts
Mark De Alessandro
Stunts
Sam Looc
Stunts
Nick Brandon
Stunts
Roel Failma
Stunts
Colin Follenweider
Stunts
Steve Picerni
Stunts
Martin De Boer
Stunts
Lisa Dempsey
Stunts
Scott Wilder
Stunts
Tim Garris
Stunts
Monique McKellop
Stunts
Norb Phillips
Stunts
Joe Ross
Stunts
Danny Cosmo
Stunts
Production Design
Neil Spisak
Production Design
Stunt Coordinator
John Stoneham Jr.
Stunt Coordinator
Joel Kramer
Stunt Coordinator
Gary Hymes
Stunt Coordinator
James M. Churchman
Stunt Coordinator
Rex Reddick
Stunt Coordinator
Second Unit Director
Set Decoration
Jay Hart
Set Decoration
Makeup Artist
Stacey Herbert
Makeup Artist
Nicole Sortillon Amos
Makeup Artist
Fleur Morell
Makeup Artist
Jenny-King Turko
Makeup Artist
Sound Re-Recording Mixer
Greg P. Russell
Sound Re-Recording Mixer
Scott Millan
Sound Re-Recording Mixer
Original Music Composer
Unit Production Manager
Wendy Williams
Unit Production Manager
Production Supervisor
Gavin J. Behrman
Production Supervisor
Associate Producer
Shari Hanson
Associate Producer
Orchestrator
Òscar Senén
Orchestrator
Set Dresser
Nick S. Cross
Set Dresser
Second Assistant Director
Richard Oswald
Second Assistant Director
Stunt Double
Utility Stunts
Kurt D. Lott
Utility Stunts
Director of Photography
Kramer Morgenthau
Director of Photography
Pilot
Cory Fleming
Pilot
Camera Operator
Jerry M. Jacob
Camera Operator
Jeffery J. Tufano
Camera Operator
Ken Fisher
Camera Operator
Mitch Dubin
Camera Operator
Ronald Hersey
Camera Operator
Steadicam Operator
Lawrence Karman
Steadicam Operator
Costume Supervisor
Stacy Horn
Costume Supervisor
Hayley Stuppel
Costume Supervisor
Makeup Department Head
Lisa Love
Makeup Department Head
Key Costumer
Carol Quiroz
Key Costumer
Sound Effects Editor
Greg ten Bosch
Sound Effects Editor
Csaba Wagner
Sound Effects Editor
Assistant Art Director
Elena Albanese
Assistant Art Director
Shawn D. Bronson
Assistant Art Director
Property Master
Diana Burton
Property Master
Visual Effects Supervisor
Dominic Parker
Visual Effects Supervisor
Katherine Renee Jones
Visual Effects Supervisor
Edson Williams
Visual Effects Supervisor
Grady Cofer
Visual Effects Supervisor
Peter Bebb
Visual Effects Supervisor
Bryan Jones
Visual Effects Supervisor
Laurent Gillet
Visual Effects Supervisor
Cliff Welsh
Visual Effects Supervisor
Janek Sirrs
Visual Effects Supervisor
Gary Brozenich
Visual Effects Supervisor
Sheldon Stopsack
Visual Effects Supervisor
Supervising Sound Editor
Tobias Poppe
Supervising Sound Editor
Script Supervisor
Anna Rane
Script Supervisor
Hair Department Head
Anji Bemben
Hair Department Head
Electrician
Set Costumer
Lori Harris
Set Costumer
Mustapha Mimis
Set Costumer
Anthony Rivera Jr.
Set Costumer
Susan Strubel
Set Costumer
Diane Cornelius
Set Costumer
Aerial Director of Photography
Hans Bjerno
Aerial Director of Photography
Supervising ADR Editor
Nancy Nugent
Supervising ADR Editor
Supervising Dialogue Editor
Nancy Nugent
Supervising Dialogue Editor
Hairstylist
Yolanda Mercadel
Hairstylist
Special Effects Coordinator
Shreyas Dorwat
Special Effects Coordinator
Mark Hawker
Special Effects Coordinator
Still Photographer
Melinda Sue Gordon
Still Photographer
Animation Supervisor
Nathan McConnel
Animation Supervisor
Mike Beaulieu
Animation Supervisor
Scott Benza
Animation Supervisor
Sound Mixer
Pud Cusack
Sound Mixer
Visual Effects Producer
Kim Phelan
Visual Effects Producer
Thomas Nittmann
Visual Effects Producer
Rupert Porter
Visual Effects Producer
Kevin Field
Visual Effects Producer
Shari Hanson
Visual Effects Producer
Fathy Hassan
Visual Effects Producer
Chad Nixon
Visual Effects Producer
Mark Webb
Visual Effects Producer
Mare McIntosh
Visual Effects Producer
Armorer
Timothy Lu
Armorer
Bryan Lu
Armorer
First Assistant Director
Philip A. Patterson
First Assistant Director
David Sardi
First Assistant Director
Assistant Costume Designer
Elaine Perlmann
Assistant Costume Designer
Stereoscopic Supervisor
Richard Baker
Stereoscopic Supervisor
Boom Operator
Richard Bullock Jr.
Boom Operator
Screenplay
First Assistant Editor
Robert Malina
First Assistant Editor
Kenny G. Krauss
First Assistant Editor
Sound Designer
Tobias Poppe
Sound Designer
Jason W. Jennings
Sound Designer
Construction Coordinator
John Hoskins
Construction Coordinator
Art Department Coordinator
Theresa Greene
Art Department Coordinator
Maren Brown
Art Department Coordinator
Dialogue Editor
Ralph Osborn
Dialogue Editor
Polly McKinnon
Dialogue Editor
Aerial Camera Technician
Dane Bjerno
Aerial Camera Technician
Peter Graf
Aerial Camera Technician
Rigging Grip
Ryan Watson
Rigging Grip
Aaron Toups
Rigging Grip
K.E.J. Stover
Rigging Grip
Rob Skuse
Rigging Grip
Transportation Coordinator
Charley Bob Burnham
Transportation Coordinator
Compositing Supervisor
Robin Beard
Compositing Supervisor
Ager/Dyer
Benj Gibicsar
Ager/Dyer
Maria J. Smith-Byrd
Ager/Dyer
Location Manager
David Ross McCarty
Location Manager
Assistant Property Master
David Schanker
Assistant Property Master
Key Hair Stylist
Donna Spahn
Key Hair Stylist
Jennifer Tremont
Key Hair Stylist
Seamstress
Thayer Abaigael
Seamstress
Nancy Foreman
Seamstress
Characters
Casting Assistant
Emma Sands-Milsom
Casting Assistant
Special Effects Technician
Marshall T. Broyles
Special Effects Technician
Foley Mixer
James Ashwill
Foley Mixer
Richard Duarte
Foley Mixer
John Guentner
Foley Mixer
Casting Associate
Hannah d'Angerio
Casting Associate
Gaffer
Brett Laumann
Gaffer
Digital Imaging Technician
Ryan Kunkleman
Digital Imaging Technician
ADR Mixer
Judah Getz
ADR Mixer
Video Assist Operator
Jesse Olivares
Video Assist Operator
Second Unit Director of Photography
Larry Blanford
Second Unit Director of Photography
Storyboard Artist
Jeff Errico
Storyboard Artist
Alex Hillkurtz
Storyboard Artist
Thomas A. Nelson
Storyboard Artist
Michael Anthony Jackson
Storyboard Artist
Jane Wu
Storyboard Artist
First Assistant Camera
Jason Jensen
First Assistant Camera
John Kairis
First Assistant Camera
Andrew Dumas
First Assistant Camera
Concept Artist
Rob Bliss
Concept Artist
Additional Music
Andrew Kawczynski
Additional Music
Dieter Hartmann
Additional Music
VFX Artist
Adrien Flanquart
VFX Artist
Production Coordinator
Tom Carson
Production Coordinator
Laura Jackloski
Production Coordinator
Visual Effects Coordinator
Sean McGrath
Visual Effects Coordinator
Allison Paul
Visual Effects Coordinator
Natalia Altavilla
Visual Effects Coordinator
Linda Barsotti
Visual Effects Coordinator
Samuel Côté
Visual Effects Coordinator
Stanislas de Lesquen
Visual Effects Coordinator
Valeria di Gabriele
Visual Effects Coordinator
Raphael Fernandes
Visual Effects Coordinator
Alison Griffiths
Visual Effects Coordinator
Ashleigh Yu
Visual Effects Coordinator
Jayce Attewell
Visual Effects Coordinator
Visual Effects Editor
Mark Carr
Visual Effects Editor
Michael Harden
Visual Effects Editor
John Polyson
Visual Effects Editor
Abi Cadogan
Visual Effects Editor
Theo Demiris
Visual Effects Editor
Joseph Farrant
Visual Effects Editor
Chris Kowal
Visual Effects Editor
Payroll Accountant
David Krudis
Payroll Accountant
Christian Malouf
Payroll Accountant
Animation Director
Marlene Chazot
Animation Director
CG Supervisor
Pietro Ponti
CG Supervisor
Rigging Gaffer
Glenn E. Moran
Rigging Gaffer
Supervising Music Editor
Alex Gibson
Supervising Music Editor
Dialect Coach
Francie Brown
Dialect Coach
Matte Painter
Sun Lee
Matte Painter
Robert Olsson
Matte Painter
Transportation Captain
Tom Moore
Transportation Captain
Wigmaker
Connie Grayson Criswell
Wigmaker
Bob Kretschmer
Wigmaker
Digital Intermediate Producer
Christine Dougherty
Digital Intermediate Producer
Digital Colorist
Michael Hatzer
Digital Colorist
Craft Service
David Guilbeau
Craft Service
Digital Intermediate
Nadia Nabhan
Digital Intermediate
Foley
Aerial Coordinator
Senior Animator
Chris Lentz
Senior Animator
Additional Camera
David A. Wolf
Additional Camera
Greg Morris
Additional Camera
Michael Applebaum
Additional Camera
Digital Intermediate Editor
Mark Sahagun
Digital Intermediate Editor
Software Engineer
Lisa Curtis Saunders
Software Engineer
Animal Wrangler
Sid Yost
Animal Wrangler
Helicopter Camera
Dylan Goss
Helicopter Camera
Hans Bjerno
Helicopter Camera
Phil Pastuhov
Helicopter Camera
First Company Grip
Charles Crivier
First Company Grip
Weapons Master
Harry Lu
Weapons Master
What's left behind the scenes
- Emilia Clarke became the second actress from the series 'Game of Thrones' (2011) to play Sarah Connor. Several years ago, the mother of humanity's savior was played by Lena Headey in the series 'Terminator: The Sarah Connor Chronicles' (2008–2009).
- Justin Lin, Ang Lee, Brett Ratner, Rian Johnson, and Denis Villeneuve were considered as potential directors for the film.
- Jai Courtney almost had to drop out of the film's cast because the shooting schedule conflicted with the production of the sequel to «Divergent» (2014). However, the contract was structured in a way that allowed him to appear in both films.
- The working title of the film was Vista, a reference to the famous phrase «Hasta la vista, baby».
- Tom Hardy was initially considered for the role of John Connor.
- Before Jai Courtney was cast in the film, Boyd Holbrook, Taylor Kitsch, Nicholas Hoult, Zac Efron, Wilson Bethel, Sam Reid, Thomas Cocquerel, and Garrett Hedlund were all considered for the role.
- Besides Emilia Clarke, Brie Larson and Margot Robbie were considered for the role of Sarah Connor.
- The body of young Arnold Schwarzenegger in the film was played by actor and bodybuilder Brett Azar.
- This is the first film in the franchise shot on a digital camera and with an anamorphic lens.
- The trailer for the film features the song by Jetta "I'd Love to Change the World".
- The filmmakers considered John Boyega and Dayo Okeniyi as candidates for the role of Danny Dyson. The former ultimately rejected the offer in order to participate in the seventh episode of "Star Wars," and the role of Dyson went to Okeniyi.
- Robert Patrick declined an offer to reprise his role as the liquid metal Terminator T-1000, as he doubted he could physically handle the role due to health concerns.
- Christian Bale was unable to find time in his schedule to reprise his role as John Connor – a role he landed in the film 'Terminator Salvation' (2009).
- Executive producer David Ellison is no stranger to the world of computer technology. His father is Larry Ellison, the founder of Oracle, one of the world's largest IT corporations. The real kicker is that the filming of the 'Cyberdyne Systems' scenes took place right in the software giant's headquarters in Redwood Shores. Notably, both in real life and in the plot, this center is located within the San Francisco area.
- Paramount Studios received approval for two sequels to this film even before its release, but regardless of how well or poorly these films perform at the box office, all rights to the franchise will revert to James Cameron in 2019.
- During the making of the film, costume designer Susan Matheson faced a problem finding new Nike Vandal sneakers, which Kyle Reese wore in 1984. All she could find were worn-out samples. For several months, she asked Nike to manufacture this specific model for the film, but Nike wanted her to design a sneaker based on their Air-Force model. Matheson refused, as she didn't want to feel guilty towards fans of the first installment of the franchise who might notice the different sneaker model. Only after Paramount Studios intervened did Nike agree to manufacture 25 pairs of Vandal sneakers specifically for this film.
- Megan Ellison acquired the franchise rights in June 2011 for $20 million, outbidding Lionsgate studio, which had offered $15 million. In 2014, deciding to focus on producing arthouse films on her Annapurna label, she transferred the franchise rights to her brother, David Ellison. Victor Kubichek and Derek Anderson, who previously held the rights, were forced to relinquish them due to debts at their company Halycon, which led to an FBI investigation that revealed fraud with a hedge fund during the financing of the film 'Terminator Salvation' (2009).
- Screenwriter Laeta Kalogridis said that one of the sources of inspiration when writing the script was the film 'Back to the Future Part II' (1989). Kalogridis and Patrick Lussier themselves refused to write the script for this film three times, as they did not like the plot of the third and fourth installments of the franchise, and only agreed after a personal conversation with James Cameron.
- Adrien James was offered a role in this film, but he declined due to scheduling conflicts.
- In the scene where the Terminator studies a new type of ammunition, he says he read about it on gunsandammo.com. While preparing for the filming of the first installment of the franchise, Arnold Schwarzenegger underwent a week-long course on weapons handling and, as a result, received praise from Soldier of Fortune magazine, which noted the realism with which the actor handled weapons in the film.
- Kristanna Loken was considered for the role of the T-X.
- The song Sarah Connor listens to on her cassette player is "I Wanna Be Sedated" by The Ramones.
- This is the first film in the franchise in which Stan Winston – a special effects master and close friend of Arnold Schwarzenegger who passed away in 2008 – did not participate in the animation of the Terminators. The Legacy Effects team, created by Winston's former apprentices, is responsible for the special effects in the new film.
- Robert Patrick played T-1000 in a cameo in the comedy "Wayne's World" (1992) and the action film "Last Action Hero" (1993).
- It was decided not to hide Arnold Schwarzenegger's age with CGI effects. Instead, the screenwriters decided to explain that the living tissue covering the Terminator can age, and the robot's hair can turn gray. James Cameron suggested this idea to the filmmakers.
- When Sarah and Kyle land in San Francisco in 2017, a fragment of the song "Love Runs Out" by "OneRepublic" plays.
- Pops strikes T800 in the head with a beam. The concept is borrowed from the original "Terminator" (1984).
- During the chase scene across the Golden Gate Bridge (which takes place in 2017), the movable barrier system was not yet visible on the bridge. These barriers were installed in January 2015, several months after filming was completed.
- In the scene showing the streets of San Francisco during the nuclear attack in 1997, you can spot third-generation Toyota Prius cars, a model that didn't begin production until 2009, as well as a facelifted Land Rover Range Rover, which was only launched in the late 2000s.
- The Barrett M82 anti-material rifle used by Sarah Connor was developed in 1982, but was not adopted for service until 1989, significantly reducing the chances of a civilian obtaining such a weapon, especially a modernized M82A1 version.
- During the chase scene on the bridge, the Terminator, played by Arnold, punches through the windshield of a car. All modern car windshields are made of laminated safety glass – multiple layers of glass bonded with a special film capable of containing shards upon impact. This wouldn't happen in a real car; with a strong enough impact, the glass would shatter completely, but wouldn't form a hole.
- After the T800, which arrived in 1984, was disabled during transport in a truck, it is visible that it is missing part of its nose. However, when the T1000 finds Sarah Connor and activates the T800, the T800's nose is back in place.
- At the 28th minute, Sarah Connor fires 13 times in a row at the T-1000 from a Desert Eagle pistol, although the standard magazine for this pistol holds from 7 to 9 rounds, depending on the caliber and modification.
- At the 35th minute of the film, the T-1000 climbs out through the windshield of a police car and jumps onto the rear doors of a van, but the car continues to drive at the same speed, accelerates, and soon crashes into the van.
- When the T-800 pushes John Connor onto a parked SUV at the 71st minute of the film, it can be noticed that actor Jason Clarke is replaced by a stunt double in this scene.
- At the 89th minute of the film, John Connor rips out the driveshaft from under the bus. As the bus rotates in the air and flips several times on the ground, John cannot be seen anywhere outside the bus. In the next scene, the bus hangs from the bridge, and John reappears in the rear area.
- Emilia Clarke became the second actress from the series "Game of Thrones" (2011) to play Sarah Connor. Several years ago, the mother of the savior of humanity was played by Lena Headey in the series "Terminator: The Sarah Connor Chronicles" (2008–2009).
- Jai Courtney could have dropped out of the film's cast as the filming schedule coincided with the production of the sequel to "Divergent" (2014). However, the contract was structured in a way that allowed him to appear in both films.
- The working title of the film was Vista, which is a reference to the famous phrase "Hasta la vista, baby."
- The trailer for the film features the song Jetta "I’d Love to Change the World."
- The filmmakers considered John Boyega and Dayo Okeniyi as contenders for the role of Danny Dyson. The former ultimately turned down the offer in favor of participating in the seventh episode of "Star Wars," and the role of Dyson went to Okeniyi.
- Christian Bale was unable to find time in his schedule to reprise his role as John Connor – a role he played in "Terminator Salvation" (2009).
- Executive producer David Ellison's familiarity with the world of computer technology is no coincidence. His father is Larry Ellison, the founder of Oracle, one of the world's largest IT corporations. And the kicker is that the scenes at "Cyberdyne Systems" were filmed right in the software giant's headquarters in Redwood Shores. It's also noteworthy that both in real life and in the plot, this center is located within the San Francisco area.
- Megan Ellison acquired the rights to the franchise in June 2011 for $20 million, outbidding Lionsgate, which had offered $15 million. In 2014, deciding to focus on producing arthouse-style films on her Annapurna label, she transferred the rights to her brother, David Ellison. Victor Kubichek and Derek Anderson, who previously held the rights, were forced to relinquish them due to debts at their company Halycon, which led to an FBI investigation that revealed fraud involving a hedge fund during the financing of "Terminator Salvation" (2009).
- Screenwriter Laeta Kalogridis revealed that one source of inspiration while writing the screenplay was "Back to the Future Part II" (1989). Kalogridis and Patrick Lussier themselves turned down offers to write the screenplay for this film three times, as they disliked the plots of the third and fourth installments of the franchise, and only agreed after a personal conversation with James Cameron.
- The song Sarah Connor listens to on the cassette player is "I Wanna Be Sedated" by The Ramones.
- Robert Patrick played the T-1000 in the cameo comedy "Wayne's World" (1992) and the action film "Last Action Hero" (1993).
- When Sarah and Kyle land in San Francisco in 2017, a snippet of the song "Love Runs Out" by OneRepublic plays.
- Pops strikes the T-800 in the head with a beam. The concept is borrowed from the original "The Terminator" (1984).
Did you like the film?
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